To mark the first day of spring (Saturday 20th March), this week’s blog takes a deep dive into Wine Lister’s latest MUST BUY update, helping you to discover some excellent wines to enjoy over the next few months. The 19 new MUST BUYs cover a range of regions, varieties, and styles, providing inspiration for top picks to drink now or put away for the future.
Click here to view all MUST BUYs, or read more below.
Piedmont constitutes over a quarter of the new MUST BUY picks, with entries from five of the region’s leading producers. Currently at its peak drinking, Luciano Sandrone’s 2005 Barolo Le Vigne comprises a blend of fruit from four of the estate’s top vineyards, each with different terroirs, altitudes, and exposures. Harvested, vinified, and aged separately, the final assemblage is intended to express the best characteristics of each plot. Wine Lister’s partner critic, Jancis Robinson, describes it as “complex”, with “already very integrated aromas”. It can be purchased from Farr Vintners for £79 per bottle (in-bond).
In Burgundy, Thibault Liger-Belair’s 2018 Richebourg achieves its highest WL score since the successful 2010 vintage (96), and is described by Wine Lister’s Burgundy specialist critic, Jasper Morris, as possibly “[Thibault’s] best Richebourg to date”. Awarding it 95-98 points, Jasper notes that “the oak […] is so suffused by a brilliant dense entirely red fruit, soft strawberry and more pronounced raspberry”. It is available to buy from Corney & Barrow for £450 per bottle (in-bond).
Representing the Southern Hemisphere, Shaw and Smith’s 2019 Pinot Noir also has Value Pick status, with a WL score of 92 at £26 per bottle (in-bond). The first vintage to include fruit from the property’s Lenswood vineyard, which boasts mature vines and high altitude, it marks an exciting development for Shaw and Smith. Richard Hemming for Jancis Robinson describes it at “superbly fragrant” and representative of “the sheer pleasure of the variety”. It can be bought from The Fine Wine Company.
Pierre-Yves Colin-Morey makes up two of three Burgundy whites to feature in the latest MUST BUY update, with its 2016 Meursault Perrières and 2018 Corton-Charlemagne. At £210 per bottle (in-bond), the former achieves 94 points from Jasper Morris, who notes “riper fruit, almost some orange blossom, but still an underlying freshness”. Meanwhile, Julia Harding for Jancis Robinson awards 19 points to the 2018 Corton-Charlemagne, describing it as “powerful and elegant” with a “smoky and quite subtle” nose. While both wines are more difficult to source, it is worth informing your merchant of your interest in purchasing them.
Other wines featured in the new MUST BUY selection are: 2005 Rayas Châteauneuf-du-Pape, 2009 Gaja Barbaresco Sori Tildin, 2009 Peter Michael Les Pavots, 2010 Giacomo Conterno Barbera d’Alba Cascina Francia, 2010 La Spinetta Barbaresco Gallina, 2014 Bouchard Père et Fils Montrachet, 2015 Bond Quella, 2016 Giacomo Grimaldi Barolo Sotto Castello di Novello, 2017 Gangloff Condrieu, 2017 Kistler Vineyards Hudson Vineyard Chardonnay, 2017 Kistler Vineyards McCrea Vineyard Chardonnay, 2018 Castello di Fonterutoli Siepi, 2018 Georges Mugneret-Gibourg Echezeaux, and 2019 l’Evangile.
Following a successful campaign for Brunello 2015s in 2020, this year’s releases of Brunello 2016 will surely take one of Italy’s prominent winemaking appellations to new heights. Below we take a closer look at a handful of Brunello producers to look out for, as the region as a whole continues to rise in fine wine spheres.
With a family history dating back to the 1800s (and beginning with Lavinio Franceschi), Il Poggione’s multi-generational winemaking experiences have given its wines quite the reputation. As the number one most popular Brunello (as measured by Wine Lister’s search rank, based on monthly searches conducted on the world’s most-visited wine website, Wine-Searcher), is it most certainly deserved – indeed, for the 2016 vintage, Il Poggione achieves a Wine Lister score of 97 – it’s best ever. Writing for Vinous, Eric Guido names it “a classic in the making”.
A comparatively young project, Il Marroneto was born from the purchase of vines by lawyer, Giuseppe Mori in 1974, and the ensuing passion for winemaking held by one of his sons, Alessandro. Strict commitment to quality has since seen the estate rise to become a quiet reference for the region, fetching high prices to match. Small availability from the latest vintage (2016) of the flagship wine, Madonna delle Grazie impressive is still available, at c.£263 per bottle in-bond).
Stemming from one of the most influential Sienese families of the 15th century, Costanti is another Brunello estate with wealthy history, and strong family traditions. As one of the first producers to present a wine under the name we know as “Brunello” today, its style has evolved beautifully under the watchful eye of winemaker, Andrea Costanti (indeed two recent vintages, the 2013 and 2010 achieve Wine Lister MUST BUY status). Awarding the 2015 vintage 17.5 points, Walter Speller writing for JancisRobinson.com notes, “True precision but definitely ‘sexy’ and sheer pleasure”.
Castello di Romitorio
Romitorio’s impressive castle possesses a rich history dating back to the Etruscans, while both its interior and the vines it overlooks benefit from the modern influence of its current ownership. Purchased by artist, Sandro Chia in 1984, his son, Filippo now runs the estate and makes its wine. Having attended a virtual tasting with him recently, organised by Honest Grapes, the wines appear to reflect their estate’s history in their timelessness, balancing a traditional style with contemporary energy and elegance. Some availability of the 2016 Brunello di Montalcino and single-vineyard offering, Filo di Seta, remains.
A few kilometres southwest, lies “the castle of Giocondo” – another imposing Tuscan structure, originally constructed in the 12th century (AD) to guard the road leading from Siena to the sea, and owned since by one of the most famous families in Tuscany – the Frescobaldis. Joining Il Poggione’s Franceschi family in being one of the very first to produce Brunello in the 1800s, Castelgiocondo’s straight Brunello offering is also among the top-ranking wines of its kind in popularity. Those wishing to snap up the latest vintage offering may need to give it some time – writing for Vinous, Antonio Galloni notes the 2016 “needs some time to come together […] yet it has all the balance necessary to mature into a real beauty”.
Explore more top-scoring Brunello here.
Having commenced the week with International Women’s Day (Monday 8th March), Wine Lister’s latest blog celebrates some of the leading female figures in winemaking. Interviewing a handful of top producers across six regions, whose practices embody a range of principals, we put a spotlight on the wines made by some of the industry’s most exceptional women.
From left: Ashley Hepworth, Caroline Frey, and Stéphanie de Boüard-Rivoal
Ashley Hepworth – Joseph Phelps Vineyards
Following a degree in Chemistry and Biology, Ashley Hepworth spent two years cooking at Charlie Trotter’s legendary Chicago restaurant, where she realised she “wanted to learn more about wine and utilize [her] science background”. After studying the restaurant’s wines, and quizzing its Master Sommeliers, she applied for a harvest internship at Joseph Phelps where she continued to work her way “up the ladder”, eventually becoming winemaker in 2008. She is “particularly fond” of the 2008, 2015, and 2017 vintages of Joseph Phelps’ flagship wine, Insignia, explaining that each are “distinctive of the given vintage and the interplay of the six estate vineyards” that the wine is blended from.
Caroline Frey – La Lagune and Paul Jaboulet Aîné
Having taken the helm of third-growth property La Lagune from her father in 2004, Caroline Frey has since assumed an additional winemaking role in the Rhône, at Paul Jaboulet Aîné, after its acquisition by her family in 2005. Like several of the producers we spoke to, Caroline informs us that working “in harmony with nature is a long-term project” for her, with both properties now certified biodynamic. She explains that “to produce great wine the grapes must be the fruit of nature and not of synthetic chemistry”, and the more she “improves in working in harmony with nature” the “more wonderful” her wine will be.
Stéphanie de Boüard-Rivoal – Angélus
Having spent her childhood at Angélus, Stéphanie de Boüard-Rivoal was seven years old when she told her grandfather, Jacques de Boüard de Laforest, that she wanted to join him and her father, Hubert, in running the estate. After an early career in London’s financial sector, Stéphanie returned to Angélus in 2012, and has since continued a “quest for excellence while endeavouring to keep the estate in [her] family”. Noting “purity, tension, and focus” as key words to describe the style of her wine, she tells us that she is currently fond of Angélus’ 2005 and 2010 vintages, and anticipates enjoyment of the 2016 and 2018 in the coming years.
From left: Charlène Pinson, Florence Heresztyn-Mazzini, Eva Fricke, and Donatella Cinelli Colombini
Charlène Pinson – Pinson
One of the longest-established families in Chablis, records show that the Pinsons have been producing in the region since 1640. Having joined her father, Laurent, at the estate in 2008, Charlène Pinson tells us of her respect for tradition and the work that her family has done before her, with the aim to “pass on the passion” to her two sons. Producing 13 different wines, she explains that each is a “reflection of their terroirs”, and are “more or less floral and fruity” depending on the slope and soil of the parcel. For those new to Pinson, she recommends the 2017 Chablis Mont de Milieu, describing it as a “pure expression of our Kimmeridgian limestones […] classic, mineral, balanced, and fresh”.
Florence Heresztyn-Mazzini – Heresztyn-Mazzini
Taking over her family’s estate (Domaine Heresztyn) in 2012, Florence Heresztyn-Mazzini and her husband, Simon Mazzini have overseen numerous developments under its new name. Introducing biodynamic practices in 2015, and achieving organic certification in 2019, Florence continues to “experiment with natural treatments” to fulfil her goal of “fighting the challenges of climate change”, including more “cover crops and sustainable pruning”. Explaining that many recent vintages have been difficult due to global warming, she tells us that she is particularly proud of her “fights” in 2013 and 2016, creating top quality wines in years that “remind us that we are small in the face of Mother Nature!”.
Eva Fricke – Eva Fricke
After making wine in Australia, Spain, and Germany, Eva Fricke returned to Germany in 2006 to start her own estate, which now holds 17ha across the Rheingau. Achieving organic certification in 2016 and membership in The Vegan Society in 2017, the property also employs several biodynamic practices including its adherence to the lunar calendar. She tells us that these principals guide her goals of developing a domain that “stands for organic, sustainable, and socially conscious standards”. Eva notes the “2019 Lorcher Schlossberg, 2019 Lorcher Krone Trocken, and 2019 Lorcher Krone Trockenbeerenauslese” as some of her top wines.
Donatella Cinelli Colombini – Casato Prime Donne and Fattoria del Colle
Born into a family of winemakers whose production in Montalcino can be traced back to 1592, Donatella Cinelli Colombini tells that it is “for this reason” that winemaking comes naturally to her. Founding Italy’s first winery run solely by women, she explains that her decision to have an all-female staff at Casato Prime Donne “leaves an imprint of acute accuracy in each step of the production process”. She notes of Casato Prime Donne wines that they are some of the first “chosen, and produced by women, for women”.
On 11th February, Sassicaia 2018 was released at £150 per bottle (in-bond), 6% up on the release price of the 2017.
Wine Lister attended an online tasting of this new release, as well as Guidalberto and Le Difese 2019, hosted by Armit Wines and Sassicaia’s third-generation director, Priscilla Incisa della Rocchetta. Armit’s Managing Director, Brett Fleming noted the uptake on all three wines has been excellent: “it has been an extremely successful launch from Tenuta San Guido over the past two weeks. Update and demand have been far in excess of anything we’ve been able to manage”.
Though all three wines are made in the large majority from international grape varieties, Priscilla’s observation that “Cabernet [has] found its sense of place in Bolgheri” shines through the wines. Each has its own distinct character, but with a fundamentally Tuscan undertone.
Sassicaia began as the passion project of Marchese Mario Incisa della Rocchetta. While studying agriculture at the university of Pisa, he developed a penchant for wine from Cabernet vines, and subsequently invested in his own, so as to have wine for his family and friends that appealed to his tastes.
During the Zoom tasting, Priscilla told us that in the 1960s, Marchese Mario’s third son, (and Priscilla’s father) Marchese Nicoló, managed to convince him to begin distributing the wine, “transforming his hobby into something resembling a business”. Over the last half-century, the agricultural focus of Sassicaia’s 2,500-hectare estate has shifted increasingly towards top-quality winemaking. Still continued today nonetheless is the breeding of race-horses on the estate, as well as the preservation of a 500-hectare wildlife reserve.
Official photos courtesy of Tenuta San Guido
This is the 50th vintage of Sassicaia to be released onto the global wine market. Priscilla notes that “8” is usually a lucky number, and this was the case once again for the growing season resulting in this year’s anniversary release.
The wine leaps from the glass, with an energetic nose featuring suave red fruit, and a floral note of cherry blossom. The palate shows great depth – red cherries and plums as well as an earthier undertone, matched with a fine, elegant texture, particularly lifted by the wine’s vibrant acidity.
The only wine of the three tasted from a cask sample, the latest release from Guidalberto shows a sultry wine with impressive structure, yet seamless integration of its elements. The fruit profile is darker than its big cousin, but the same lift and freshness resounds on the palate, giving the wine a round and long finish.
Priscilla explains that the 2019 vintage was “warmer than other preceding vintages, not as much as 2017 or 2012, but comparable with 2009”. She continues, “we had a dry and mild winter, cool and rainy spring, but a regular summer, apart from rain during the middle of August which brought fresh air that allowed grapes to stay longer on the vines”. This small interruption to the ripening gave the Merlot a little extra time to soften.
She shares with us during the tasting the big news for Guidalberto – after postponing building plans for a brand new cellar of its own due to Covid restrictions, the works are finally underway, and the wine is set to have its own home, completely separate from Sassicaia, by 2023.
Le Difese 2019
After nearly 20 years in production (its first vintage was 2002), Le Difese proves itself a vibrant and well-balanced drinking wine. The 2019 shows an intense and immediate nose of sour cherry, and pure, juicy red berries on the palate.
Priscilla comments on its design; “[It] should be a wine that’s easy to drink, enjoyable young, aromatic but with some good structure because of the Cabernet Sauvignon”. The winemaking team has chosen to increase the amount of Sangiovese in the blend of the 2019 (from 30% up to 45%), so as to better service market demand for an easy-drinking wine that is approachable younger.
Home to a range of grape varieties, styles, and DOCGs, Tuscany also offers excellent wines at a variety of price points. To help you on your hunt for a top Tuscan bottle within your budget, Wine Lister has compiled a selection of Tuscany MUST BUYs at five different price points.
Click here to view all Tuscan MUST BUYs, or read more below.
Prices are shown per bottle in-bond (when buying by the case).
Under £20 – 2011 Fattoria La Massa La Massa
Founded in 1992 by prominent Chianti winemaker, Giampaolo Motta, Fattoria La Massa represents his aim of applying Bordeaux vinification techniques to a Tuscan terroir. With the counsel of famed Bordeaux vigneron, Stéphane Derenoncourt, Motta now grows Cabernet Sauvignon, Merlot, and Petit Verdot alongside native Sangiovese. La Massa comprises 60% Sangiovese, 30% Cabernet Sauvignon, and 10% Merlot in 2011, and is described by Wine Lister partner critic, Antonio Galloni as “jumping from the glass with dark red cherry, raspberry jam, plum, spices, violets, smoke and cloves”. With a WL score of 92, it is available to purchase from Bordeaux Index for £16 per bottle (in-bond).
Under £50 – 2015 Felsina Fontalloro
Felsina has seen a significant shift toward organic and biodynamic practices since its founder, Domenico Poggiali’s son-in-law, Giuseppe Mazzocolin, took over in the late 1970s. As well as investing heavily in a more natural viticulture, the estate has adopted a dedication to revealing the expression of its terroir. The 2015 Felsina Fontalloro was awarded 96 points from Antonio Galloni, who indeed notes that “sandy soils confer aromatic intensity to this super-expressive, arrestingly beautiful wine”. It can be purchased from Brunswick Fine Wines for £44 per bottle (in-bond).
Under £100 – 2016 Tenuta Tignanello Tignanello
Antinori’s Tenuta Tignanello property fared notably well in 2016, with its namesake wine, Tignanello achieving its joint-highest WL score alongside its 2015 vintage (98). Antonio Galloni describes the 2016 Tignanello as “flat out stunning”, and muses, “I don’t think there is another wine anywhere in the world made entirely from estate fruit that can match Tignanello for quality, consistency and value”. A blend of 80% Sangiovese, 15% Cabernet Sauvignon, and 5% Cabernet Franc, it can be acquired from Fine+Rare Wines for £92 per bottle (in-bond).
Under £200 – 2015 Montevertine Le Pergole Torte
Considered a difficult place for any agricultural production, Radda was an unusual location for Montevertine’s founder, Sergio Manetti to establish his property in 1967. In one of the highest and rockiest sites in Chianti Classico, its steep hills are now home to top-quality Sangiovese vines from which its three wines – Pian del Ciampolo, Montevertine, and Le Pergole – are produced. Antonio Galloni awards 97 points to the 2015 Montevertine Le Pergole Torte, calling it “deep, powerful and resonant […] exotically ripe and flamboyant, not to mention utterly captivating”. It can be bought from IG Wines for £129 per bottle (in-bond).
Over £300 – 2008 Soldera Case Basse Sangiovese
Achieving 18 points from Wine Lister’s partner critic, Jancis Robinson, Soldera’s 2008 Case Basse Sangiovese is described as “so different from most Brunello” with a “reserved nose of autumnal leaves”, and a “real tang on the end”. Having separated from the Brunello di Montalcino DOCG in 2006, all vintages from 2007 onwards are labelled as Toscana IGT. The 2008 marks a shift away from the estate’s usual vinicultural methods, having been aged for a period in stainless steel before bottling. Antonio Galloni notes that it is indeed “quite different from virtually every other wine made at Case Basse”. The 2008 Case Basse Sangiovese can be bought from Fine+Rare Wines for £387 per bottle (in-bond).
Last week, Wine Lister joined members of the fine wine trade and press, gathered behind their screens, for the unveiling of Ornellaia’s annual Vendemmia d’Artista collaboration. With each new vintage release, the Ornellaia team chooses a word to characterise the latest growing season and its resulting wine, and selects an artist to bring the word to life on limited-edition labels of the Ornellaia bottle.
Marking the winery’s 13th edition of Vendemmia d’Artista, the 2018 vintage has been coined “La Grazia” – Grace. Estate Director, Axel Heinz, explains that the choice of name is due to 2018 being “a wine that has no hard edges”, and one “all about symmetry, proportion…a graceful expression of Ornellaia”.
Indeed, the higher proportion of Merlot than Cabernet Sauvignon in the latest vintage blend – an exception for the estate – has produced what we found to be a soft and silky wine with a lively perfume and elegant, precise fruit. Ornellaia’s CEO, Giovanni Geddes da Filicaja, notes that the wine really came together “at the time of blending”. He adds, “all the pieces were good, but once we put them all together, it became a really gracious wine”.
That the wine should be so-named came as somewhat of a surprise to Heinz. He reveals that “it was really after the year of ageing and when we sat down in the blending room, that the wine revealed itself to us”. He describes the vintage as “one not without challenges”, expanding thus: “usually [we have] a relatively dry Mediterranean climate. In 2018 we had Mediterranean sun but at the same time enough rainfall to slow the ripening down, and create a wine that is all about balance”.
Belgian artist, Jan Fabre, was chosen to bring La Grazia to life, and limited-edition bottles in various formats will feature his work, as shown in the image below.
Photo: courtesy of Ornellaia winery – featuring sculpture and drawings by Jan Fabre.
Ornellaia’s art curator, Bartolomeo Pietromarchi, explains the artistic concept as “a way to express balance between beauty and taste”, as well as to “explore the relationship between the senses”. Fabre has sculpted three works from precious red coral, which adorn Salmanazars due for auction in September; “A Candle of Mercy”, “The Crown of Kindness” and “The Heart of Virtue”.
Further bottles feature drawings that bring out the texture of these sculptures – indeed a limited number of 12-bottle cases of Ornellaia 2018 will each contain one bottle with Fabre’s crown label design.
The 111 limited-edition, large-format bottles will be auctioned through Sotheby’s in September 2021, and all proceeds will go towards Ornellaia’s ongoing support of the Mind’s Eye project at the Guggenheim museum.
Widely considered the most romantic (if most expensive) day of the year, Valentine’s day often brings with it pressure to spend more to prove one’s admiration. To help you avoid compromise on your Valentine’s day drinking, Wine Lister has put together a list of red Value pick MUST BUYs with WL scores above 95.
Click here to view all red Value pick MUST BUYs, or read more below.
Of the 37 red Value Pick MUST BUYs earning WL 95 and over, a substantial 27 wines hail from Italy, suggesting the impressive quality-to-price ratios offered by many of the country’s producers.
A passion for Piedmont
Famed Piedmont cooperative, Produttori del Barbaresco appears three times on the list, with the 2014 vintages of its Montefico Riserva, Montestafano Riserva, and Ovello Riserva. Despite hailstorms damaging several Barbaresco vineyards in 2014, Produttori’s premium sites are subject to rigorous grape selection, meaning its single-vineyard wines retained quality in the vintage. Achieving the highest score of the three labels from Wine Lister partner critic, Antonio Galloni (96) who calls it a “potent, structured Barbaresco”, the Montefico Riserva can be purchased from Hatton & Edwards for £42 per bottle (in-bond).
Tenderness for Tuscany
Moving further south, Podere Poggio Scalette’s Il Carbonaione is represented by its 2009, 2013, and 2014 vintages, which all achieve WL scores of 95. With over 10 years of age, the 2009 is described by Wine Lister partner critic, Jancis Robinson, as offering a “very voluptuous, exotic nose”, with notes of “both herbs and spices – and some meatiness […] very exciting and bursting with health”. It can be bought from Atlas Fine Wines for £33 per bottle (in-bond).
A romance with the Rhône
Family-owned, micro-négociant, Tardieu-Laurent represents five of the eight Rhône Value picks, with its 2016 Châteauneuf-du-Pape Cuvée Speciale, 2010 Châteauneuf-du-Pape Vieilles Vignes, 2016 Châteauneuf-du-Pape Vieilles Vignes, 2005 Cornas Vieilles Vignes, and 2007 Hermitage. Despite its small-scale production (a consequence of its meticulous selection process), Tardieu-Laurent offers excellent value across its labels. Jancis Robinson awards 18 points to the 2016 Châteauneuf-du-Pape Vieilles Vignes, noting it is “very aromatic and then so sweet and round on the palate! You want to gobble it up immediately”. It can be purchased by the case of 12 from Tardieu-Laurent’s exclusive UK agent, Corney & Barrow for £390 (in-bond).
Caring for California
Representing the New World, Ridge Vineyards’ Geyserville appears in the line-up with its 2016 vintage. A single-site blend of 73% Zinfandel, 17% Carignan, 7% Petite Syrah, and 3% Alicante Bouschet, it achieves a WL score of 95, and is described by Antonio Galloni as offering “black cherry, graphite, lavender, and spice”, with “a purity […] that is absolutely striking”. Also noted by Jancis Robinson as having “snug, focused aromatics with hints of floral lift” and “a palate bursting with flavour”, the 2016 Geyserville can be acquired by the bottle from Lay & Wheeler for £33 (in-bond).
Top chefs are often interrogated on their favourite dishes to cook at home, actors on their favourite films, writers on their favourite books – Wine Lister has sought out the ultimate drinking inspiration for special occasions, interviewing a handful of top wine producers on their favourite wines.
From left to right: Axel Heinz, Chiara Boschis, Gaia Gaja, Jacques Devauges, and Marielle Cazaux
Axel Heinz – Ornellaia
“It’s certainly the most difficult question to answer for a winemaker”, Axel begins. Born in Germany, and spending his early career in Bordeaux before joining Ornellaia, his choice, once we twisted his arm, sits far from his professional vinous journey. “It would be a white, from my favourite Grand Cru in Burgundy: Corton Charlemagne”, he confesses, explaining that for him, these wines combine the structure and power of a red wine, with “the vibrancy, fragrance, and minerality that one can only find in great whites”. Admiring its capacity for a faithful expression of terroir, and display of true personal signature, he cites Coche-Dury as his go-to producer.
Chiara Boschis – E.Pira e Figli
With Barolo in her blood (her relatives founded the historic Giacomo Borgogno estate), it is not unusual that Chiara Boschis’ favourite wine should hail from this same noble Italian region. She tells us that she understood from a young age “the privilege to be born in such a generous land”, for which her parents, and the people around her had “great love and respect”. After years in the cellar at E.Pira, she too became “entirely captured by the magic of Barolo”. Chiara’s top choice is therefore a Barolo from the Mosconi vineyard for its “complexity and depth”, Cannubi for its “elegance”, and the vineyards of Via Nuova for their “diversity”.
Gaia Gaja – Gaja
While paying homage to her family’s past through her own wines, fifth generation winemaker, Gaia Gaja also has one eye on the future. Her favourite wine, from rising star appellation Mount Etna, Sicily, is Graci’s Etna Rosso Arcuria. The wine is made from one of the latest ripening European varieties, Nerello Mascalese, in one of the highest vineyards in Europe. She discovered it after “becoming close friends with Alberto Graci and his family”, often visiting them in Etna. Gaia explains that “the contrasts between its vibrancy, freshness, and warmth, as well as its perfume and smoky minerality”, remind her of “the snow and the fire of Etna”. Comparing it to Nebbiolo, she believes the grape has “intriguing personality, a strong identity of place, and a medium body that makes it versatile and easy to drink”.
Jacques Devauges – Clos des Lambrays
Moving from Clos de Tart to Clos des Lambrays last year, Jacques Devauges’ top wine of all-time was born close to home. He tells us that Comte Georges de Vogüé’s Musigny catalysed his passion for wine. Sampling the 1971 and 1978 as a teenager, he was “struck” by both, despite knowing very little about wine at that point. Jacques believes Vogüé’s Musigny shows “the signature of the Grand Vin”, to impress “not only the wine geek, or the collector, but everyone, even those who don’t know what makes a good wine”. Describing what “was almost a shock”, he notes that the “level of perfume on the nose was almost like a perfume you can put on your skin”, while the palate was “soft and delicate”.
Marielle Cazaux – La Conseillante
Joining La Conseillante from neighbouring Petit-Village in 2015, Marielle Cazaux tells us that if she had to pick a favourite wine, it would be Ridge Vineyards Monte Bello, because she “has so many special memories with this wine”. As an intern at Ridge in 2001, she had the chance to taste several vintages with the legendary Paul Draper, whom she calls “one of the most gifted winemakers of the US”. Marielle considers Monte Bello a “wine with extraordinary finesse”, and “a total sense of harmony”. Describing its notes of “black pepper, lavender, mocha, liquorice, and dried flowers”, she observes that it is “perhaps one of the most “Bordeaux” style wines in California”.
From left, Nicolas Audebert, Nicolas Glumineau, Pierre-Olivier Clouet, Veronique Boss Drouhin, and Will Harlan
Nicolas Audebert – Rauzan-Ségla, Canon, and Berliquet
With some of the world’s most prestigious wineries under his belt (Terrazas de Los Andes, Cheval des Andes, Moët & Chandon, Krug, Veuve Clicquot), Nicolas echoes Axel Heinz in attempting to pick his favourite wine: “it’s impossible to answer. It’s like music – endless, initiatory, and progressive”. He instead recommends a wine from his friend, winemaker Andrea Felluga, with whom he “shares wine at simple, festive tables with lots of laughter”. He tells Wine Lister that Felluga’s wine, Livio Felluga Terre Alte “is a great white from Friuli” – a “land of contrast between the sunny and singing soul of Italy and the Alpine foothills, austere and cool”. Made from a blend of Friulano, Sauvignon Blanc, and Pinot Blanc, the Terre Alte is, according to Nicolas, like Felluga – “happy and lively”.
Nicolas Glumineau – Pichon Comtesse
On the subject of his favourite wine, Nicolas Glumineau (previously of Haut-Brion, Margaux, and Montrose), tells us that there are so many wines he could note – “Rayas 1990, E. Guigal La Mouline 1976, Cristal 1996, Trotanoy 2009, Diamond Creek Red Rock Terrace 2015”. White Burgundy legend, Coche-Dury, nonetheless gets another vote from Nicolas (on top of praise from Axel Heinz) as he reminisces trying the Meursault Caillerets 2006 for the first time in London, and being “choked, speechless, and moved by such perfection”. He describes the “delicacy of its white flower aromas and the elegance of its mineral and endless finish”, and recalls the feeling “that the world has stopped turning and that time has been suspended”.
Pierre-Olivier Clouet – Cheval Blanc
Echoing the sentiment of several of his peers, Pierre-Olivier Clouet (who has been at Cheval Blanc for 16 years), tells us that “it is impossible to choose just one wine”, because “like wine, the palate of the taster is constantly evolving”. Pierre-Olivier nonetheless notes his current favourite is “Mas Jullien – a wine that fully expresses the identity of the place where it is made, and injects the touch of balance and freshness that characterises all the great wines of the world”. He recalls that the last time he tasted the Languedoc red – a blend of Syrah, Carignan, and Mourvèdre – was with his team, on the last day of Cheval Blanc’s 2020 harvest.
Veronique Boss Drouhin – Joseph Drouhin
Fourth-generation winemaker, Veronique Boss Drouhin tells us that a wine she particularly enjoys was introduced to her by her close friend, Christine Vernay, daughter of the late Georges Vernay (praised for his key role in the survival of the Condrieu appellation). Veronique recalls Vernay opening a bottle of Georges Vernay Condrieu Coteau de Vernon, and being enchanted by its “aromatics, jumping out of the glass – unique, fragrant, and complex”, and a palate that was “powerful, voluptuous, and round, but with acidity to balance it” – a rarity for Viognier. She also cites Georges & Christophe Roumier’s Chambolle-Musigny Les Amoureuses as one of her favourites, adding, “Christophe’s [wine] is one of the nicest, purest, more elegant expressions of Pinot”.
Will Harlan – Promontory
Leading Harlan Estates‘ second-generation venture, Will Harlan explains to us that while he cannot choose a favourite, Jacques-Frederic Mugnier’s Musigny 2001 is a wine that he believes to “belong among the finest”. Will recalls coming across the bottle while “travelling with colleagues through Copenhagen a few years ago”, and as there hadn’t been a correct time to open it, the bottle joined them “on a course through Germany to Switzerland”. Having finally found an appropriate evening in Zurich to open it, “by the lake — the first bit of rest since the trip began”, he was “drawn in, as each feature of the wine, with a humble nobility, felt very naturally and confidently in its place”. Will notes it was a “wine that was singular and true”, that “would mark a memorable evening of our travels and in our friendships”.
“Finché c’è vino c’è speranza” – As long as there is wine, there is hope.
Never before have Italian winegrowers been able to dedicate as much time to the care of their vineyards as in 2020. The Consorzio Vino Chianti Classico and several further Tuscan producers cite this silver lining to Covid restrictions, and they suspect it will reveal itself in the wine to come. In a year that has caused tribulation across the world, news of Italy’s promising 2020 harvest is certainly welcomed. Wine Lister has spoken to several Italian estates, which reportedly yielded high-quality grapes across the board. While regions – Piedmont and Tuscany – had their respective weather nuances, the general consensus suggests that growing season conditions were balanced, with no mention of hail or storms.
In Montalcino, the Mastrojanni team explained that lockdown prompted improved vineyard inspection in 2020: “[people] couldn’t work indoors in their offices, so the vines received the utmost attention”. They report a “very good harvest” this year, comparing it to the high-scoring 2013. Despite two short heatwaves in July and August, the estate had a mild summer overall, thanks to cooling winds that flow through the Amiata Valley in which its vineyards are situated.
On the other side of Montalcino, Cinelli Colombini reported frost during budburst, which limited the number of grape clusters in 2020. Several other Tuscan producers spoke of reduced volumes due to the cold start to spring (Fattoria Le Pupille’s 2020 yield is 20% lower than last year). Cinelli Colombini’s Brunello grape harvest was nonetheless of “excellent quality”, and despite it being hard to “shine after a masterpiece of a vintage like 2019”, the team believes it will be “difficult to exclude it from being among the best five vintages of the last 20 years”.
All hands on deck: the 2020 Brunello harvest at Montalcino’s Cinelli Colombini
In Chianti, Castello di Monsanto began picking its Chardonnay grapes on 8th September, and collected its final Sangiovese on 10th October. Third-generation owner, Laura Bianchi, informed us that their spring was mild, with enough rain to create a “perfect” reserve of water for the vines. After the hot and dry August, a wet start to September helped to regulate maturation – a common theme throughout Tuscany in 2020. The grapes thus developed a “great balance of sugar, pH, and phenolic maturation”, and the first fermentation already suggests a vintage of “great personality, rich tannins, and beautiful acidity”. Further east, Vecchie Terre di Montefili started picking on 29th September – late in comparison to other producers, but normal, the team explains, for their vineyards, which lie 500 metres above sea level (and therefore require a longer maturation period).
Less than an hour away, Brancaia finished its harvest on 30th September (having started on the 3rd week of August). The team tells us that they were forced to harvest their Sangiovese quickly before heavy rain arrived, but that they were lucky that the grapes were “the perfect grade of ripeness”. In contrast, IPSUS owner, Giovanni Mazzei, explains that he and winemaker Gionata Pulignani decided to wait until after the extra rain in September before starting the harvest, “to guarantee more balance, extra aromatics, and temper the alcohol content”. In doing so, the hot and dry summer was counterbalanced; Mazzei states that he could indeed “classify the  as a good compromise between cooler and hotter vintages”.
In coastal Maremma, owner and Production Manager at Fattoria Le Pupille, Ettore Rizzi, tells us that 2020 saw a significant threat of powdery mildew across its vines, especially in the thin-skinned varieties of Sangiovese, Ciliegiolo, and Syrah. He states that they nonetheless managed to trim the affected bunches and stem the problem, while their Merlot and Cabernet vines also “gave us some incredible fruit”. According to Rizzi, “the word that can best describe the 2020 vintage is concentration” – a consequence of the high temperatures in July and August.
“The final quality of the grapes was really good” – Fattoria Le Pupille’s 2020 Syrah grapes
In Bolgheri, Ornellaia’s Estate Director, Axel Heinz, declared that their 2020 vintage is “shaping up to be one to remember as a great year”. The property saw “textbook perfect conditions until the end of May”, while June saw a lot of rainfall that “accelerated vine growth”, and required lots of work in the vineyard to keep the canopies under control. Summer saw hot and dry conditions, while rain arrived in the last days of August to alleviate drought stress and lower temperatures, encouraging a more even ripening at the last moment. While an unexpected mid-September heatwave made it necessary to pick all three red varieties – Cabernet Franc, Cabernet Sauvignon, and Petit Verdot – simultaneously at speed, Heinz notes that they nonetheless look “very promising in a rich and structured style”.
Moving up to Piedmont, fifth-generation of the esteemed Gaja family, Giovanni Gaja, tells us that they are so far “optimistic” about the 2020 vintage, despite it being early days to evaluate the exact character of the grapes. Their Barbaresco plots witnessed a moderate July, followed by a warm August that was similarly alleviated by rain towards the end of the month. While they required extra efforts to prevent mildew attacks, the final picked grapes appear “very healthy”.
While 2020 has caused much uncertainty, the recent harvest suggests that there is definitely hope for some excellent wine to come from this year, and we look forward to finding out for ourselves in the future.