The insider’s guide to fine wine trends, and the most compelling wines to watch
Wine Lister has released its second annual Wine Leagues, celebrating some of the top-performing wines and producers in today’s new and much-diversified fine wine era. Informed by an in-depth trade survey with leading industry figures, the report provides a 360° view of those regions, producers, and wines that have seen strides in quality, popularity, economic promise, and more in 2021.
Wine Lister’s annual in-depth survey sees our expert panel of 47 CEOs, MDs, and wine department heads share their insight on some of the fine wines to have on your radar, as we ask them:
“What are the most compelling wines and producers in the market today?”
Respondents singled out 188 wines and producers collectively, that span no less than 20 major regions. Within the list, our team identifies Bibi Graetz, Les Carmes Haut-Brion, Roberto Voerzio, Berthaut-Gerbet, and Fürst as wines to watch in the Old World, whilst calling out the New World wonders of Catena Zapata, Errazuriz, Pedro Parra, Rhys Vineyards, and Ridge Vineyards.
The report also includes rankings across:
- Biggest quality improvers, which show impressive movement from Italy (occupying five places in the list of the top 20 by Quality score progression), with Isole e Olena Chianti Classico leading the pack
- Best search rank movers, wherein Bordeaux represents eight of the top 20 wines whose popularity has increased most in terms of online searches (including Smith Haut Lafitte, Domaine de Chevalier, Figeac, and Léoville Poyferré)
- Burgundy superstars, focusing on popularity movements from the trade’s darling region – Arnoux-Lachaux features 10 times in the list of top 20 Burgundian wines whose online searches have increased the most over the last two years
- Wine Lister’s top-10 recommendations per Wine Lister Indicator; Hidden Gems, Value Picks, Buzz Brands, and Investment Staples in 2021
For the full analysis, download your free copy of Wine Lister’s 2021 Leagues here.
Tales of the 2016 told by Castiglion del Bosco
One of the highest-scoring vintages in recent decades, 2016 has been described as a milestone for Montalcino and its flagship wine, Brunello. Providing the first taste of 2016 Riserva in the UK, WLPR was honoured to accompany Castiglion del Bosco through an early preview of its monumental Riserva Millecento 2016 release (set for January 2022) at London’s Enoteca Turi, joined by a handful of the city’s leading trade figures and fine wine collectors.
Bespoke menu (left), Castiglion del Bosco’s Marketing Manager, Gemma Grieco talking guests through the line-up (middle), Enoteca Turi owner, Giovanni Turi pouring the wines (right)
The 2016 Riserva – some of the best from Brunello?
With big shoes to fill following the release of the highly-praised 2015, the 2016 marks the second great year in a row for Brunello di Montalcino, though very different from its predecessor. Whilst the 2015 growing season was hot and dry, 2016 was slightly cooler, with greater diurnal range during the ripening season. These climatic differences result in the 2015s being more generous in both texture and body, while the successive vintage is pure and elegant, with significant ageing potential.
Having been at the property since its acquisition by Massimo Ferragamo in 2004, Castiglion del Bosco’s winemaker Cecilia Leoneschi describes the 2016 as the estate’s “best ever” Brunello. The mild summer encouraged a long, slow ripening, while good conditions at harvest allowed the estate to “harvest each vineyard at the perfect moment” – resulting in “rich wines with outstanding elegance”.
Cecilia hails the 2016 vintage of Castiglion del Bosco’s Riserva Millecento (so-named due to the property’s original construction in 1100) as having “arrived at our intention”. She refers to creating a wine that reflects the magnificence of the estate’s past, while “representing what we want our future to be”. Finally, she adds that the 2016 relays the estate’s key message with absolute purity, as the growing season allowed her to finetune her senses, and “listen to the land” completely.
Campo del Drago 2017 (left), Riserva Millecento 2015 and 2016 (middle), and Riserva Millecento 2004 (right)
Bringing to life the best of Brunello
The Castiglion del Bosco team came to London on Thursday 14th November to tell the tales of the Riserva Millecento 2016 to an audience of 25 industry members and fine wine collectors. Bringing Tuscany to Chelsea, and the estate’s historic past to the present, all guests left with a short storybook, detailing key moments at Castiglion del Bosco that shape the estate’s future, and of course, its wines.
The chosen pouring order of wines, paired with a traditional Tuscan fare from Enoteca Turi’s Head Chef, Massimo Tagliaferri was also symbolic of the changing hands of time, and those traditions maintained – vintages 2004, 2010, 2015, and 2016 we served side-by-side, and tasters were invited to try from 2004 upwards, and back down again.
2004 was the first Riserva made under the current team, while the 2010 was the first to be released under the “Millecento” name. A direct comparison of the 2015 and 2016 – the latest Riserva released, and that which is yet to come – illustrates what Cecilia describes as “two different approaches to quality” in consecutive years.
Table designed by Isabelle Buckland (top left), Castiglion del Bosco’s CEO, Simone Pallesi greeting the guests (top right), guests enjoying their aperitivo, Zuppa di Cipolle (bottom left), and the complete Riserva line-up (bottom right)
Wines tasted: Brunello 2017, Campo del Drago Brunello 2017, Riserva Millecento 2016, Riserva Millecento 2015, Riserva Millecento 2010, and Riserva Millecento 2004 (from Massimo Ferragamo’s private cellar), and a Vin Santo 2014 to finish.
For more information on our organisation of tastings and events, please contact the WLPR team here.
The balancing act
Following our recent report on Bordeaux’s 2021 harvest, Wine Lister now turns to Tuscany to find out more about its 2021 vintage so far, with insight from 10 top producers across the region
Tuscany’s 2021 growing season has been characterised as a year of climatic extremities, including a mild and rainy winter, the onset of frost in spring, persistent drought in summer, and ending in ideal harvest conditions. In a show of resilience and adaptability, producers were able to reap the benefits of acute weather patterns – with the potential consequences of drought lessened by the groundwater reserves accumulated in winter, and dry conditions reducing disease pressure over the summer.
What can we expect from Tuscany’s 2021 vintage?
Multiple methods to fight frost
- Properties lit fires in the vineyards to circulate warm air and reduce the risk of frost. Owner of IPSUS, Giovanni Mazzei tells us that the technique successfully “increased the temperature up to 2˚C” across the IPSUS vineyards, protecting the vines from damage
- Several producers used organic treatments to improve vine health following the frost, including Argiano, whose Sales Manager, Riccardo Bogi tells us that “brown algae allowed the plants to stabilise and respond as quickly as possible to the loss of sprouts”
- Frost was particularly prevalent in low-lying coastal regions, with Ornellaia’s winemaker, Axel Heinz witnessing “damages limited to a few lower altitude vineyards, without significant impact on production”. Le Macchiole’s Commercial Director, Gianluca Putzolu tells us that the estate also implemented “organic spring fertilization” to combat frost that hit “some, but fortunately very few vineyards”
- Rainfall during winter accumulated important water reserves at both Argiano and Romitorio, encouraging a good state of hydration ahead of the growing season
- Some high-altitude properties also saw snowfall during winter that, when melted, “percolated the soil with water”, according to Romitorio’s owner, Filippo Chia
- Abundant rainfall in May allowed plants to survive the hot summer, with Riccardo confirming that this was “essential” for Argiano’s 2021 vintage, “since after that, there was no rain until the beginning of October”. Similarly, Fèlsina’s owner, Giovanni Poggiali tells us of some “rainy days in June”
Sun and heat exposure
- “The management of the canopy needed to be delicate and precise to avoid sunburns”, explains Avignonesi’s COO and Agronomist, Alessio Gorini, who also explained that the use of high-tech sorting equipment allowed them “to completely remove any berries withered or raisined by the sun”
- Organic treatments were adopted to protect the vines from sun exposure, such as the use of “kaolin” at Tenuta San Guido. General Director, Carlo Paoli explains this to be “a natural substance that we have been using for many years in hot vintages”, which helps to reduce the vines’ susceptibility to scorching
- A broad diurnal range across several high-altitude estates encouraged balance despite the hot summer, with Castiglion del Bosco’s winemaker, Cecilia Leoneschi noting that the difference of more than 10°C between day and night temperatures was a “real blessing”
Teamwork amongst Tuscan vines: IPSUS (left), Tenuta San Guido (middle), Ornellaia (right)
A remarkably healthy vintage
- Lack of rain throughout June and July minimised disease pressure; Filippo confirmed that “from a mould and disease standpoint, it was actually one of the healthiest vintages [Romitorio] has seen”, thanks to the “dry summer”. Giovanni echoes this sentiment for IPSUS, while Gianluca reiterates there were “no particular problems” at Le Macchiole, despite the risk of powdery mildew – a more common problem for the Bolgheri area
Striking when the time was right
- For many estates, harvest timing was essential, with Alessio and the Avignonesi team similarly conscious of “avoiding over-ripening on such concentrated grapes”
- Producers had to be particularly reactive to picking dates, explains Axel – whose 2021 harvest “required great skill” in planning, eventually leading to a “very compact harvest completed in one month, instead of the usual 40 days”. Owner of Tua Rita, Giovanni Frascolla similarly characterised 2021 as a “lightning harvest”
- “Powerful dark structure – we normally see this with low acid, but this has high acid” recounts Filippo from Romitorio’s latest tasting of the blend
- First impressions show “bright aromatics and, luckily high acidities to keep everything in balance”, at Ornellaia, with Axel describing a “rich and concentrated” wine, “with soft tannins”
- “Grapes matured in a homogeneous way and with a perfect balance of acidity and PH” explains Carlo at Tenuta San Guido
Key fine wine releases from Bordeaux and Beyond
As another week of releases draws to a close, we reflect on highlights from the past fortnight, including the latest vintages of signature New and Old World wines, offered through the Place de Bordeaux’s impressive network.
Cheval des Andes’ Technical Director, Gerald Gabillet (bottom right), with the winemaking team
Which wines offer the best investments from the Place de Bordeaux’s September campaign?
As well as a further flurry of releases from the Americas and Tuscany, the past two weeks have also witnessed exciting French entries from the likes of the Rhône Valley, and a re-release of Latour 2005.
One of the top 20 fine wine brands in the world (according to its Wine Lister Pro Brand score), Opus One released its 40th vintage, 2018 last Monday (6th September), at £230 per bottle (in-bond). Wine Lister partner critic, Antonio Galloni (Vinous) gives the latest release a score of 95, describing it as “incredibly elegant and polished, right out of the bottle”.
Napa Valley neighbour, Beaulieu Vineyard’s Georges de Latour Private Reserve 2018 was released on Tuesday (14th September) at £115 per bottle (in-bond). Describing the wine as “sensational”, with notes of “inky red fruit, chocolate, leather, and liquorice”, Galloni gives the latest vintage 98 points – its joint-highest score ever awarded by the critic body. Joseph Phelps’ Insignia 2018 entered the market in quick succession on Tuesday at £163 per bottle (in-bond). Sampled by Wine Lister COO, Chloe Ashton at a recent tasting at 67 Pall Mall (alongside the 2010 and 1998), she found the evolution in complexity, tension, and precision was clear to see.
Monday (13th September) witnessed a triptych of 2018s from Sonoma County’s Vérité, with La Muse, Le Désir, and La Joie released onto the market at £300 per bottle each (in-bond). With the wines representing distinct expressions of the estate through the bespoke blending of different varietals and plots, the Merlot-based La Muse receives a perfect 100-point score from Lisa Perrotti-Brown for Wine Advocate, who calls it “Electrifying!”. Comprising a majority blend of Cabernet Franc, Le Désir gains 97+ and 97 points from Perrotti-Brown and Suckling, respectively. Whilst being Wine Lister CEO, Ella Lister’s favourite amongst the three, the Cabernet Sauvignon-dominant La Joie 2018 secures its highest average critics scores since 2013, inclusive of 98 points from Perrotti-Brown and 99 points from Suckling.
South American sensations
Leading last week’s South American entries, Baron Philippe de Rothschild’s Chilean winery Almaviva released its 2019 vintage on Wednesday (8th September) at £108 per bottle (in-bond). The Wine Lister team found it to show good complexity for its young age, with dense black fruit, exotic spices, and a touch of hay smoke.
Across to Argentina, Cheval des Andes 2018 was released on Thursday (9th September) at £59 per bottle (in-bond). The latest vintage aligns with the estate’s upward quality trajectory in recent years, having been awarded a score of 98 from James Suckling, who describes it as “very long and structured, yet controlled and in balance”.
Wildflowers growing in-between Siepi’s Merlot and Sangiovese vines
A Tuscan triumph
There are now only limited remaining stocks of Masseto 2018, which was released on Tuesday (7th September), starting from £495 per bottle (in-bond). The estate saw one of the rainiest springs in its history, and consequentially faced high levels of disease pressure. Nonetheless, the team at Masseto handled challenges that arose deftly, reflected in Wine Lister’s praise of its dense, layered, and lithe texture.
Now with similarly limited availability at around £208 per bottle (in-bond), Solaia 2018 was released on Thursday (9th September). Galloni awards it a strong score of 98, noting that he “can’t remember ever tasting a young Solaia with this much sheer appeal and balance”. Demand for the 2018 may well be encouraged by the estate’s positive price performance track record, which has seen some of its top-scoring vintages appreciate significantly post-release.
The first of the Tuscan trio to be released last week was Petrolo’s Galatrona 2019, which entered the market on Monday (13th September) at £72 per bottle (in-bond). Gaining a near-perfect score of 99 points from Suckling, he describes it as “muscular, yet agile” – “a unique definition of merlot in Tuscany”. Following in close succession, Castello di Fonterutoli released Siepi 2019 at £68 per bottle (in-bond). The Mazzei family planted its first Merlot grapes in 1980, with Siepi’s varietal blend now comprising equal proportions of Merlot and Sangiovese. The 2019 gains 98 points from Suckling – the joint-highest score awarded by the critic, who praises its “super-structure”, and “finesse with power”. To end Monday’s Tuscan trilogy, Tenuta Sette Ponti’s Orma 2019 was released at £56 per bottle (in-bond). Though Orma is yet to be widely scored by critics, Suckling awards it 97 points, calling it “perhaps the best Orma ever”.
Closing this week’s Italian offerings, Caiarossa 2018 entered the market on Wednesday (15th September) at £35 per bottle (in-bond). Walter Speller for Wine Lister partner critic, JancisRobinson.com, awards it 17+ points, considering it “classy stuff”, “which should become even more compelling with further bottle ageing”.
Back on French soil
Speculated to be the final commercial release of the vintage, Latour released a parcel of its 2005 vintage last Tuesday (7th September), which has since been offered by merchants for around £750 per bottle (in-bond). The 2005 was awarded 100 points by Galloni, who calls it “deep and sensual to the core”, and notes that it is “utterly captivating”. The iconic reputation of both the vintage and the estate is reiterated in this perfect score, which should stimulate interest from serious fine wine collectors.
Racing over to the Rhône, Beaucastel Hommage à Jacques Perrin 2019 was released last Friday (10th September) at around £227 per bottle (in-bond). A cask sample score from Alistair Cooper for JancisRobinson.com signifies quality, awarding its highest score from the critic body since 2007 with 19 points, calling it “One to watch!”.
Click here to sign up to Wine Lister’s newsletter to stay up-to-date with the latest from the Place de Bordeaux’s September campaign.
New World icons join top Tuscan wines for the first week of releases
A trading system used to distribute Bordeaux wines for almost 800 years, the Place de Bordeaux has, in more recent years, provided an international stage for many wines originating beyond its own borders. The first non-Bordeaux bottle to join La Place in 1998 was Almaviva, followed by Opus One in 2004, Masseto in 2008, and Solaia in 2009. Over the past decade, a further flurry of eminent estates from around the world have joined the distribution network, and together they form a campaign of new vintage releases every September.
Seña and Chadwick owner, Eduardo Chadwick, and daughter, Magui
Which fine wines were released through the Place de Bordeaux this week?
South American superstars
Clos Apalta 2018 kicked off this year’s campaign on Tuesday 31st August, at £71.50 per bottle (in-bond). At this year’s CVBG London tasting at Berry Bros. & Rudd, Wine Lister enjoyed the elegance of the latest release, which boasted red fruits, pepper, and a hint of smokiness on the nose, and a fresh acidity and energy on the palate. Another vintage that adheres to the estate’s impressive quality consistency over the past five years, demand for the 2018 is further encouraged by Clos Apalta’s status as one of Chile’s leading wine brands.
Across the Andes, Catena Zapata released its 2018 vintage on Wednesday 1st September, with Nicolàs Catena Zapata entering the market at £53 per bottle (in-bond). Having gained 96 points from Joaquín Hidalgo for Wine Lister partner critic Vinous.com, the latest vintage achieves its highest ever-score from the critic outfit. He calls it “breathtaking”, with “layers of aroma, beginning with black currant and moving on to intense, precise notes of lavender and mint along with hints of black tea, sage and cigar box”.
Released yesterday (Thursday 2nd September) at £80 per bottle (in-bond), Seña 2019 was the product of a “long, stable ripening season”, according to owner, Eduardo Chadwick. Tasting with Wine Lister on Zoom, he explains that while “January did begin warmer than usual, summer in March was cooler than normal”, retaining freshness. Indeed, our team found the 2019 to be beautifully balanced, perfumed with muddled berries, sweet spice, and promising complexity of cherries and rustic earth, with satin tannins, on the palate. Supplemented by its high quality, the special-edition 25th-anniversary bottling should stimulate interest in Seña’s latest offering.
Describing Viñedo Chadwick 2019 as “one of the best recent vintages”, Eduardo tells us that, as ever, the character of the wine is shaped by the estate’s altitude. He explains that the great diurnal range throughout the warm growing season allowed freshness, encouraging what Wine Lister found to be both remarkable lift and flavour intensity, with aromas of iris, fresh herbs, and blackberry. Released onto the market at c.£230 per bottle, the 2019 was awarded 99 points by James Suckling, who echoes the sentiment that the wine is “refined, yet powerful”.
South African sweetness
On Wednesday 1st September, Klein Constantia released its Vin de Constance 2018 at £41 per bottle (in-bond). Wine Lister tasted the latest release on Zoom alongside Winemaker, Matt Day, and found notes of citrus and stone fruits complemented with notes of ginger on the nose, complete with a generous and balanced palate with a lightness and freshness that defies the stereotypes of “sweet wine”. Matt told us he believes the vintage represents an embodiment of his “fine-tuned” craft, which also coincided with “a perfect [growing] season”, encouraging the continuation of its positive quality trajectory this year. Indeed, the latest release (as yet not scored by any Wine Lister partner critics) gains 98 points from James Suckling in his most recent tasting.
Tasting Vin de Constance 2018 alongside Klein Constantia Winemaker, Matt Day
Top Tuscan offerings
Bibi Graetz’s Testamatta and Colore 2019 entered the market yesterday (Thursday 2nd September), at £73 and £180 per bottle (in-bond), respectively. Marking its 20th anniversary vintage, both wines feature special-edition bottles designed by artist turned vigneron, Bibi Graetz, with colour and text applied directly onto the glass. Wine Lister was particularly impressed with Colore 2019, which boasted a perfumed nose of violets, frangipane, and crushed berries, following through to a vibrant and juicy palate with silky tannins.
Wines likely to be released through the Place de Bordeaux next week include: Opus One 2018, Overture NV, Masseto 2018, Massetino 2019, Latour 2005, Almaviva 2019, Epu 2019, Cheval des Andes 2018, Solaia 2018, and Beaucastel Hommage à Jacques Perrin 2019.
Wine Lister speaks to 10 top sommeliers to find out more about their bottles of choice
From left to right: Lupo Theones, Victor Petiot, Gareth Ferreira, Beatrice Bessi, and Paul Lo
What top wines do sommeliers recommend?
Whether offering the perfect food pairing or serving an unforgettable glass, sommeliers are often responsible for creating moments of vinous magic shared by wine lovers far and wide. Our latest blog flips the script, with some of the world’s leading sommeliers sharing with us their most memorable pours, providing the ultimate guide on how to drink like a pro.
Read our blog on your favourite winemakers’ favourite wine for more insight into what the experts are drinking here.
Lupo Theones – Head Sommelier at Hélène Darroze at The Connaught, London
Lupo Theones shares the same sentiment as many of his peers: “it is challenging to choose a single wine when you taste so many great wines as a sommelier”. He nonetheless mentions Egon Müller’s Scharzhofberger Riesling Kabinett 2011 as a wine that “deeply impressed” him, having tasted it soon after moving to London to join The Connaught. Describing a “perfectly balanced” palate that “shows a great acidity and minerality”, Lupo notes that it is a wine you can drink on its own, or paired with the likes of sushi and shellfish, as well as Foie Gras.
Victor Petiot – Wine Director at Caprice at Four Seasons, Hong Kong
Having discovered the vintage just last year, Victor Petiot cites Toro Albalá Don PX 1931 as his favourite wine, due to its “uniqueness” after sleeping in barrel for over 90 years. He explains that it provides “the perfect balance between powerful and well-balanced” with a “sweet and creamy texture yet high acidity”. On the topic of pairing, Victor tells us that the wine prompted the creation of a new dish to be served with it, comprising “a pigeon cooked in a coffee dough with salsify, hazelnut, pan-fried foie gras and pigeon sauce with coffee and a bit of Toro Albalá 1931”.
Gareth Ferreira – Head Sommelier at Core by Clare Smyth, London
Gareth Ferreira recalls being “immediately hooked” on his first real trip to visit the great producers of Burgundy during his early career. He tells us of the first time he tried Jean-Marie Fourrier’s Gevrey-Chambertin Clos Saint-Jacques, which made him question, “how can wine taste this good?”. It has since remained a wine he “looks forward to opening, no matter what the vintage is”, though the first he tasted – 2009 and 2010 – “will always have a special place in [his] heart” and 2002 is one of his favourites in Burgundy.
Beatrice Bessi – Head Sommelier at Chiltern Firehouse, London
“The reason that I became a sommelier is the Nebbiolo grape” exclaims Beatrice Bessi, who fell in love with Barolo in particular over 10 years ago. It is her “never-ending love”, as the region takes a lifetime to know in its entirety (“similar to Burgundy in that respect”, she notes). While citing Bruno Giacosa and Bartolo Mascarello as “traditionalist” producers that she would turn to on special occasions, Beatrice recently “fell in love with the wines of a super modern producer”, Domenico Clerico. In regards to pairing, she tells us that there is “nothing more satisfying” than an amazing glass of Barolo with pizza – there “doesn’t need to be an occasion to have a great glass”.
Paul Lo – Wine Director at Grand Lisboa, Hong Kong
Unable to choose a favourite, Paul Lo instead recalls an exclusive dinner he hosted in May 2014, at which the late chef Joël Robuchon’s menu was paired with 10 wines from the Lisboa cellar hailing from the 1959 vintage. Listing Dom Pérignon Oenothèque, Margaux, Palmer, Latour, Haut-Brion, Lafite, Mouton, La Mission Haut-Brion, Cheval Blanc, and a Steinberger Riesling Trockenbeerenauslese, he tells us that “uncorking the wines in a single event was unforgettable”. He gives particular praise to the Steinberger, noting “so many elements inside – nectar coupled with dried nuts, dry fruits, cigar, caramel, noble spices”, presented with “delicate and perfect acidity”.
From left to right: Stefan Kobald, Victoria O’Bryan, Julien Sarrasin, Jonathan Charnay, and Pascaline Lepeltier
Stefan Kobald – Head Sommelier at Pollen Street Social, London
Stefan Kobald tells us that current favourite wine is Philippe Colin Montagny 2016. Having always known of the producer, Stefan discovered this specific cuvée before the first lockdown and has been “hooked ever since”. He describes its “fresh acidity, stunning aromas of ripe apple, citrus notes of lemon peel, and grapefruit”, with a “hint of butter coming from the light oak usage”. Sharing the same philosophy for when he buys wine for the restaurant and himself, he seeks freshness and drinkability, and a wine that invites you back to take another sip – which this wine “definitely does”.
Victoria O’Bryan – Wine Director at Addison Restaurant, California
Narrating her recent encounter with Krug Clos du Mesnil Blanc de Blancs 2002, Victoria O’Bryan tells us that it made her “weak at the knees”. She explains that the wine opened up with surprising ferocity, “like a jolt of electricity giving power and lift to bright citrus tones and a stunning limestone minerality”, with an expression that was “at once creamy and piercing with layers of intensity”. When pairing a wine with “this flair of tension and drama”, Victoria would recommend pouring it alongside caviar or oysters.
Julien Sarrasin – Head Sommelier at Hide, London
“Every wine aficionado would understand the emotion I felt when I first tried this unique wine”, notes Julien Sarrasin, referring the Rhône’s renowned Reynaud family, and specifically a 2004 Rayas Châteauneuf-du-Pape. Now under the influence of the “Rayas effect”, Julien also cites a rosé called Parisy from another Reynaud property, Château des Tours – a blend of Grenache and Cinsault that provided his “most exciting experience” of rosé wine. He describes its “intense bouquet of crushed wild ripe raspberries, jammy strawberries, liquorice stick, and Mediterranean herbs”, which pairs with “intense seafood and fish dishes, as well as meat”.
Jonathan Charnay – Beverage Director at Masa, New York
Echoing Lupo Theones’s choice, Jonathan Charnay tells us that his “absolute favourite wine” is Egon Müller’s Scharzhofberger Riesling, though cites the Auslese as his top wine. He muses on its “great complexity and depth” with “intense aromas of white flowers and honey” that he immediately fell in love with when tasting with Egon Müller during a visit to the winery in 2013. While it is sweet when young, Jonathan points out that it can “age for decades, turning into a delicate elixir” with notes of “apricots, ginger and bergamot”.
Pascaline Lepeltier – formerly Managing Partner at Racines, New York
Pascaline Lepeltier informs us that if she “had to go back to a wine over and over again” it would be Benoit Courault’s Gilbourg – a Chenin Blanc from Anjou in the Loire, where she grew up. “Benoit was one of the first vignerons I met over 15 years ago” she explains, noting that her path was paved by time spent with him in his vineyards in the Coteaux du Layon. Produced with grapes from different plots on schists, Gilbourg is made organically and with minimal intervention – “a real paragon” according to Pascaline. Admiring its “tremendous” ageing potential, she notes its evolution into “the most complete, complex, powerful but ethereal Chenin”.
Explore Wine Lister’s own MUST BUYs for 2021 in our recent blog here.
To mark the first day of spring (Saturday 20th March), this week’s blog takes a deep dive into Wine Lister’s latest MUST BUY update, helping you to discover some excellent wines to enjoy over the next few months. The 19 new MUST BUYs cover a range of regions, varieties, and styles, providing inspiration for top picks to drink now or put away for the future.
Click here to view all MUST BUYs, or read more below.
Piedmont constitutes over a quarter of the new MUST BUY picks, with entries from five of the region’s leading producers. Currently at its peak drinking, Luciano Sandrone’s 2005 Barolo Le Vigne comprises a blend of fruit from four of the estate’s top vineyards, each with different terroirs, altitudes, and exposures. Harvested, vinified, and aged separately, the final assemblage is intended to express the best characteristics of each plot. Wine Lister’s partner critic, Jancis Robinson, describes it as “complex”, with “already very integrated aromas”. It can be purchased from Farr Vintners for £79 per bottle (in-bond).
In Burgundy, Thibault Liger-Belair’s 2018 Richebourg achieves its highest WL score since the successful 2010 vintage (96), and is described by Wine Lister’s Burgundy specialist critic, Jasper Morris, as possibly “[Thibault’s] best Richebourg to date”. Awarding it 95-98 points, Jasper notes that “the oak […] is so suffused by a brilliant dense entirely red fruit, soft strawberry and more pronounced raspberry”. It is available to buy from Corney & Barrow for £450 per bottle (in-bond).
Representing the Southern Hemisphere, Shaw and Smith’s 2019 Pinot Noir also has Value Pick status, with a WL score of 92 at £26 per bottle (in-bond). The first vintage to include fruit from the property’s Lenswood vineyard, which boasts mature vines and high altitude, it marks an exciting development for Shaw and Smith. Richard Hemming for Jancis Robinson describes it at “superbly fragrant” and representative of “the sheer pleasure of the variety”. It can be bought from The Fine Wine Company.
Pierre-Yves Colin-Morey makes up two of three Burgundy whites to feature in the latest MUST BUY update, with its 2016 Meursault Perrières and 2018 Corton-Charlemagne. At £210 per bottle (in-bond), the former achieves 94 points from Jasper Morris, who notes “riper fruit, almost some orange blossom, but still an underlying freshness”. Meanwhile, Julia Harding for Jancis Robinson awards 19 points to the 2018 Corton-Charlemagne, describing it as “powerful and elegant” with a “smoky and quite subtle” nose. While both wines are more difficult to source, it is worth informing your merchant of your interest in purchasing them.
Other wines featured in the new MUST BUY selection are: 2005 Rayas Châteauneuf-du-Pape, 2009 Gaja Barbaresco Sori Tildin, 2009 Peter Michael Les Pavots, 2010 Giacomo Conterno Barbera d’Alba Cascina Francia, 2010 La Spinetta Barbaresco Gallina, 2014 Bouchard Père et Fils Montrachet, 2015 Bond Quella, 2016 Giacomo Grimaldi Barolo Sotto Castello di Novello, 2017 Gangloff Condrieu, 2017 Kistler Vineyards Hudson Vineyard Chardonnay, 2017 Kistler Vineyards McCrea Vineyard Chardonnay, 2018 Castello di Fonterutoli Siepi, 2018 Georges Mugneret-Gibourg Echezeaux, and 2019 l’Evangile.
Having commenced the week with International Women’s Day (Monday 8th March), Wine Lister’s latest blog celebrates some of the leading female figures in winemaking. Interviewing a handful of top producers across six regions, whose practices embody a range of principals, we put a spotlight on the wines made by some of the industry’s most exceptional women.
From left: Ashley Hepworth, Caroline Frey, and Stéphanie de Boüard-Rivoal
Ashley Hepworth – Joseph Phelps Vineyards
Following a degree in Chemistry and Biology, Ashley Hepworth spent two years cooking at Charlie Trotter’s legendary Chicago restaurant, where she realised she “wanted to learn more about wine and utilize [her] science background”. After studying the restaurant’s wines, and quizzing its Master Sommeliers, she applied for a harvest internship at Joseph Phelps where she continued to work her way “up the ladder”, eventually becoming winemaker in 2008. She is “particularly fond” of the 2008, 2015, and 2017 vintages of Joseph Phelps’ flagship wine, Insignia, explaining that each are “distinctive of the given vintage and the interplay of the six estate vineyards” that the wine is blended from.
Caroline Frey – La Lagune and Paul Jaboulet Aîné
Having taken the helm of third-growth property La Lagune from her father in 2004, Caroline Frey has since assumed an additional winemaking role in the Rhône, at Paul Jaboulet Aîné, after its acquisition by her family in 2005. Like several of the producers we spoke to, Caroline informs us that working “in harmony with nature is a long-term project” for her, with both properties now certified biodynamic. She explains that “to produce great wine the grapes must be the fruit of nature and not of synthetic chemistry”, and the more she “improves in working in harmony with nature” the “more wonderful” her wine will be.
Stéphanie de Boüard-Rivoal – Angélus
Having spent her childhood at Angélus, Stéphanie de Boüard-Rivoal was seven years old when she told her grandfather, Jacques de Boüard de Laforest, that she wanted to join him and her father, Hubert, in running the estate. After an early career in London’s financial sector, Stéphanie returned to Angélus in 2012, and has since continued a “quest for excellence while endeavouring to keep the estate in [her] family”. Noting “purity, tension, and focus” as key words to describe the style of her wine, she tells us that she is currently fond of Angélus’ 2005 and 2010 vintages, and anticipates enjoyment of the 2016 and 2018 in the coming years.
From left: Charlène Pinson, Florence Heresztyn-Mazzini, Eva Fricke, and Donatella Cinelli Colombini
Charlène Pinson – Pinson
One of the longest-established families in Chablis, records show that the Pinsons have been producing in the region since 1640. Having joined her father, Laurent, at the estate in 2008, Charlène Pinson tells us of her respect for tradition and the work that her family has done before her, with the aim to “pass on the passion” to her two sons. Producing 13 different wines, she explains that each is a “reflection of their terroirs”, and are “more or less floral and fruity” depending on the slope and soil of the parcel. For those new to Pinson, she recommends the 2017 Chablis Mont de Milieu, describing it as a “pure expression of our Kimmeridgian limestones […] classic, mineral, balanced, and fresh”.
Florence Heresztyn-Mazzini – Heresztyn-Mazzini
Taking over her family’s estate (Domaine Heresztyn) in 2012, Florence Heresztyn-Mazzini and her husband, Simon Mazzini have overseen numerous developments under its new name. Introducing biodynamic practices in 2015, and achieving organic certification in 2019, Florence continues to “experiment with natural treatments” to fulfil her goal of “fighting the challenges of climate change”, including more “cover crops and sustainable pruning”. Explaining that many recent vintages have been difficult due to global warming, she tells us that she is particularly proud of her “fights” in 2013 and 2016, creating top quality wines in years that “remind us that we are small in the face of Mother Nature!”.
Eva Fricke – Eva Fricke
After making wine in Australia, Spain, and Germany, Eva Fricke returned to Germany in 2006 to start her own estate, which now holds 17ha across the Rheingau. Achieving organic certification in 2016 and membership in The Vegan Society in 2017, the property also employs several biodynamic practices including its adherence to the lunar calendar. She tells us that these principals guide her goals of developing a domain that “stands for organic, sustainable, and socially conscious standards”. Eva notes the “2019 Lorcher Schlossberg, 2019 Lorcher Krone Trocken, and 2019 Lorcher Krone Trockenbeerenauslese” as some of her top wines.
Donatella Cinelli Colombini – Casato Prime Donne and Fattoria del Colle
Born into a family of winemakers whose production in Montalcino can be traced back to 1592, Donatella Cinelli Colombini tells that it is “for this reason” that winemaking comes naturally to her. Founding Italy’s first winery run solely by women, she explains that her decision to have an all-female staff at Casato Prime Donne “leaves an imprint of acute accuracy in each step of the production process”. She notes of Casato Prime Donne wines that they are some of the first “chosen, and produced by women, for women”.
Like many of the world’s winemaking regions, Barolo is increasingly subject to dramatic weather patterns as a result of global warming. With significant frost in spring followed by an extremely hot summer, its 2017 growing season was no exception to these severe shifts. Akin to its vines, Barolo’s producers are now more than ever demonstrating their resilience to change, as evident in its latest offerings.
To guide those buying Barolo 2017 over the coming weeks, Wine Lister has spoken to nine of the region’s top producers to get a better picture of the vintage and its viticultural demands.
Chiara Boschis and her team during the 2017 harvest at E.Pira e Figli
A reduction in production
As cited by several producers, spring frost and summer drought resulted in reduced yields across the board in 2017. Situated in the heart of Barolo, Chiara Boschis tells us that production at E.Pira e Figli was down between 10-20% on the 2016. The estate had to carefully select “clusters that were compact when picked”, as heat stress was preventing complete berry development. Marco Marengo notes that yields at his estate were 25% lower than average in 2017, while owner and winemaker at La Spinetta, Giorgio Rivetti, saw levels down by roughly 30%. A representative at Giacomo Conterno, Stephanie Flou tells us that its 2017 vintage was particularly affected by it being “the second year in a row in which [the estate] has suffered drought”. She states that while yields were limited “because the grapes dried out”, they are “positively surprised with how the vintage has ended up”.
Finding shade from the sun
Numerous estates noted the need for rigorous canopy management in 2017 – one of many adjustments applied across the region to cope with the extreme heat. Elio Altare’s second-generation winemaker, Silvia Altare tells us that hydric stress forced her to be amongst the vines, “meticulously managing the canopies to protect the grapes from the sun”. The team at Cantina Cooperativa Terre del Barolo also explain that this “was key in 2017 in order to keep bunches in shade, without suffocating them”, while “conservation tillage – mulching or grass covering in between the rows –was crucial to limit evaporation, and to protect the vines from the ‘mirror effect’ of the soil”. Vietti’s winemaker, Luca Currado notes that he similarly used “uniform, dense foliage to provide clusters with greater shade” and “grass cover between the rows to prevent sunlight reflecting directly onto the clusters”. The estate also started harvest significantly earlier than usual in 2017 – another recurring theme across the properties.
Keeping cool: the family dog at Elio Altare finds shade under the vines during the estate’s 2017 harvest
A crucial cooling
As mentioned by several of his peers, Azelia’s fifth-generation winemaker, Lorenzo Scavino tells us that a large diurnal temperature range helped to “preserve the freshness and the aromas of the grapes” in such a hot year. He states that while these cool nights “usually do not occur in warmer vintages, they were really a blessing”. Poderi Luigi Einaudi’s team echoed this sentiment, add that the temperature changes between day and night helped to develop the “polyphenolic profile of the Nebbiolo”, allowing “an excellent accumulation of tannins”. Rainfall in early September also helped to ensure balance in the 2017 vintage, with Luca Currado informing us that Vietti’s “Nebbiolo and Barbera benefited in particular, with highly complex polyphenolic profiles compared to other particularly rich vintages”, and “an unexpected freshness on the palate”.
The final freshness
Indeed, according to Wine Lister’s discussions with producers, freshness has been the great surprise of the 2017 vintage – a description applied repeatedly by Wine Lister’s partner critic, Antonio Galloni, in his notes on the region’s latest offerings. Chiara Boschis notes that E. Pira e Figli’s 2017 is “generous but very fresh”, while Azelia’s Lorenzo Scavino explains that rigorous vineyard management allowed them to “preserve the acidity, which is why even in this vintage we can find a great freshness”. Silvia Altare also tells us that while “2017 is definitely a warmer, more open knit vintage than 2016”, she has “noticed over the past few months the wines have integrated more and there’s a bit more freshness”.
The successful conception of balance in a year defined by drought aptly illustrates the resilience of Barolo’s producers in 2017, which may well be described as a winemaker’s vintage. Barolo 2017 scores have so far been high across the board, giving further merit to those who have created a wine of complexity and quality in a year of climatic uncertainty.
Keep track of new Barolo 2017 scores from Wine Lister’s partner critics here.
Home to a range of grape varieties, styles, and DOCGs, Tuscany also offers excellent wines at a variety of price points. To help you on your hunt for a top Tuscan bottle within your budget, Wine Lister has compiled a selection of Tuscany MUST BUYs at five different price points.
Click here to view all Tuscan MUST BUYs, or read more below.
Prices are shown per bottle in-bond (when buying by the case).
Under £20 – 2011 Fattoria La Massa La Massa
Founded in 1992 by prominent Chianti winemaker, Giampaolo Motta, Fattoria La Massa represents his aim of applying Bordeaux vinification techniques to a Tuscan terroir. With the counsel of famed Bordeaux vigneron, Stéphane Derenoncourt, Motta now grows Cabernet Sauvignon, Merlot, and Petit Verdot alongside native Sangiovese. La Massa comprises 60% Sangiovese, 30% Cabernet Sauvignon, and 10% Merlot in 2011, and is described by Wine Lister partner critic, Antonio Galloni as “jumping from the glass with dark red cherry, raspberry jam, plum, spices, violets, smoke and cloves”. With a WL score of 92, it is available to purchase from Bordeaux Index for £16 per bottle (in-bond).
Under £50 – 2015 Felsina Fontalloro
Felsina has seen a significant shift toward organic and biodynamic practices since its founder, Domenico Poggiali’s son-in-law, Giuseppe Mazzocolin, took over in the late 1970s. As well as investing heavily in a more natural viticulture, the estate has adopted a dedication to revealing the expression of its terroir. The 2015 Felsina Fontalloro was awarded 96 points from Antonio Galloni, who indeed notes that “sandy soils confer aromatic intensity to this super-expressive, arrestingly beautiful wine”. It can be purchased from Brunswick Fine Wines for £44 per bottle (in-bond).
Under £100 – 2016 Tenuta Tignanello Tignanello
Antinori’s Tenuta Tignanello property fared notably well in 2016, with its namesake wine, Tignanello achieving its joint-highest WL score alongside its 2015 vintage (98). Antonio Galloni describes the 2016 Tignanello as “flat out stunning”, and muses, “I don’t think there is another wine anywhere in the world made entirely from estate fruit that can match Tignanello for quality, consistency and value”. A blend of 80% Sangiovese, 15% Cabernet Sauvignon, and 5% Cabernet Franc, it can be acquired from Fine+Rare Wines for £92 per bottle (in-bond).
Under £200 – 2015 Montevertine Le Pergole Torte
Considered a difficult place for any agricultural production, Radda was an unusual location for Montevertine’s founder, Sergio Manetti to establish his property in 1967. In one of the highest and rockiest sites in Chianti Classico, its steep hills are now home to top-quality Sangiovese vines from which its three wines – Pian del Ciampolo, Montevertine, and Le Pergole – are produced. Antonio Galloni awards 97 points to the 2015 Montevertine Le Pergole Torte, calling it “deep, powerful and resonant […] exotically ripe and flamboyant, not to mention utterly captivating”. It can be bought from IG Wines for £129 per bottle (in-bond).
Over £300 – 2008 Soldera Case Basse Sangiovese
Achieving 18 points from Wine Lister’s partner critic, Jancis Robinson, Soldera’s 2008 Case Basse Sangiovese is described as “so different from most Brunello” with a “reserved nose of autumnal leaves”, and a “real tang on the end”. Having separated from the Brunello di Montalcino DOCG in 2006, all vintages from 2007 onwards are labelled as Toscana IGT. The 2008 marks a shift away from the estate’s usual vinicultural methods, having been aged for a period in stainless steel before bottling. Antonio Galloni notes that it is indeed “quite different from virtually every other wine made at Case Basse”. The 2008 Case Basse Sangiovese can be bought from Fine+Rare Wines for £387 per bottle (in-bond).