Second-generation owner and winemaker of her estate in Anjou: “The important thing is to feel alive”.
For the 13th interview in Le Figaro Vin’s series we remain in Savennières in the Loire to meet Tessa Laroche, #38. One of France’s greatest winemakers, hidden away in one of the country’s tiniest appellations, Savennières Roche aux Moines, she will celebrate 20 years at the helm of her estate in 2023.
Her parents bought the property, whose wine-growing origins date back to the Middle Ages, in 1981. At that time the wine was still sold in barrels, not bottles. With each passing vintage they succeeded in converting the neighbourhood. Tessa’s mother, Monique Laroche, who passed away in 2020, was the driving force who played a major part in establishing the region’s viticultural reputation.
Her core operation remains the iconic wine of the estate, turning out between 30,000 and 40,000 bottles a year, but in recent years Tessa Laroche has branched out with a new wine, Le Berceau des Fées. This is made from young vines and matured in vats instead of barrels, while her reds, made from Cabernet Franc, display a vivacity rarely found elsewhere. Though her terroir remains her greatest love, not a day goes by without a glass of champagne. As she is fond of pointing out: “The important thing is to feel alive”.
Le Figaro Vin: How does it feel to be crowned a winemaking champion?
Tessa Laroche: I am not a champion, because it is impossible to go it alone. I am just a winemaker. I have a passion, I try to do the best that I possibly can, together with all the colleagues who work with me on the estate.
Who is your mentor?
My mother tops the list, but I would add Odilon de Varine, Charles-Emmanuel Girard, and Richard Leroy (respectively cellar master in Champagne, oenologist in the Loire Valley, and legendary winemaker in Anjou, ed.).
Is wine a team sport?
Yes, without a team you cannot function. There is always a captain, as in any sport or as there is on a ship. The prerequisites are that my team must enjoy food and wine, must have a good sense of humour, and must be happy. The wine we make is good and full of life, so we have to be in harmony!
What is the key to making a good wine? The terroir or the winemaker?
You cannot achieve the necessary level of complexity without the terroir. Without being a megalomaniac, I am lucky to have one of the finest terroirs in existence. That said, all of us are passionate about what we do and, no matter what, our love is reflected in the wine.
To what do you owe your success?
To this wonderful place, and to my parents, who came to establish themselves here. My team has been here for 15 years. Without them I would never have got this far.
The king of grape varieties?
Chenin. It is the best grape variety in the world, with its potential for total success or abject failure. You have to learn how to tame it, growing small yields and small bunches of grapes. But you can have so much fun with it, making sparkling wines, dry wines, sweet wines…you have to know how to manage it, rather like with a horse. If you give it its head it probably won’t be that good. Just now my preference is for dry wines, but the sweet wines are coming back into favour.
Your favourite wine?
Roche aux Moines 2001, my very first wine.
Your favourite vintage?
2019, which I like hugely right now, just like the 2017. But it’s constantly evolving.
If your wine was a person, who would it be?
Just like your dog, your wine takes on your appearance. My wine looks like joie de vivre because I try not to transfer my anxiety to it.
What are the best circumstances in which to taste your wine?
You should be relaxed, at the end of the morning, or after a productive day, sitting in the garden or in front of the fireplace.
Who is your strongest competition in the Loire?
For all of us here Richard Leroy is the master. We even call him God. He is always exchanging ideas, part of the conversation. He loves to share his knowledge. We have to remember that we are all just passing through and it is essential to engage with each other. There is a real solidarity in Anjou, and no one works in isolation. That is probably why the region attracts so many new establishments.
Have you ever thought about chemically enhancing yourself, or your wine?
No, that has never occurred to me. I don’t wear make-up, so why not keep my wine natural too?
Is your family proud of you?
We are siblings and everyone is delighted by the continuity of the estate.
What has been your most innovative strategy in the vineyard and in the cellar?
To get the best grapes depending on the vintage. You have to reinvent yourself every year. However, there is nothing more difficult if you are French!
Who would be your ideal successor on the podium?
God alone knows. I have six nephews and nieces. The choice has to be obvious and, above all, not put pressure on anyone. As things stand, I am in no hurry.
Owner of Domaine Belargus: “I have a bit of a PSG syndrome”.
Figaro Vin’s 39th top French winemaker, Ivan Massonnat creates sumptuous wines on Savennières’ exceptional terroir.
In the Loire valley, on one of Anjou noir’s finest terroirs, Ivan Massonnat is fulfilling his long-lasting dream of producing excellent Chenins from Savennières. At the Belargus estate, born in 2018 with the purchase of the Pithon-Paillé estate, 24 hectares of vines are biodynamically grown in a parcel-based approach inspired by the Burgundian “climates”. Named in tribute to the rare cuvée once made by Jo Pithon – the “Belargus des Treilles” – Belargus is also the name of a small blue butterfly that’s exceedingly rare at this latitude but can be found on the Coteau des Treilles terroir.
Le Figaro Vin. – How does it feel to be crowned a winemaking champion?
Ivan Massonnat. – I don’t consider myself to be a champion. One part of me feels like a wine amateur that’s made it and is living the dream, the other like a producer that makes his wine and takes decisions.
Have you been training for long?
Yes, since my childhood, without even realising it. My passion for vines stems from my grandfather’s vines, and I’ve trained by being in contact with real champions, of the Burgundian kind.
Who is your coach?
Jo Pithon, who’s been by my side every day throughout this adventure, with 40 vintages under his belt. I have a few other mentors, such as Thibault Liger-Belair and Philippe Pacalet in Burgundy. It’s by their side that I learnt to trust myself. There’s Pierre Amoreau from Château Le Puy, who taught me a lot. Among those who inspire me, there’s also Anselme Selosse. His approach goes far beyond that of a winemaker, he’s a true philosopher. At 45 years old, I completely changed my life, shifting towards a career I knew to be difficult. When I see a man like him, I know I’ve done the right thing.
Is wine a team sport?
Yes, definitely. I spend my time saying so. There are some people who are often cast aside, especially in the vineyard, but on my estate, it’s the opposite. You need great talent, with each individual excelling in their specialty. The members of my team are sharp and well-suited to their roles. I have the PSG syndrome; I don’t want people working in silos. If everyone isn’t aware of the whole, we cannot accomplish anything. Good ideas sometimes come from across the playing field. For me, the concept of a rugby team is the best model there is.
What is the key to making a good wine? The terroir or the winemaker?
I have a vision of making wine with a sense of place, and not all places are created equal. That being said, a good-for-nothing from the finest place will not make a great wine! I don’t believe that a winemaker is a magician.
To what or to who do you owe your success?
To all those who believed in me, my closest circle, who didn’t view my project as a pipe dream. There are also those who told my story, as well as the clients. No project can bring people together the way wine does. Each link in the chain has been important. I never imagined things would happen so fast, and the seeds would take root.
Is your family proud of you?
Yes, and very happy for me. My family has made a lot of sacrifices, but it was worth it in the end.
Your favourite colour?
I started with reds, but today I like whites just as much.
The king of grape varieties?
Chenin! It has a lot of character and concentrates a lot of different traits.
Your favourite wine?
The Coteau des Treilles, which I just call Les Treilles.
Your favourite vintage?
Probably 1989, for the reds. It’s the one I’ve had the most opportunities to enjoy.
If your wine were a person, who would they be?
Me. A profound part of a winemaker’s personality finds its way into the wine they make.
What’s the best way to enjoy it?
In good company.
Have you already thought about chemically enhancing yourself, or your wine?
No.
If you had to put a price on your estate, what would it be?
I’m not planning to. This is a 100-year project, and I don’t know what value it will have in a century’s time!
Who is your strongest competition in Anjou?
I don’t view competition that way, nor do I consider my neighbours as opponents. What impresses me is team play. My adversary could be the beer or alcohol-free drinks industries. When I see people with a waning interest in wine, I feel like we’ve missed the boat somewhere along the line.
What has been your most innovative strategy in the vineyard and in the cellar?
My most innovative idea in the region was to break the glass ceiling. What has defined Belargus is the conviction that this region produces some of France’s finest white wines and that they shouldn’t be sold at a discount. It was a risk, but in line with what I was doing. Les Treilles has been the proof of this: a 100 euro-wine from Anjou. This was completely unheard of.
Who would be your ideal successor on the podium?
I don’t know yet. I don’t want to impose this on my children. Nevertheless, one thing is certain: I will not last forever. What will remain is the terroir. My only wish is that my successor be passionate.
The worthy successor to his grandfather and father on an estate that produces some of the greatest Rieslings of Alsace: “Being a winemaker is not about measuring performance”.
For the second in Le Figaro Vin‘s series of the 50 best winemakers in France we head off to Alsace, where we meet Jean Boxler, #49. He embodies the latest generation of an iconic Alsace estate, whose grands crus are equally seductive for lovers of natural wines and for the most sophisticated palates.
Domaine Albert Boxler is a family property, founded in 1672, on the hillsides of the Upper Rhine commune of Niedermorschwihr. Having worked side by side with his father for 25 years, Jean Boxler pursues his craft with the artistry of a goldsmith, producing wines of exceptional finesse on terroir known, nevertheless, for being extremely harsh. With great wisdom, despite his relative youth, he reveals his vision of a vocation which is based, for him, on passion, resilience, and sensitivity.
Le Figaro: How does it feel to be crowned a winemaking champion?
Jean Boxler: There are no champions. Being a winemaker is not about measuring performance but something far deeper and far less tangible. When you choose to do this job, you should not aspire to be the best. You must simply love your vines and try to do your work with as much sensitivity as possible.
Have you been training for long?
I started in 1996, so I have 26 vintages under my belt. At the same time, each year feels like my first. I attempt to refine things year by year, to avoid acting impulsively, and to focus on quality. Just as in sport, it is practice that allows you to manage the difficult times and cope with the random contingencies, and it’s precisely the charm of the unpredictable that makes life interesting.
Who is your mentor?
My father (who passed away in November 2022, ed.) and, until I reached 17, my grandfather. They taught me my passion for the job.
What is the key to making a good wine? The terroir or the winemaker?
You need a winemaker to make good wine. But it takes both to make a great one.
To what do you owe your success?
I am not sure whether success can be measured by any specific criterion, as I don’t like to be pigeonholed in a particular style. I think that wine involves something more conceptual. First and foremost, wine is a social bond. In current winemaking talk I notice a kind of radicalisation in the approach to production methods, sometimes to the detriment of the wine. Sadly, that creates a disconnection from the true purpose of production. There is no rule book for making good wine, rather there are different ways of getting there. The secret of success is therefore more to do with passion, conviction, and self-denial, which invariably end up paying off.
My parents and grandparents had a certain style, taste, and a concern for balance and simplicity, combined with a desire to produce grapes of exceptional quality, without ever resorting to cutting corners or to technical excess. Our success is measured by the loyalty of our customers, some of whom have enjoyed our wines for over 30 years. That has given us our greatest satisfaction; we make wines that we like to drink.
Is your family proud of you?
It’s not a subject that we ever touch on. My father and I shared our passion for wine, day by day, for 25 years. He was my best guide. We never spoke about pride but about wine and nature.
Who are your best supporters?
I would say our American importer from the 1980s, Robert Chadderdon. It was a serendipitous meeting, with an outstanding taster, and we were on the same wavelength. He had a great deal of respect for our work.
Red or white wine?
I have a soft spot for Rieslings, so it’s whites. But balance, emotion, and vibrancy are what I look for most of all.
The king of grape varieties?
Riesling. It is complex, has a lot of character, and is completely uncompromising. It perfectly reflects how you nurture it. It is incapable of hiding its feelings. This is no doubt down to our transparent terroir, with its crystalline granite soils on which Riesling is an open book. Riesling combines great purity with great candour.
Your favourite wine?
The Riesling Sommerberg Grand Cru “E” (lieu-dit Eckberg).
Your favourite vintage?
2017, which was a complete vintage across the spectrum. Otherwise, no doubt, 2023!
If your wine was a person, who would it be?
A wine is made in its maker’s image
What are the best circumstances in which to taste your wine?
When you are relaxed.
Have you ever thought about chemically enhancing yourself, or your wine?
No, because winemaking is not a competition. Everything depends on being able to mitigate any defects by making the right decisions, especially during the harvest. By keeping tuned into your plots, your work is already done. Doping and comparable interventions are an admission of failure. Their consequence is that your wine can never achieve greatness.
For what price would you be prepared to sell your estate?
I have three boys, two of them interested in winemaking, so the question does not arise.
Who is your strongest competition in Alsace?
Probably Gérard Schueller, even if his son Bruno has gone down a different route. The father’s wines were monumental.
Which competitions do you dread the most?
The harvest. It is, at once, the most beautiful of times and the most anxiety-inducing, because you have to manage the human, the climate, and the condition of the vines. I would say that the greatest challenge today, because of the climate, is the fear of destabilisation.
What was your greatest win?
Passing on my love of winemaking to the next generation.
What has been your most innovative strategy?
Understanding how to work with people. Wine is a team sport.
Who would be your ideal successor on the podium?
My sons.
Despite the challenges brought throughout the growing season of the 2021 vintage, Bordeaux’s dry whites shone in terms of quality. To guide those still considering their 2021 Bordeaux en primeur purchases, Wine Lister presents some of the best choices in Bordeaux whites from the vintage, at five different price points. (All prices are quoted in-bond per bottle when purchasing by the case).
Under £25 – Olivier Blanc
The 2021 vintage from Château Oliver’s white was described by Jancis Robinson as “Racy and lively” with a “good balance of interesting fruit and zest”. Ella Lister (for Le Figaro) gave Olivier 2021 a score of 92-93, praising its balance and describing it as an “ethereal and harmonious blend of Sauvignon and Sémillon”. Olivier 2021 can be purchased from Millésima for £22.70.
Under £40 – Malartic-Lagravière Blanc
Awarding 90-92 points, Antonio Galloni (Vinous) describes the latest vintage of Malartic-Lagravière as “Bright and sculpted”, with “plenty to offer”. Jancis Robinson deems it “Already attractive” and “Impressively persistent”. Malartic-Lagravière Blanc appears on Wine Lister’s list of value picks in Part II of our 2022 Bordeaux Study, indicating a strong quality-to-price ratio. Elsewhere in the study, Wine Lister found that Malartic-Lagravière is enjoying a robust short-term (six-month) price performance of just under 14% – placing it in the top 15 short-term price performances. Malartic-Lagravière 2021 can be bought from Justerini & Brooks for £39.42.
Under £75 – Domaine de Chevalier Blanc
The 2021 vintage from Domaine de Chevalier has received acclaim from the critics, with Neal Martin (Vinous) awarding its white 95-97 points and declaring it “one of the best Domaine de Chevalier whites that [he has] tasted in 20-plus years”. Jancis Robinson confers a score of 17+ and writes that it “should be a real long-distance runner”. Domaine de Chevalier Blanc 2021 can be bought from Farr Vintners for £72.17.
Under £110 – Cos d’Estournel Blanc
The only wine among the five selected here not to hail from Pessac-Léognan, Cos d’Estournel’s Blanc 2021 receives its joint-highest Wine Lister score in over 15 years. Indeed, Antonio awards it 93-95 points, above last year’s vintage (91-93), and writes that it is “one of the finest vintages I can remember tasting”. He praises its “sheer palate presence”, a sentiment Ella echoes as she describes Cos d’Estournel Blanc 2021 as “delectable, lingering in the mouth”. Cos d’Estournel Blanc 2021 can be purchased from Berry Bros. & Rudd for £105.
Under £650 – Haut-Brion Blanc
One of the most noteworthy releases of the 2021 Bordeaux en primeur campaign is the latest white from Haut-Brion. In such a challenging vintage, Haut-Brion Blanc 2021 seriously impresses as it sees the greatest increase in Quality from 2020 to 2021 – as explored in Part II of Wine Lister’s 2022 Bordeaux Study. The 2021 vintage also achieves the wine’s highest ever potential en primeur score from Vinous as Neal awards it 96-98 points. Haut-Brion Blanc 2021 can be purchased from Cru World Wine for £640.
Rounding off this year’s en primeur campaign, Wine Lister’s partner critic platform, JancisRobinson.com has now published its top Burgundy 2020 scores, with further insight into the latest vintage from Jancis Robinson, alongside Matthew Hayes, and fellow Masters of Wine, Andy Howard and Julia Harding.
Explore all Burgundy 2020 scores here, or read more below.
Amongst the 36 Burgundy 2020s that earn 18 and over, five wines receive 18.5 points and two receive a score of 19 – a slight reduction from the number of top scorers in last year’s campaign, with Jancis awarding 18.5 points to 18 Burgundy 2019s and a score of 19 to four wines.
Whites continue to steal the show across this year’s releases, with four receiving a score of 18.5 and above – compared to just one featured within the same parameters last year. Sharing a near-perfect score of 19 are Montrachets from Comtes Lafon and Leflaive – Matthew Haynes describes the former as “honed, dense, and focused”, and the latter as having a “beautiful balance and drive.”
Two producers dominate JancisRobinson.com’s top Côte de Nuits red scores; Armand Rousseau is featured five times in the list, for its Chambertin Clos de Bèze, Gevrey-Chambertin Clos Saint Jacques, Chambertin, Clos de la Roche, and Ruchottes-Chambertin Clos des Ruchottes, and Jean Grivot earns four places, with Richebourg, Echezeaux, Vosne-Romanée Les Suchots, and Vosne-Romanée Aux Reginots all achieving 18 points.
Despite the hot and dry summer causing difficulty to some of the Côte de Beaune reds, four wines from Volnay shine through; Michel Lafarge’s Volnay Les Caillerets and Clos du Château des Ducs, and Joseph Voillot’s Volnay Champans and Les Caillerets.
Discover more Burgundy 2020 scores from Wine Lister’s partner critic, Neal Martin here, an regional specialist, Jasper Morris here.
Insight from Burgundy’s regional specialist
Wine Lister’s partner critic and leading Burgundy expert, Jasper Morris MW completed the release of his Burgundy 2020 scores last week. Below we take a closer look at his top ratings per appellation subset.
How did Burgundy’s appellations perform in 2020?
Jasper Morris’ Burgundy 2020 report outlines the challenges brought about by such a hot and dry summer, with soaring temperatures throughout August leading to a deficit of juice, particularly in Pinot Noir. The inability of certain rootstock to deal with the hot dry conditions led to the threat of dieback disease (a fungal disease that attacks the trunk, appearing more frequently in stressed vines), with Jasper noting he has “never seen as many vines being ripped out as [he] did in autumn 2020”. Indeed, both factors resulted in relatively low yields for reds, with a number of producers in the Côte de Nuits having “made more wine in the frost-damaged 2021 vintage than they did in 2020.”
Nonetheless, Jasper reported that the hydric stress “concentrated everything, including acidity”, identifying wines with “profound intensity beyond anything [he] saw in 2018 and 2019.” He describes a “universally successful vintage for the white wines”, and a “wider range of styles and successes in the reds”.
Côte de Nuits
With almost all of his top scores given as ranges, much of Jasper’s tasting this year took place whilst wines were still in barrel, as many producers were “tempted to increase the length of élevage for their wines, especially the reds, given the exceptional concentration of the fruit”. This contrasts with the majority of singular scores awarded to the in-bottle samples he rated at the same time last year, and while 2019 did not see any potential 100-point wines, the Côte de Nuits 2020s have five.
The selection includes Duroché’s Chambertin Clos de Bèze and Armand Rousseau’s Chambertin, with the former released as a limited edition cuvée to mark 100 years since the Duroché family planted vines on the site. Also potentially perfect are Guyon’s Echezeaux and Domaine de la Romanée-Conti’s La Tâche, with Jasper suggesting the former “could be THE wine of the vintage.” Completing the line-up is Perrot-Minot’s Richemone Vieilles Vignes, a Premier Cru with a vibrancy that Jasper considers “almost unsurpassed anywhere in the Côte”.
Within Morey-Saint-Denis and its surrounding Grands Crus, Clos de Tart’s namesake cuvée shares the top score for a second year in a row, earning 96 – 98 points, having been complimented for its “spectacular depth”. Clos de Lambrays – nurtured by Clos de Tart’s previous winemaker, Jacques Devauges, since 2019 – matches the rating.
Côte de Beaune – reds
Jasper reports that the most challenging conditions were felt where grapes typically ripen first, including the southern villages of Volnay and Corton. Despite this, several reds including Michel Lafarge’s Volnays Clos des Chênes and Clos du Château des Ducs, and Chandon de Briailles’ Corton Clos du Roi fare well, the latter described as having the “most sensual nose of all”, with notes of “alpine raspberries”.
Côte de Beaune – whites
Jasper awards 71 white Burgundy 2020s a score of 94 – 96 and above, compared with last year’s 29 wines scoring 95 and above. He stresses the success of the 2020 vintage across the whites, with Chardonnay grapes retaining more juice than Pinot Noir, and benefitting from a longer ripening time. Montrachet and associated white Grands Crus saw two wines with a potential 99 points – Marc Colin’s Montrachet and Louis Jadot’s Bâtard-Montrachet.
Bouchard Père et Fils’ Corton-Charlemagne achieves a score of 95 – 98, and is praised for expressing “a really impressive wealth of fruit”. Earning the only potential 100-point score for whites in 2020, Arnaud Ente’s Meursault La Sève du Clos was particularly memorable, with Jasper affirming that he has “never seen this consistently great wine as expressive before”.
Explore Jasper Morris’ full Burgundy 2020 report here. For more Burgundy 2020 commentary from our partner critics, recap Neal Martin’s ratings here, and stay tuned for the last lot of scores from Jancis Robinson.com.
The first of Wine Lister’s partner critics to release scores for the latest Burgundy vintage, Neal Martin’s assessment (for Vinous) provides initial insight into some of the top en primeur picks in 2020.
What do we know about Burgundy’s 2020 vintage so far?
2020 will be remembered as a year that saw some of the earliest harvest dates ever recorded in Burgundy, with several of the region’s producers picking as early as 12th August. Though following the pattern of recent vintages marked by warm and dry growing seasons, the threat of drought was partly alleviated by significant rainfall during the winter months through to spring, which ensured water reserves were replenished ahead of the heat. Some Pinot Noir producers nonetheless saw a drop in yields, particularly on sites with poorer soils, and thus restricted water retention ability.
Dry conditions during ripening minimised the threat of disease and mildew, which was valuable for the healthy growth of red and white grapes. Despite the earlier harvest, the grapes saw excellent ripening and phenolic development, while high levels of evaporation concentrated sugars, flavours, and acidity.
The top-scorers
Compared to the 19 wines that Neal Martin awarded 96-98 and above last year, there are an impressive 40 wines within the same parameter for the 2020 vintage. While there were no wines that earned a potential perfect score in 2019, Georges Roumier’s Musigny and Armand Rousseau’s Chambertin Clos-de-Bèze receive 99-100 and 98-100 points respectively in 2020. Neal Martin notes that the top-scoring reds of the vintage all share an excellent acidity, which “lends the 2020s a sense of brightness”.
Also faring notably well, Comte Liger-Belair’s La Romanée, Domaine de la Romanée-Conti’s La Tâche, Georges Roumier’s Chambolle-Musigny Les Amoureuses, Hudelot-Noëllat’s Richebourg, Louis Jadot’s Musigny, and Tawse’s Mazoyères Chambertin earn scores of 97-99.
Whites worth trying
Four whites hailing from Montrachet appear on the list, with offerings from Comtes Lafon, Domaine d’Eugénie, Etienne Sauzet, and Marc Colin each earning a score of 96-98. Neal Martin describes mineral notes across each, having written that this was one of the great attributes of the top whites in the vintage – especially across those grown on more “calcareous soils” akin to that which Montrachet boasts. Following the trend of white burgundy producers using less new oak, Marc Colin uses only old oak barrels for the first time in this vintage, while Comtes Lafon matured Montrachet in one-third new oak instead of 100%.
Discover Neal Martin’s full list of Burgundy 2020 scores here. Watch this space for further Burgundy 2020 score updates from Wine Lister’s partner critics, JancisRobinson.com, and specialist Burgundy critic, Jasper Morris MW.
The insider’s guide to fine wine trends, and the most compelling wines to watch
Wine Lister has released its second annual Wine Leagues, celebrating some of the top-performing wines and producers in today’s new and much-diversified fine wine era. Informed by an in-depth trade survey with leading industry figures, the report provides a 360° view of those regions, producers, and wines that have seen strides in quality, popularity, economic promise, and more in 2021.
Wine Lister’s annual in-depth survey sees our expert panel of 47 CEOs, MDs, and wine department heads share their insight on some of the fine wines to have on your radar, as we ask them:
“What are the most compelling wines and producers in the market today?”
Respondents singled out 188 wines and producers collectively, that span no less than 20 major regions. Within the list, our team identifies Bibi Graetz, Les Carmes Haut-Brion, Roberto Voerzio, Berthaut-Gerbet, and Fürst as wines to watch in the Old World, whilst calling out the New World wonders of Catena Zapata, Errazuriz, Pedro Parra, Rhys Vineyards, and Ridge Vineyards.
The report also includes rankings across:
- Biggest quality improvers, which show impressive movement from Italy (occupying five places in the list of the top 20 by Quality score progression), with Isole e Olena Chianti Classico leading the pack
- Best search rank movers, wherein Bordeaux represents eight of the top 20 wines whose popularity has increased most in terms of online searches (including Smith Haut Lafitte, Domaine de Chevalier, Figeac, and Léoville Poyferré)
- Burgundy superstars, focusing on popularity movements from the trade’s darling region – Arnoux-Lachaux features 10 times in the list of top 20 Burgundian wines whose online searches have increased the most over the last two years
- Wine Lister’s top-10 recommendations per Wine Lister Indicator; Hidden Gems, Value Picks, Buzz Brands, and Investment Staples in 2021
For the full analysis, download your free copy of Wine Lister’s 2021 Leagues here.
The best bottle for your budget
Considering the best of white Burgundy MUST BUYs across five different price points, these potential picks gain high WL scores and are all approaching or within their drinking window parameters. Wine Lister’s MUST BUY algorithm produces initial recommendations through considering a wine’s quality and value within its vintage and appellation.
White burgundy MUST BUY picks per price bracket (per bottle, in-bond)
Which are the best white Burgundy wines for my budget?
Notorious for housing wines of high quality with equally high demand, Burgundy has seen some extreme price rises over the last few years. Below we explore top white Burgundies with availability across a range of prices.
With a history of winemaking in his family dating back to the 15th century, Rémi Jobard took over his namesake estate from his father in 1996, and has since overseen many developments. As well as converting to an organic practice in 2008 (and gaining certification in 2011), Rémi introduced cover crop growth across his seven vineyards to encourage the 60+ year old vines to grow deeper to find nutrients. Harbouring a naturally limited yield through cordon-pruning, Rémi Jobard produced just 2,700 bottles of Meursault Le Ponuzot-Dessus in 2015. Despite this, there is still some available of the vintage for under £100, which can be purchased from Lea & Sandeman at around £66 a bottle.
Since taking over the helm of his family property in 2005, fifth-generation wine maker, Henri Boillot has implemented several changes at Domaine Boillot. As well as a focus on sustainable farming methods, including the avoidance of chemicals, and manual harvesting, the team conducts heavy pruning to limit yields, and harvests fruit as late as possible to ensure maximum phenolic maturity. White grapes are crushed gently to avoid bitterness, and fermented in larger barrels than the typical Burgundy “pièce” (350l, vs. 228) to ensure that purity and freshness is unencumbered. Achieving a WL score of 94, the 2016 vintage can be enjoyed at its best for another 10 years, and is available to buy from Fine+Rare at £116 a bottle.
The Leflaive family legacy has been propelled into a modern era, under the founder’s great-grandson and fourth generation leader, Brice de La Morandière since 2015. As part of increased investment into refining its practice, Leflaive introduced a new type of cork in 2016, from natural cork to DIAM (made from broken down natural cork, cleaned with carbon dioxide), which increases the longevity of its bottles. MUST BUY Puligny-Montrachet Les Pucelles 2014 achieves a WL score of 94, and can be found at Corney & Barrow from £275 a bottle.
The son of Burgundy’s infamous Marc Colin (whose domain expands across 30 different appellations in the region), Pierre-Yves established his own project in 2005 from vineyards he inherited from his father. He deviates from traditional Burgundian vinification methods, utilising larger demi-muid barrels (600l) to moderate the influence of oak on the wine and preserve the purity of fruit. Gaining Buzz Brand and Investment Staple status, Pierre-Yves Colin-Morey Corton-Charlemagne 2018 has WL score of 95, and provides a solid bet for top-quality white Burgundy to lay down for the future. It can be sourced from Berry Bros. & Rudd at £317 a bottle.
Produced by négociant house Joseph Drouhin with grapes sourced from vineyards owned by the Laguiche family of the Montrachet Marquis de Laguiche estate, Joseph Drouhin’s Montrachet Marquis de Laguiche 2013 is a MUST BUY at the premium end of white Burgundy offerings. Founded in 1880 by 22-year-old Joseph Drouhin himself, the legacy of its founder’s production has been carried through generations, with the property now under the helm of his four grandchildren, Fréderique, Véronique, Philippe, and Laurent. Receiving a WL score of 96 at around £508 a bottle, the 2013 has 10 more years left of enjoyment. To get your hands on this vintage, you can place a bid for it on the Berry Bros & Rudd online marketplace, BBX.
N.B. All prices are quoted per bottle, in-bond and are correct at the time of publication (19th August 2021).
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Wine Lister speaks to 10 top sommeliers to find out more about their bottles of choice
From left to right: Lupo Theones, Victor Petiot, Gareth Ferreira, Beatrice Bessi, and Paul Lo
What top wines do sommeliers recommend?
Whether offering the perfect food pairing or serving an unforgettable glass, sommeliers are often responsible for creating moments of vinous magic shared by wine lovers far and wide. Our latest blog flips the script, with some of the world’s leading sommeliers sharing with us their most memorable pours, providing the ultimate guide on how to drink like a pro.
Read our blog on your favourite winemakers’ favourite wine for more insight into what the experts are drinking here.
Lupo Theones – Head Sommelier at Hélène Darroze at The Connaught, London
Lupo Theones shares the same sentiment as many of his peers: “it is challenging to choose a single wine when you taste so many great wines as a sommelier”. He nonetheless mentions Egon Müller’s Scharzhofberger Riesling Kabinett 2011 as a wine that “deeply impressed” him, having tasted it soon after moving to London to join The Connaught. Describing a “perfectly balanced” palate that “shows a great acidity and minerality”, Lupo notes that it is a wine you can drink on its own, or paired with the likes of sushi and shellfish, as well as Foie Gras.
Victor Petiot – Wine Director at Caprice at Four Seasons, Hong Kong
Having discovered the vintage just last year, Victor Petiot cites Toro Albalá Don PX 1931 as his favourite wine, due to its “uniqueness” after sleeping in barrel for over 90 years. He explains that it provides “the perfect balance between powerful and well-balanced” with a “sweet and creamy texture yet high acidity”. On the topic of pairing, Victor tells us that the wine prompted the creation of a new dish to be served with it, comprising “a pigeon cooked in a coffee dough with salsify, hazelnut, pan-fried foie gras and pigeon sauce with coffee and a bit of Toro Albalá 1931”.
Gareth Ferreira – Head Sommelier at Core by Clare Smyth, London
Gareth Ferreira recalls being “immediately hooked” on his first real trip to visit the great producers of Burgundy during his early career. He tells us of the first time he tried Jean-Marie Fourrier’s Gevrey-Chambertin Clos Saint-Jacques, which made him question, “how can wine taste this good?”. It has since remained a wine he “looks forward to opening, no matter what the vintage is”, though the first he tasted – 2009 and 2010 – “will always have a special place in [his] heart” and 2002 is one of his favourites in Burgundy.
Beatrice Bessi – Head Sommelier at Chiltern Firehouse, London
“The reason that I became a sommelier is the Nebbiolo grape” exclaims Beatrice Bessi, who fell in love with Barolo in particular over 10 years ago. It is her “never-ending love”, as the region takes a lifetime to know in its entirety (“similar to Burgundy in that respect”, she notes). While citing Bruno Giacosa and Bartolo Mascarello as “traditionalist” producers that she would turn to on special occasions, Beatrice recently “fell in love with the wines of a super modern producer”, Domenico Clerico. In regards to pairing, she tells us that there is “nothing more satisfying” than an amazing glass of Barolo with pizza – there “doesn’t need to be an occasion to have a great glass”.
Paul Lo – Wine Director at Grand Lisboa, Hong Kong
Unable to choose a favourite, Paul Lo instead recalls an exclusive dinner he hosted in May 2014, at which the late chef Joël Robuchon’s menu was paired with 10 wines from the Lisboa cellar hailing from the 1959 vintage. Listing Dom Pérignon Oenothèque, Margaux, Palmer, Latour, Haut-Brion, Lafite, Mouton, La Mission Haut-Brion, Cheval Blanc, and a Steinberger Riesling Trockenbeerenauslese, he tells us that “uncorking the wines in a single event was unforgettable”. He gives particular praise to the Steinberger, noting “so many elements inside – nectar coupled with dried nuts, dry fruits, cigar, caramel, noble spices”, presented with “delicate and perfect acidity”.
From left to right: Stefan Kobald, Victoria O’Bryan, Julien Sarrasin, Jonathan Charnay, and Pascaline Lepeltier
Stefan Kobald – Head Sommelier at Pollen Street Social, London
Stefan Kobald tells us that current favourite wine is Philippe Colin Montagny 2016. Having always known of the producer, Stefan discovered this specific cuvée before the first lockdown and has been “hooked ever since”. He describes its “fresh acidity, stunning aromas of ripe apple, citrus notes of lemon peel, and grapefruit”, with a “hint of butter coming from the light oak usage”. Sharing the same philosophy for when he buys wine for the restaurant and himself, he seeks freshness and drinkability, and a wine that invites you back to take another sip – which this wine “definitely does”.
Victoria O’Bryan – Wine Director at Addison Restaurant, California
Narrating her recent encounter with Krug Clos du Mesnil Blanc de Blancs 2002, Victoria O’Bryan tells us that it made her “weak at the knees”. She explains that the wine opened up with surprising ferocity, “like a jolt of electricity giving power and lift to bright citrus tones and a stunning limestone minerality”, with an expression that was “at once creamy and piercing with layers of intensity”. When pairing a wine with “this flair of tension and drama”, Victoria would recommend pouring it alongside caviar or oysters.
Julien Sarrasin – Head Sommelier at Hide, London
“Every wine aficionado would understand the emotion I felt when I first tried this unique wine”, notes Julien Sarrasin, referring the Rhône’s renowned Reynaud family, and specifically a 2004 Rayas Châteauneuf-du-Pape. Now under the influence of the “Rayas effect”, Julien also cites a rosé called Parisy from another Reynaud property, Château des Tours – a blend of Grenache and Cinsault that provided his “most exciting experience” of rosé wine. He describes its “intense bouquet of crushed wild ripe raspberries, jammy strawberries, liquorice stick, and Mediterranean herbs”, which pairs with “intense seafood and fish dishes, as well as meat”.
Jonathan Charnay – Beverage Director at Masa, New York
Echoing Lupo Theones’s choice, Jonathan Charnay tells us that his “absolute favourite wine” is Egon Müller’s Scharzhofberger Riesling, though cites the Auslese as his top wine. He muses on its “great complexity and depth” with “intense aromas of white flowers and honey” that he immediately fell in love with when tasting with Egon Müller during a visit to the winery in 2013. While it is sweet when young, Jonathan points out that it can “age for decades, turning into a delicate elixir” with notes of “apricots, ginger and bergamot”.
Pascaline Lepeltier – formerly Managing Partner at Racines, New York
Pascaline Lepeltier informs us that if she “had to go back to a wine over and over again” it would be Benoit Courault’s Gilbourg – a Chenin Blanc from Anjou in the Loire, where she grew up. “Benoit was one of the first vignerons I met over 15 years ago” she explains, noting that her path was paved by time spent with him in his vineyards in the Coteaux du Layon. Produced with grapes from different plots on schists, Gilbourg is made organically and with minimal intervention – “a real paragon” according to Pascaline. Admiring its “tremendous” ageing potential, she notes its evolution into “the most complete, complex, powerful but ethereal Chenin”.
Explore Wine Lister’s own MUST BUYs for 2021 in our recent blog here.