Drinking with experts: your favourite sommeliers’ favourite wines

Wine Lister speaks to 10 top sommeliers to find out more about their bottles of choice

 From left to right: Lupo Theones, Victor Petiot, Gareth Ferreira, Beatrice Bessi, and Paul Lo 

What top wines do sommeliers recommend?

Whether offering the perfect food pairing or serving an unforgettable glass, sommeliers are often responsible for creating moments of vinous magic shared by wine lovers far and wide. Our latest blog flips the script, with some of the world’s leading sommeliers sharing with us their most memorable pours, providing the ultimate guide on how to drink like a pro.

Read our blog on your favourite winemakers’ favourite wine for more insight into what the experts are drinking here.

Lupo Theones – Head Sommelier at Hélène Darroze at The Connaught, London

Lupo Theones shares the same sentiment as many of his peers: “it is challenging to choose a single wine when you taste so many great wines as a sommelier”. He nonetheless mentions Egon Müller’s Scharzhofberger Riesling Kabinett 2011 as a wine that “deeply impressed” him, having tasted it soon after moving to London to join The Connaught. Describing a “perfectly balanced” palate that “shows a great acidity and minerality”, Lupo notes that it is a wine you can drink on its own, or paired with the likes of sushi and shellfish, as well as Foie Gras.

Victor Petiot – Wine Director at Caprice at Four Seasons, Hong Kong

Having discovered the vintage just last year, Victor Petiot cites Toro Albalá Don PX 1931 as his favourite wine, due to its “uniqueness” after sleeping in barrel for over 90 years. He explains that it provides “the perfect balance between powerful and well-balanced” with a “sweet and creamy texture yet high acidity”. On the topic of pairing, Victor tells us that the wine prompted the creation of a new dish to be served with it, comprising “a pigeon cooked in a coffee dough with salsify, hazelnut, pan-fried foie gras and pigeon sauce with coffee and a bit of Toro Albalá 1931”.

Gareth Ferreira – Head Sommelier at Core by Clare Smyth, London

Gareth Ferreira recalls being “immediately hooked” on his first real trip to visit the great producers of Burgundy during his early career. He tells us of the first time he tried Jean-Marie Fourrier’s Gevrey-Chambertin Clos Saint-Jacques, which made him question, “how can wine taste this good?”. It has since remained a wine he “looks forward to opening, no matter what the vintage is”, though the first he tasted – 2009 and 2010 – “will always have a special place in [his] heart” and 2002 is one of his favourites in Burgundy.

Beatrice Bessi – Head Sommelier at Chiltern Firehouse, London

“The reason that I became a sommelier is the Nebbiolo grape” exclaims Beatrice Bessi, who fell in love with Barolo in particular over 10 years ago. It is her “never-ending love”, as the region takes a lifetime to know in its entirety (“similar to Burgundy in that respect”, she notes). While citing Bruno Giacosa and Bartolo Mascarello as “traditionalist” producers that she would turn to on special occasions, Beatrice recently “fell in love with the wines of a super modern producer”, Domenico Clerico. In regards to pairing, she tells us that there is “nothing more satisfying” than an amazing glass of Barolo with pizza –  there “doesn’t need to be an occasion to have a great glass”.

Paul Lo – Wine Director at Grand Lisboa, Hong Kong

Unable to choose a favourite, Paul Lo instead recalls an exclusive dinner he hosted in May 2014, at which the late chef Joël Robuchon’s menu was paired with 10 wines from the Lisboa cellar hailing from the 1959 vintage. Listing Dom Pérignon Oenothèque, Margaux, Palmer, Latour, Haut-Brion, Lafite, Mouton, La Mission Haut-Brion, Cheval Blanc, and a Steinberger Riesling Trockenbeerenauslese, he tells us that “uncorking the wines in a single event was unforgettable”. He gives particular praise to the Steinberger, noting “so many elements inside – nectar coupled with dried nuts, dry fruits, cigar, caramel, noble spices”, presented with “delicate and perfect acidity”.

From left to right: Stefan Kobald, Victoria O’Bryan, Julien Sarrasin, Jonathan Charnay, and Pascaline Lepeltier

Stefan Kobald – Head Sommelier at Pollen Street Social, London

Stefan Kobald tells us that current favourite wine is Philippe Colin Montagny 2016. Having always known of the producer, Stefan discovered this specific cuvée before the first lockdown and has been “hooked ever since”. He describes its “fresh acidity, stunning aromas of ripe apple, citrus notes of lemon peel, and grapefruit”, with a “hint of butter coming from the light oak usage”. Sharing the same philosophy for when he buys wine for the restaurant and himself, he seeks freshness and drinkability, and a wine that invites you back to take another sip – which this wine “definitely does”.

Victoria O’Bryan – Wine Director at Addison Restaurant, California

Narrating her recent encounter with Krug Clos du Mesnil Blanc de Blancs 2002, Victoria O’Bryan tells us that it made her “weak at the knees”. She explains that the wine opened up with surprising ferocity, “like a jolt of electricity giving power and lift to bright citrus tones and a stunning limestone minerality”, with an expression that was “at once creamy and piercing with layers of intensity”. When pairing a wine with “this flair of tension and drama”, Victoria would recommend pouring it alongside caviar or oysters.

Julien Sarrasin – Head Sommelier at Hide, London

 “Every wine aficionado would understand the emotion I felt when I first tried this unique wine”, notes Julien Sarrasin, referring the Rhône’s renowned Reynaud family, and specifically a 2004 Rayas Châteauneuf-du-Pape. Now under the influence of the “Rayas effect”, Julien also cites a rosé called Parisy from another Reynaud property, Château des Tours – a blend of Grenache and Cinsault that provided his “most exciting experience” of rosé wine. He describes its “intense bouquet of crushed wild ripe raspberries, jammy strawberries, liquorice stick, and Mediterranean herbs”, which pairs with “intense seafood and fish dishes, as well as meat”.

Jonathan Charnay – Beverage Director at Masa, New York

Echoing Lupo Theones’s choice, Jonathan Charnay tells us that his “absolute favourite wine” is Egon Müller’s Scharzhofberger Riesling, though cites the Auslese as his top wine.  He muses on its “great complexity and depth” with “intense aromas of white flowers and honey” that he immediately fell in love with when tasting with Egon Müller during a visit to the winery in 2013. While it is sweet when young, Jonathan points out that it can “age for decades, turning into a delicate elixir” with notes of “apricots, ginger and bergamot”.

Pascaline Lepeltier – formerly Managing Partner at Racines, New York

Pascaline Lepeltier informs us that if she “had to go back to a wine over and over again” it would be Benoit Courault’s Gilbourg – a Chenin Blanc from Anjou in the Loire, where she grew up. “Benoit was one of the first vignerons I met over 15 years ago” she explains, noting that her path was paved by time spent with him in his vineyards in the Coteaux du Layon. Produced with grapes from different plots on schists, Gilbourg is made organically and with minimal intervention – “a real paragon” according to Pascaline. Admiring its “tremendous” ageing potential, she notes its evolution into “the most complete, complex, powerful but ethereal Chenin”.

Explore Wine Lister’s own MUST BUYs for 2021 in our recent blog here.

Tara Albini August 6, 2021

Bordeaux / Burgundy / Champagne / Germany / insight / Loire / Opinion / Rhône / Sommelier / Spain / Tasting / Wine /

Listed: Top five German wines under £300 by Quality score

A glass of cold Riesling on a hot summer’s day hits that sweet spot between refreshment, satisfaction, and intrigue. Any one of Germany’s finest wines for Quality under £300 would definitely deliver those three things. Moreover, with an average drinking window of 16 years, and with global warming seemingly set to deliver increasingly high summer temperatures, stock up on them now and you will be rewarded with stunning wines for years to come.

It is perhaps revealing of Riesling’s under-the-radar nature that three of this week’s top five qualify as Hidden Gems, meaning that they combine excellent critics’ ratings with modest restaurant presence and online popularity. Moreover, many of Wine Lister’s Hidden Gems were picked out by the global fine wine trade in our Founding Members’ survey, underlining the perennial mystery of Riesling as the darling of the trade, despite struggling to spark wide-scale consumer demand. Interestingly the group’s three Hidden Gems are all Beerenausleses (BAs). Schloss Johannisberg Rosa-Goldlack, Fritz Haag Brauneberger Juffer Sonnenuhr, and Weingut Robert Weil Kiedricher Gräfenberg’s BAs, in spite of a phenomenal average Quality score of 969, achieve an average Brand score of just 398 – the result of being present in just 2% of the world’s top restaurants and receiving only 70 online searches each month on average. Demand for excellent sweet Riesling is clearly not there at present.

However, returning to the group’s fantastic quality, it is Egon Müller’s Scharzhofberger Riesling Auslese that comes out on top with a score of 974. 2014 was its best ever vintage, with one of JancisRobinson.com’s critics, Michael Schmidt, awarding it 19/20 and heaping on the praise: “Our sensory perception is treated to an animating exuberance of exotic fruit and fresh raisins. Botrytis has been kept in check to focus on purity of expression rather than indulge in unctuous combustion”.

The group’s final spot is filled by Keller Westhofen Abtserde Riesling Grosses Gewächs (966). It is Jancis Robinson’s favourite of the five, achieving an outstanding average rating of 18.5/20 from Wine Lister’s UK partner critic. Tellingly, particularly in the context of the three BA’s lack of consumer demand, it is also the group’s most popular wine, receiving nearly 30 times more searches each month on average than the BAs. Consumers appear much more at ease with Riesling’s dryer styles.

Tom Burchfield August 21, 2018

critics / Germany / Hidden Gems / Jancis Robinson / Price / Quality Score / Riesling /

Old World vs New World

Yes, that question: “which are better, Old World or New World wines?” Traditionalists may argue that the latter lack the prestige and quality of their Old World counterparts. Those with a preference for the New World might see these wines as better value for money, free of the price tag accompanying wines from famously exclusive Old World vineyards.

Wine Lister has compared the top 50 wines by Quality score from Old World and New. The average Quality score of the top 50 wines is 983 in the Old World and 948 in the New. Though both Worlds sit comfortably in the “strongest” section of the Wine Lister 1000-point scale for Quality, the price gap tells a different story. The average price for a top 50 ranking Old World wine is £2,114 per bottle – seven times higher than the average New World equivalent (£297).

The wine with the highest Quality score on Wine Lister is Egon Müller’s Scharzhofberger Riesling TBA, which achieves a wine level Quality score of 995, having fallen just one point shy of the perfect 1,000 point score for the 2010 vintage. Riesling’s quality proliferates in the top 50, with 16 entries across Germany and Alsace. The high critics’ scores are balanced by exceptionally high prices, with an average price of £2,509 per bottle.

Though the Old World Quality top 50 is in fact white wine dominant, red Burgundy is well represented, with 13 entries and an average Quality score of 983 at £3,164 per bottle. Even excluding DRC La Romanée-Conti’s remarkable price (£11,722 per bottle), Burgundy’s remaining 12 finest reds command an average price of £2,450 per bottle.

Champagne wins the price vs quality race for the whites, with an average Quality score across its four entries of 981 at £348 per bottle. Even more impressive are the five Port entries, with an average Quality score of 982 at £244 per bottle.

In contrast to the diverse set of regions represented in the Old World top 50, the New World list is dominated by California (with 40 out of 50 wines hailing from the region). These wines achieve an average Quality score of 948 at £315 per bottle – not quite as good value as the Champagnes and Ports, but seemingly better value than their red Burgundian counterparts.

Though there are fewer entries from Australia (seven in total), the New World’s number one wine for quality comes from the Barossa Valley. Torbreck The Laird has a Quality score of 984 points and a price of £427 per bottle. When comparing this to an Old World wine of the same score, the price difference is evident. Domaine Leroy’s Romanée Saint Vivant benefits from the same Quality score, but is nearly five times more expensive, at £1,975 per bottle.

Chloe Ashton March 26, 2018

Alsace / Australia / Burgundy / Champagne / Germany / New World / Old World / Price / Quality / Riesling /