In Bordeaux, 2018 was a winemakers’ vintage. That much is clear from conversations the Wine Lister team had throughout en primeur tasting week, explained further in Bordeaux 2018 en primeur part I : the vintage. Though quality across the board was good in 2018, the greats stand out all the more for being the result of key technical decisions, rather than just terroir.
Below we look at the top 25 Bordeaux 2018 red Quality scores, based on the recently-released ratings of Wine Lister partner critics Bettane+Desseauve, Julia Harding for Jancis Robinson, Antonio Galloni for Vinous, and Jeannie Cho Lee. The average Quality score of these top 25 is 975, 25 points higher than the equivalent top red panel in 2017.
Right bank super-appellation, Pomerol earns the highest number of places in the top 25 red Quality scores (6), and includes the first- and second-best wines of the vintage, Petrus and Lafleur. They earn Quality scores of 992 and 991 respectively, and the former is awarded 97-100 points by Wine Lister partner critic, Antonio Galloni, who comments, “From the very first taste, the 2018 Petrus is simply magical”.
Proving the potential for high quality across both banks in Bordeaux 2018, the next highest appellations are Pauillac and Saint-Émilion with 5 wines appearing in the top 25 apiece. Pauillac wins out overall, with an average score of 976 (vs. 974 in Saint-Émilion). Cheval Blanc (990) and Canon (963) show impressive Quality improvements on 2017, moving 22 and 31 places up the rankings respectively.
Pauillac’s top quality wines are made up, perhaps unsurprisingly, of the three Pauillacais first growths, Lafite (986), Latour (985), and Mouton (983), and super-seconds Pichon Baron and Pichon Comtesse. This last is holds the appellation’s most-improved ranking, moving up 21 places from its 2017 position. Julia Harding of JancisRobinson.com writes of Pichon Comtesse 2018, “A gentle and surprisingly subtle beauty”.
Elsewhere on the left bank, Saint-Julien and Saint-Estèphe earn three wines each in the top 25 for Quality. The best of these, Léoville Las Cases, earns a Quality score of 987. The three Saint-Estèphe wines follow consecutively, with front-runner and rising star Calon-Ségur moving up 37 places from its 2017 ranking – the largest improvement of all the top 25 Quality scorers in 2018.
Margaux and Pessac-Léognan appear just thrice between them in the top 25 for Quality, with Margaux (980), tiny-production Palmer (973), and Haut-Brion (981).
Other wines featuring in the top 25 Bordeaux 2018 Quality scores are: Figeac, Vieux Château Certan, Montrose, Ausone, Le Pin, Cos d’Estournel, Ducru-Beaucaillou, Léoville-Poyferré, Angélus, Trotanoy, and La Conseillante.
The campaign in 2018 “won’t be a record breaker,” thinks Mathieu Chadronnier, MD of négociant CVBG, “but everything is there for it to work well.” There are also some potential pitfalls. In this article we consider the role that volume, pricing, and timing will play in the success of the 2018 en primeur campaign – already well underway.
In 2018, yields were often slightly below 2017 levels. Last year, frost damage provided a cover for releasing less volume into the market. Will mildew serve the same purpose in 2018? There were some extreme mildew casualties across the two banks, mainly for organic and biodynamic properties such as Palmer, which produced just 11 hl/ha. In Pomerol, L’Evangile made 20 hl/ha, less than half what it would have produced under conventional agriculture. In Pauillac, Pontet-Canet made just 10 hl/ha in 2018 – one third of its usual production, losing 15 hl/ha to mildew and another 5hl/ha due to dried out grapes.
The cellar at biodynamic estate, Château Palmer, emptier than usual due to tiny production in 2018 following severe attacks of mildew.
François-Xavier Borie, owner of Grand-Puy-Lacoste, believes that the real burning issue for en primeur is the volume released onto the market – or not. Some châteaux release nearly all their production, and others as little as 30%, keeping the rest back to create an artificial rarity in hope of selling the rest at a higher price later. Borie believes the right amount to release en primeur is “at least 80 percent,” cautioning that “releasing 30 percent and pretending it’s a real price is dangerous.”
Nicolas Ballarin of courtier Blanchy et de Lestapis agrees: “The problem of Bordeaux’s distribution is not in the price but in the fact that we don’t put enough wine into the market en primeur,” he states. “The real paradox is that knowing there’s none left at the château makes it more valued,” explains Ballarin, adding, “the négoce know they won’t get more.” He concludes that “prices only go up if there’s no more wine at the château.”
And after all, every producer’s objective is for their prices to go up. Many try to force this through their en primeur release price, while others let the market do the work. More than ever in 2018, there is no one-size-fits-all approach to bringing them onto the market.
As we saw in part I of our en primeur blog, 2018 was a vintage where producers’ decisions counted for a lot. In the words of Nicolas Glumineau, Managing Director of Pichon Comtesse, it is “a year with very important personal choices.” He was talking about the winemaking, but could just as easily be referring to the sale of the wine. “There won’t be any blanket tendencies,” says Frédéric Faye, Managing Director of Figeac, underlining that, “each château has to decide for itself and not look at its neighbours.”
The only golden rule that the trade seem to agree on is that the 2018s should not be priced higher than the 2016s were upon release. “It would be a massive mistake for prices to be above those of 2016,” declared George Wilmoth, Head of Sales at UK merchant Justerini & Brooks. In Bordeaux, Edouard Moueix, Managing Director of Etablissements Jean-Pierre Moueix (producer and négociant), agrees, saying 2018 prices, “cannot be higher than 2016, it’s impossible.”
The exception to this rule of course, is where the 2016s have increased significantly since their release. Stephen Browett, Chairman of UK merchant Farr Vintners, reminds us that, “the vast majority of 2016 Bordeaux wines that customers bought en primeur are still available at delivery time at the same price as they paid two years ago, and in some cases less,” but there are exceptions, such as Lafleur, whose 2016 has increased 109% since release. When it released this morning, the château could therefore up its 2016 release price by 12% and still offer a 2018 that remains significantly cheaper than the current market price of the 2016.
An excerpt from Wine Lister’s Bordeaux Study part I, showing the 10 2016 Bordeaux whose prices have increased the most since their release two years ago.
“At the end of the day the châteaux will charge what they can get,” states Mathieu Chadronnier, MD of négociant CVBG. The allocation system in Bordeaux means this is often more than what they should arguably be charging, because négociants don’t want to risk losing share to competitors in future years. However, some did refuse allocations in last year’s campaign, and this could happen again – and maybe on a larger scale – if prices are too ambitious.So far there have only been small instances of this.
The campaign is a precocious one, with Angélus releasing on 16th April, and a few dozen releases since, including well-known names Branaire-Ducru, Langoa-Barton, and Labégorce. However, it doesn’t really seem to have got going. Some of the Wine Lister team is just back from two days in Bordeaux speaking with négociants and courtiers on the Place, and there is a distinct lack of energy so far.
However, after yesterday’s bank holiday in France, and a handful of releases today, things are set to pick up pace in earnest next week. We expect a series of releases from châteaux that have historically judged their en primeur prices well, and this could breathe some life into the campaign. On the other hand, these are the very same châteaux who can actually conceive of increasing their prices, given their market value has risen sufficiently.
Some fear this will set the wrong precedent for their neighbours, which is why it is more important than ever for each property to consider its pricing strategy in the context of its own performance, and not what its neighbours are doing. Châteaux need to “make sure that their en primeur price to the consumer is lower than that of older vintages,” says Browett. In part I of our recent Bordeaux study, we looked at a case study of a hot property in Bordeaux that did just that in last year’s campaign.
A masterclass in en primeur release pricing – the chart above shows Carmes Haut Brion’s 2017 release prices versus previous vintages on its day of release last year. Today the market price of 2017 is £65 (16% above release), and the 2016, £133 (109% above release).
Let’s hope that more and more châteaux follow this formula as the campaign continues to unfold next week. The week after that is Vinexpo in Bordeaux, and most big-name releases will begin in earnest from 20th May.
Watch this space for the release of Wine Lister’s Bordeaux Study, Part II, before then.
In June 2018, the idea that Bordeaux had a very good vintage on its hands was laughable. The first half of the year had seen incessant rain in the region. Mildew was rife and vignerons were fighting it all day long, including at weekends (if they could afford to). At Château Corbin, owner Anabelle Cruse cancelled her trip to Vinexpo Hong Kong to be on site to manage treatments. “We couldn’t afford any mistakes after losing nearly all of the 2017 vintage [to frost],” she said.
But then on 18th June, the weather turned, and barely another drop of rain fell until September. 2018 was a year of extremes for Bordeaux. “It started hellish, and finished in ecstasy,” said Sara Lecompte Cuvelier, Managing Director at Léoville-Poyferré. “It started a nightmare and finished a dream,” echoed Guillaume Pouthier, Director at Carmes Haut-Brion.
Against all odds, some truly extraordinary wines were made. “Technically, it’s the most accomplished wine we have made since I joined,” said Nicolas Glumineau, Managing Director of Pichon Comtesse since 2012. Adrien Bernard declared, “the 2018 [red] is the greatest wine my dad has made” – the Bernard family bought Domaine de Chevalier in 1983. But 2018 was not a great vintage across the board like 1982, 1989, or 2010. It wasn’t a vintage where you could make a great wine with your eyes closed. On the contrary, 2018 is a vintage where human choices really mattered, and at the top level, happily, these choices were usually the right ones.
Happy with their 2018s: Guillaume Pouthier, Pierre-Olivier Clouet, and Nicolas Glumineau
Concentration in the 2018s is at unprecedented levels: grapes were lost to mildew in the spring, and then the summer drought left remaining berries very small, without much juice. Picking dates were key: the temptation to leave the grapes hanging in the Indian summer was strong, but success in 2018 was all about retaining freshness to counter the high levels of alcohol and tannin.
Even those who picked early were still facing unknown territory. Many producers recounted the topsy turvy ratio of marc to juice in the vats (more skins and pips than liquid). As a result, tannin levels were off the scale, with IPTs (Indice de Polyphénols Totaux) at their highest ever recorded for many producers. At Lynch-Bages, Technical Director Nicolas Labenne explained that, “a normal IPT would be 70, a good year is 80, and we’re at 95 in 2018.”
“But it’s the quality of the tannins that’s important,” Pouthier reminded us. This colossal potential needed taming by the winemakers if they were to make gentle giants, and not monsters in 2018. “This was a year where you couldn’t go into the cellar and say, ‘well every year I do it like this so I’ll do the same’,” said Lillian Barton. “You had to be careful with the extraction,” she explained.
During our tastings last week, producers of the best wines explained their use of more gentle, less frequent extraction, and vinification at lower temperatures than normal. At Petrus, winemaker Olivier Berrouet explained that, “In a hot vintage it’s tempting to go further, but we wanted to keep delicacy; we let the wine infuse like tea.” He was not the only one to talk about “infusion”, some châteaux foregoing altogether the use of extraction techniques such as pumping over and punching down. This allowed subtler winemakers to achieve silky, creamy tannins that melt in the mouth, while retaining all the generous flavours from the uniquely concentrated grapes.
The 2018 vintage really is one of a kind. “It’s impossible to compare it to another vintage other than to say 2016 plus plus,” offered Pierre Graffeuille, Managing Director at Léoville Las Cases, because it has “more of everything.” More alcohol, more tannin, more flavour, but also in the best examples (and there are many), more freshness and more silkiness (some of which have been highlighted in Wine Lister’s 2018 tasting favourites). So if you believe that more is more, this is a vintage for you. Just beware that some wines have all the beast and none of the beauty.
In part II of this en primeur round-up we will look at production volumes before considering the upcoming campaign – its context, as well as likely timing and pricing. Watch this space.
Part I of our annual Bordeaux study is available here, and part II will be released to subscribers in May. Follow us on Twitter for the 2018 Bordeaux en primeur release updates, or for real-time analysis enquire here about subscription to Wine Lister Pro.
Château Latour has released a parcel of their 2008 this morning. It is being offered in the UK at c.£425 per bottle. The factsheet below summarises its key points.
You can download this slide here: Château Latour 2008
With our founder, Ella Lister, just back from tasting the latest releases at Benvenuto Brunello in Montalcino, we thought we’d dig deeper into the data behind the appellation’s top wines. The pyramid system in the region means that most producers make at least three wines: in the middle, a Brunello di Montalcino DOCG Annata (or “vintage”); in good years, a Riserva (with longer ageing but also nearly always the best selection of grapes from the estate); and at the bottom of the pyramid, a Rosso di Montalcino DOC, producing fresher, approachable wines requiring less ageing.
This allows, and indeed encourages, a healthy level of selection in the region. At last weekend’s event, the vintages on show were 2013 Brunello Riserva (excellent), 2014 Brunello Annata (a tricky vintage, with some producers declassifying to Rosso di Montalcino), and Rosso di Montalcino 2017. There is also a trend in the Brunello DOCG towards vineyard-specific crus, such as Casanova di Neri’s Tenuta Nuova or Il Marroneto’s Madonna delle Grazie, both of which feature in this week’s top five: top Brunellos by Economics score.
When examining the economic profile of Brunello wines, we see that Riservas tend to have higher Economics scores than Annatas, in line with their higher Quality scores. The best-performing Brunello by Economics score is Biondi Santi’s Brunello di Montalcino Riserva, with a score of 902. It earns the number one spot of this week’s top five with the highest price at £315 per bottle in-bond, and annual auction trading volumes of 458 bottles. The wine also outperforms the rest of the group for both Brand and Quality scores (904 and 938 respectively).
While Riservas are strong economically speaking, Annatas often have stronger Brand scores than their longer-aged counterparts, being produced in larger quantities and thus achieving greater visibility. In second place is Valdicava’s Brunello di Montalcino Madonna Piano Riserva, with an Economics score of 892, whereas its straight Brunello has a Brand score 57 points above its “big” brother, an example of the potential branding conundrum surrounding Brunello and other parts of Tuscany with a Riserva denomination. Nonetheless, the Riserva shows better price performance, with a compound annual growth rate (CAGR) of 15.2%, and an average of 257 bottles sold at auction annually.
Specific “crus” can also perform better than their straight Brunello Annatas in economic terms. In third place is Casanova di Neri’s Brunello di Montalcino Tenuta Nuova with an Economics score of 865. Despite having the lowest Quality score (841) and lowest price (£70) of the group, it earns this week’s second-highest Brand score (887).
In fourth place is Il Marroneto’s Brunello di Montalcino Madonna delle Grazie, the winery’s top cru, produced from grapes grown around the historic chestnut flour store house, and below the church by the same name. It has an Economics score of 847, benefitting from by far the best long-term price performance of this week’s top five, with a compound annual growth rate (CAGR) of 22.9%. Moreover, it sits just one point shy of this week’s number one in Quality terms (937) at 40% of the price – £130.
Rounding out the group is Poggio di Sotto’s Brunello, with an Economics score of 815.
While Super-Tuscans have been recognised for their investment potential for some time, Brunello still sits rather in the shadow of its Bordeaux-blend brothers. In Wine Lister’s first Tuscany market study, conducted in 2017, Brunello held nine places out of the top 25 Tuscan Economics scores. Today that number has increased to 14, as Brunello – Montalcino’s very own, highly ageworthy selection of the Sangiovese grape – goes from strength to strength.
With the first major set of releases for 2019 in full swing (Burgundy 2017), the Wine Lister team are already looking ahead for what else is in store for wine collectors and trade members alike. In February we expect to see the release of Barolo 2015s – set to be a more concentrated and riper vintage than the previous due to high temperatures throughout the summer. In anticipation of these, Wine Lister is examining the top five Piedmont Buzz Brands by Brand score.
Ironically, the highest-scoring brand of this week’s top five is in fact not a Barolo at all. Gaja’s Barbaresco takes the top spot with a Brand score of 975. Wine Lister partner critic Antonio Galloni gives the 2014 vintage 96 points, and comments, “this is one of the most tightly wound, intense versions of Gaja’s Barbaresco I can remember tasting. Don’t miss it”.
While it is no longer breaking news to see such high quality Barbaresco emerging from under Barolo’s shadow, the making of such a well-recognised brand is impressive. This is achieved by presence in 31% of the world’s best restaurants, and a search rank of 76 out of the c.4,000+ wines on Wine Lister. Gaja’s single vineyard Barbarescos, Sorì San Lorenzo, Sorì Tildin, and Costa Russi are also popular with an average Brand score of 915.
In second place for top Piedmont Buzz Brands is Giacomo Conterno’s Barolo Monfortino Riserva. Sitting just outside the top 50 most-searched-for wines (in 51stplace), it is both the highest quality and the most expensive wine of this week’s top five, with a Quality score of 977, and an in-bond per bottle price of £766. The price tag, which is just under four times higher than the average price of the other four wines of this week’s group, is perhaps due to the tiny production quantities of just c.7,000 bottles per year.
Giacomo Conterno also takes a second spot in this week’s top five – fourth place, with his Barolo Cascina Francia, which earns a Brand score of 956 and a Quality score of 960. Despite score gaps between these two wines of a mere 14 and 17 points respectively, an average of three times as many bottles are produced of Cascina Francia than its grander (and much rarer) sibling. It is available at just 23% of the price of the Barolo Monfortino Riserva – £176 per bottle in-bond.
In third place of this week’s top five is Bartolo Mascarello’s Barolo with a Brand score of 965. While its scores across the board sit in the mid-range of this week’s top five, it achieves the best long-term price performance, with a three-year compound annual growth rate (CAGR) of 34.7%.
Lastly, at number five of this week’s group is Bruno Giacosa’s Barolo Rocche Falletto Riserva with a Brand score of 928. Although the Barolo Rocche Falletto Riserva has the lowest search rank of this week’s top five (158th), online searches for this wine saw impressive increases last year (read more here). It achieves a Quality score of 974 – just two points under the best Quality performer of the group (Conterno’s Barolo Monfortino Riserva). Indeed at vintage level these two wines share a near-perfect Quality score of 998 for their respective 2004 vintages, both earning 100/100 from Antonio Galloni.
It is interesting to note the high quality that accompanies these top Piedmont Buzz Brands (an average Brand score of 959 vs. 945 for Quality). The disparity between scores is more accentuated for the equivalent group in Tuscany, which achieves a Brand score of 991 for a Quality score of 932, or in other words, a 59-point gap.
Much of the U.K. wine trade gathered last week for the first wine ‘event’ of 2019 – Bourgogne Week. To the Wine Lister team members attending tastings in London, one thing was abundantly clear – the quality across the board is impressive (Wine Lister’s founder, Ella, discussed what a positive surprise the 2017 Burgundy vintage has been in a recent podcast – watch here).
Since there is so much to choose from, and with Burgundy’s popularity continuing to grow (read more in Wine Lister’s Burgundy study here), the Wine Lister team has put together its own list of buys based on tastings attended last week.
The Côte de Nuits has produced many rich examples in 2017. All of Comte Liger-Belair’s wines were stunning, but a particular highlight was his Vosne-Romanée. Both Clos de Vougeots from Faiveley and Jacques Prieur possessed great intensity, while Fourrier’s Gevrey-Chambertin Combe aux Moines was pretty and elegant in style.
The Côte de Beaune has performed wonderfully in 2017. The team settled on a Volnay, a Corton Bressandes and three Pommards, with two particular favourites – Comte Armand’s Clos des Epeneaux and De Montille’s Les Pézerolles.
Finally, the team were impressed by an array of whites from the Mâconnais right up to the premiers crus from the Côte de Beaune. Hubert Lamy’s Saint-Aubin En Remilly was selected unanimously by Wine Lister team members. Bernard Moreau’s Chassagne-Montrachet impressed, while Bret Brothers’ Pouilly-Vinzelles Les Quarts was a great discovery.
See the rest of the wines included in this post here: Bruno Clair Bonnes-Mares, Duroché Gevrey-Chambertin Les Jeunes Rois, Ghislaine Barthod Chambolle-Musigny Les Charmes, Henri Gouges Nuits-Saint-Georges Clos des Porrets-Saint-Georges, Jacques-Frédéric Mugnier Nuits-Saint-Georges Clos de la Maréchale, Jean Grivot Vosne-Romanée Aux Brûlées, Maison Joseph Drouhin Chambertin Clos de Bèze, Mongeard-Mugneret Vosne-Romanée En Orveaux, Olivier Bernstein Bonnes-Mares, Thibault Liger-Belair Nuits-Saint-Georges Les Saint-Georges, Courcel Pommard Les Croix Noires, Henri Boillot Volnay Chevrets, Tollot-Beaut Corton Bressandes, Étienne Sauzet Puligny-Montrachet Les Perrières, Jean-Noël Gagnard Chassagne-Montrachet La Boudriotte, Jean-Philippe Fichet Meursault Les Tessons, Laroche Chablis Les Blanchots.
Château Latour has released a parcel of Les Forts de Latour 2009 this morning at €195 per bottle ex-négociant, which will likely result in a UK release price of c.£200. Our factsheet below summarises all the key points.
You can download the slide here: Wine Lister Factsheet Les Forts de Latour 2009
As July begins, much of the wine world may feel more grey and drizzly than the weather would suggest, due to a case of post-primeurs blues. Indeed, Wine Lister’s founder, Ella Lister, reports in her recent article for JancisRobinson.com that “…the majority of merchants are reporting revenues down approximately two-thirds on 2016”. In that article, a comparison of Quality scores across recent vintages highlights the value proposition of the 2014 vintage. In this blog post we dig a bit deeper.
A few weeks into this year’s en primeur campaign releases, the Wine Lister team noticed a distinct pattern. With almost every new release, we sounded more and more like broken records, echoing that château X’s 2017 release price, while below the last two vintages, made the 2014 look like good value. While it has been pigeonholed as a good but not great vintage, 2014 achieved consistently high critics’ scores that imply its reputation should be better.
The chart below shows Bordeaux 2014 and 2017 average Quality scores by appellation, comparing 2014 three-month average prices with 2017 release prices.
Based on 75 key Bordeaux classified growths, the chart illustrates the relationship between quality and price (note the price gap for 2014 and 2017 Saint-Émilion, despite similar average Quality scores). Only Pomerol and Pessac-Léognan achieved higher Quality scores on average in 2017 than in 2014, with Wine Lister’s partner critics preferring 2014 across all other appellations.
While the trade puts aside its allocations of 2017 for the time being, perhaps the silver lining is the light this vintage shines on relative value elsewhere. Is it time for merchants and collectors alike to focus on 2014?
We used Wine Lister’s comparison tool in our search for good-value back vintages in order to compare different vintages and their respective critics’ scores and prices. For example, Malescot Saint-Exupéry achieves a Quality score of 894 in 2014, versus 735 in 2017. Despite the substantial price reduction on the 2016 and 2015 vintages, the 2017 UK market price remains 5% higher than the 2014, the latter receiving higher scores from three of the four Wine Lister partner critics. Neal Martin disagrees, awarding the 2017 a potential 2 points more than 2014 saying, “it is not a complex Malescot St. Exupéry, but I admire the balance and focus”.
Malescot Saint-Exupéry 2014 has the highest Value Pick score of any recent vintage:
Use the Vintage Value Identifier chart (pictured above) on every wine page to pick out the best value back vintages. For example, Cantenac-Brown’s 2014 looks like a particularly good buy, at £25.50 per bottle for the 2014 (whose Quality score is 800), versus the 2017 at £34.05 per bottle, with a Quality score of 715. Its 2015 looks good too.
All the facts on Cristal 2008 which has been released today with its best ever Quality score (996).
You can download the slide here: Wine Lister Factsheet Cristal 2008