Owner and winemaker of her iconic family estate in Condrieu: “A wine is like its maker”.
The 15th in Le Figaro Vin’s series finds us in the northern part of the Rhône Valley where Christine Vernay, #36, has made her distinctive mark in the 25 years since she took over from her father, Georges Vernay.
From its home in Condrieu, Domaine Georges Vernay’s 24 hectares of vines, mainly comprised of Syrah and Viognier, extend over steep, precipitous terroirs. Georges Vernay began to develop the estate in 1953, starting out with 1.5 hectares of vines classified as AOC Condrieu Coteau de Vernon. A passionate defender of the appellation, he played a major part in its preservation.
As the third-generation owner of the family property, Christine Vernay, joined in 2020 by her daughter Emma Amsellem, maintains the family’s knowledge and expertise. Today they cultivate 10 hectares of vines classified as AOC Condrieu, including three hectares of old vines which produce the prestigious Le Coteau de Vernon and Les Chaillées de l’Enfer, wines which epitomise the Viognier grape variety in Condrieu. They also grow six hectares of vines classified as Côte-Rôtie, two hectares as Saint-Joseph, and six hectares as IGP Syrah and Viognier.
Le Figaro Vin: How does it feel to be crowned a winemaking champion?
Christine Vernay: A champion? I have never thought about it in those terms. It surprises me, but I am delighted by it.
Have you been training for long?
It has been a real marathon…nearly 30 years now.
Who is your mentor?
There have been quite a few. In the first place my family, then numerous encounters in the world of wine with men and women who have inspired me.
Is wine a team sport?
Of course. How could anyone think otherwise. Wine starts its life on the vine and our hillsides require so much attention that you need a strong team to manage successfully. Everyone plays their part. When the grapes reach the cellar I have a smaller team around me, it’s more intimate, I work more on my own, and I engage in a real one-to-one conversation with my wines.
What is the key to making a good wine? The terroir or the winemaker?
Without question, the terroir. For me the terroir is a wonderful confluence of place, vine, and winemaker. You then have the freedom of interpretation to make a great wine.
To what do you owe your success?
For a winemaker the definition of success changes every year. My awareness of its transient nature stimulates and strengthens me. I believe that desire, pleasure, doubts, convictions, and, above all, commitment to inherited values are all key to progress and success.
Is your family proud of you?
I hope so!
Who is your biggest supporter?
I don’t have any.
Your favourite colour?
Red – the red of Maison Rouge.
Your favourite wine?
My heart swings between Coteau de Vernon and Maison Rouge.
Your favourite vintage?
1997, my first vintage.
If your wine was a person, who would it be?
It would be me. I often find that a wine is like its maker.
What are the best circumstances in which to taste your wine?
My favourite circumstances for tasting it are when you are tuned in to the sensations that it can bring you.
Have you ever thought about chemically enhancing yourself, or your wine?
Our reciprocal energies are enough in themselves.
For what price would you be prepared to sell your estate?
I am not prepared to sell it.
Who is your strongest competition?
Nature, which you have to contend with all the time.
Which competition do you dread the most?
At the beginning of the harvest, when you are walking through the vines, tasting the grapes, keeping a watchful eye on the earth and the sky, and deciding when to press start, you experience a powerful adrenaline rush. I dread it, but I love it.
What is your greatest trophy?
The smile and serenity of my father watching me be a winemaker.
What has been your most innovative strategy in the vineyard and in the cellar?
Commitment to a way of working that respects the environment and having the flexibility to be as close as possible to the vines, the grapes, and the wine, contingent on the demands of nature, the vintage, the weather…
Who would be your ideal successor on the podium?
My daughter!
Tasting for Le Figaro, Ella Lister and her colleague, Béatrice Delamotte, spent a fortnight in Bordeaux tasting 600 wines en primeur from the extraordinary 2022 vintage – extraordinary in terms of its textures, its accessibility, and its unexpected freshness in such a dry, hot year – that has produced wines with technically high levels of tannin which somehow just melt into the background. We tasted many of the wines together, and sometimes two or three times in order to be able to judge each sample as faithfully as possible.
Château Lafleur
The Vintage
After a difficult 2021 vintage, 2022 is without doubt a contender for the vintage of the century – so far –, showing signs at this early stage of outdoing the magnificent triptych 2018, 2019, and 2020, and will perhaps go down in history as the 1982 has done. After almost 20 years as Technical Director at Château Cos d’Estournel, Dominique Arangoïts expressed this in slightly different words, suggesting that 2022 “might be the wine of my life”.
And the most extraordinary thing is that nobody expected it. The vines were subjected to some of the driest conditions on record, as well as above-average temperatures. However, there were no extreme heatwaves (as in 2003), and night-time temperatures remained relatively cool, dropping on average to around 15°c. The vines grew accustomed to the hot, dry conditions early in the growing season, which meant they adapted their consumption and their canopy growth in order to cope with what little water they had, making do with reserves amassed during a rainy 2021, then a top-up in June, and then surviving 50 dry days until mid-August. Refuting any comparison with 2003, Nicolas Audebert, Managing Director of Châteaux Canon and Rauzan-Ségla, uses the analogy of an office worker being cooped up until August, and getting sunburnt going out into the bright sun for the first time, whereas 2022 was a more gradual acclimatisation for the vines.
Nicolas Audebert, Managing Director of Châteaux Canon, Rauzan-Ségla and Berliquet
One of the buzzwords of the vintage, cited over and over again in our conversations with owners, winemakers, and consultants in the region was ‘resilience’. “ The vines, the soils, and the people were resilient,” said Omri Ram, Cellar Master and Head of Research and Development at Château Lafleur. That the vines survived the prolonged drought with relative ease and produced such stunning results was a shock to everyone, with many vignerons telling us they were more stressed than vines. Mathieu Cuvelier, owner of Clos Fourtet, found the experience quite stressful, even though “there was little that needed doing – no green harvesting, no de-leafing, very light vinification”. Pierre-Olivier Clouet, Technical Director at Château Cheval Blanc concurs, recounting “the vineyard made the wine all by itself”.
By early August the pips were already brown, i.e. phenolically ripe, “We had never witnessed that before” explains Frédéric Faye, the Managing Director of Château Figeac. However, the extreme weather conditions did leave room for mistakes for those were not attentive enough to picking dates or not gentle enough with their extraction. So 2022 wasn’t a vintage of homogenous quality, but overall, it was a pleasure to taste, and much easier for professional tasters than 2021, where we battled with oak, firm tannins, and biting acidity to assess potential quality. This year, the majority of wines are already so expressive and caressing as to be almost ready to drink, while possessing all the necessary attributes to age well.
“The wonderful thing this year is that every grape variety did rather well,” exclaimed Christian Seely, Managing Director of AXA Millésimes, parent company of Château Pichon Baron, explaining that while above all it’s a great Cabernet year, “the Merlots are as beautiful as they’ve ever been”. Many wines in 2022 featured a higher proportion of Merlot than usual, as the Cabernet berries were small and yielded less juice. In fact, 2022 sparked lots of positivity around Merlot, with Stéphanie de Boüard-Rivoal, co-owner of Château Angélus, commenting that the vintage shows “Merlot can exist long into the future”, contrary to recent concerns about its capacity to stand up to a warmer, drier climate.
Stéphanie de Boüard-Rivoal, co-owner and CEO of Château Angélus
The Wine
The red wines – the unquestionable winners in 2022 – are dense and concentrated, yet fresh, fruity, floral, and sappy. Above all, the best wines display a range of magical textures from silk and cashmere to duckling feathers, and a common and delightful thread through many of the wines is a vegetal florality reminiscent of the sap of fresh cut flowers. The least successful wines present harsh tannins. The best ones, on the other hand, are so fresh and tender that you would never know they came from such a dry, hot vintage, nor guess the resulting high IPTs and low pHs.
The dry whites, however, found it harder to contend with the vintage, and the low acidity levels can be more apparent than in the red. There are, nonetheless, a handful of successful whites worth looking out for, which possess the best and subtlest exotic notes, a finesse and softness that counteract the richness of the vintage. The sweet wines are very good, if not incredible, rich with delicious botrytis flavours and very high residual sugar levels.
The 2022 vintage is not one with an obviously overperforming appellation or subregion. Left and Right Bank made astonishing wines, and we have been inspired by our tastings to bestow an unprecedented number of potential 100-point scores to the wines. You can discover all eight possibly “perfect” wines, and hundreds more, on the Wine Lister and Figaro Vin websites now.
Owner of Domaine Belargus: “I have a bit of a PSG syndrome”.
Figaro Vin’s 39th top French winemaker, Ivan Massonnat creates sumptuous wines on Savennières’ exceptional terroir.
In the Loire valley, on one of Anjou noir’s finest terroirs, Ivan Massonnat is fulfilling his long-lasting dream of producing excellent Chenins from Savennières. At the Belargus estate, born in 2018 with the purchase of the Pithon-Paillé estate, 24 hectares of vines are biodynamically grown in a parcel-based approach inspired by the Burgundian “climates”. Named in tribute to the rare cuvée once made by Jo Pithon – the “Belargus des Treilles” – Belargus is also the name of a small blue butterfly that’s exceedingly rare at this latitude but can be found on the Coteau des Treilles terroir.
Le Figaro Vin. – How does it feel to be crowned a winemaking champion?
Ivan Massonnat. – I don’t consider myself to be a champion. One part of me feels like a wine amateur that’s made it and is living the dream, the other like a producer that makes his wine and takes decisions.
Have you been training for long?
Yes, since my childhood, without even realising it. My passion for vines stems from my grandfather’s vines, and I’ve trained by being in contact with real champions, of the Burgundian kind.
Who is your coach?
Jo Pithon, who’s been by my side every day throughout this adventure, with 40 vintages under his belt. I have a few other mentors, such as Thibault Liger-Belair and Philippe Pacalet in Burgundy. It’s by their side that I learnt to trust myself. There’s Pierre Amoreau from Château Le Puy, who taught me a lot. Among those who inspire me, there’s also Anselme Selosse. His approach goes far beyond that of a winemaker, he’s a true philosopher. At 45 years old, I completely changed my life, shifting towards a career I knew to be difficult. When I see a man like him, I know I’ve done the right thing.
Is wine a team sport?
Yes, definitely. I spend my time saying so. There are some people who are often cast aside, especially in the vineyard, but on my estate, it’s the opposite. You need great talent, with each individual excelling in their specialty. The members of my team are sharp and well-suited to their roles. I have the PSG syndrome; I don’t want people working in silos. If everyone isn’t aware of the whole, we cannot accomplish anything. Good ideas sometimes come from across the playing field. For me, the concept of a rugby team is the best model there is.
What is the key to making a good wine? The terroir or the winemaker?
I have a vision of making wine with a sense of place, and not all places are created equal. That being said, a good-for-nothing from the finest place will not make a great wine! I don’t believe that a winemaker is a magician.
To what or to who do you owe your success?
To all those who believed in me, my closest circle, who didn’t view my project as a pipe dream. There are also those who told my story, as well as the clients. No project can bring people together the way wine does. Each link in the chain has been important. I never imagined things would happen so fast, and the seeds would take root.
Is your family proud of you?
Yes, and very happy for me. My family has made a lot of sacrifices, but it was worth it in the end.
Your favourite colour?
I started with reds, but today I like whites just as much.
The king of grape varieties?
Chenin! It has a lot of character and concentrates a lot of different traits.
Your favourite wine?
The Coteau des Treilles, which I just call Les Treilles.
Your favourite vintage?
Probably 1989, for the reds. It’s the one I’ve had the most opportunities to enjoy.
If your wine were a person, who would they be?
Me. A profound part of a winemaker’s personality finds its way into the wine they make.
What’s the best way to enjoy it?
In good company.
Have you already thought about chemically enhancing yourself, or your wine?
No.
If you had to put a price on your estate, what would it be?
I’m not planning to. This is a 100-year project, and I don’t know what value it will have in a century’s time!
Who is your strongest competition in Anjou?
I don’t view competition that way, nor do I consider my neighbours as opponents. What impresses me is team play. My adversary could be the beer or alcohol-free drinks industries. When I see people with a waning interest in wine, I feel like we’ve missed the boat somewhere along the line.
What has been your most innovative strategy in the vineyard and in the cellar?
My most innovative idea in the region was to break the glass ceiling. What has defined Belargus is the conviction that this region produces some of France’s finest white wines and that they shouldn’t be sold at a discount. It was a risk, but in line with what I was doing. Les Treilles has been the proof of this: a 100 euro-wine from Anjou. This was completely unheard of.
Who would be your ideal successor on the podium?
I don’t know yet. I don’t want to impose this on my children. Nevertheless, one thing is certain: I will not last forever. What will remain is the terroir. My only wish is that my successor be passionate.
Wine Lister’s COO, Chloe Ashton shares her thoughts on this year’s en primeur campaign so far.
The latest Bordeaux en primeur campaign is already underway, with Batailley 2021 opening the stage at the beginning of last week, and Domaines Baron de Rothschild’s Carruades and Duhart-Milon following suit. Cantemerle’s release on Friday 13th rounded out the week, and thus far starting prices have been a relatively pleasant surprise.
What does the trade expect from this year’s campaign?
In Part I of Wine Lister’s annual Bordeaux study, we asked key members of the global fine wine trade about their expectations ahead of the 2021 campaign. Of 47 respondents, half expected prices to be somewhat more expensive, or significantly more expensive than 2020 vintage releases, after rumblings on La Place of strong trading over the past few months.
Bordeaux study (p.10): Founding members survey – 2021 release price expectations
After the first physical en primeur week in Bordeaux since the 2018 vintage (our view of the vintage can be found here), the trade will at least have had the chance to work their way through a vintage so complex that tasting was surely a necessity. With such a heterogenous vintage, pricing strategies should logically also be extremely varied, making the potential successes of 2021 sales difficult to predict. Nonetheless, here’s what we know:
- Wine Lister’s annual Bordeaux study reveals that confidence in Bordeaux us up. Respondents increased ratings on last year for three quarters of the wines included in our study – after so many trade members have been reminded of the joys of tasting in situ, both these elements could contribute to campaign positivity and momentum, with merchants backing those properties they historically believe in, and/or were indeed impressed by during en primeur tastings
- 2021 appears to be a vintage that speaks from the soil, so imparting knowledge of the best terroirs to customers should help to create demand for the best-performing wines in general
- Outside of focusing only on the very best, 2021 may be a vintage for pleasant surprises – the fresher, lower-alcohol, and more classical style of wines certainly garner appeal from traditional palates, so any merchant or collector seeking this style of drinking experience in the near to mid future could do well in seeking out some of the better-value wines hailing from this complicated campaign
Wine Lister’s wine-by-wine analysis of this year’s campaign is available in email newsletter form through a Pro+ subscription. For more information on this, please contact us.
Wine Lister’s Founder and CEO, Ella Lister shares her thoughts on Bordeaux’s 2021 vintage.
Bordeaux en primeur tastings: UGCB (left) and CVBG (right)
What can we expect from Bordeaux 2021?
The most complicated vintage since 2013, Bordeaux 2021 had everything thrown at it. The vines suffered a barrage of challenges during the growing season, from frost, then mildew, to a lack of the all-important hydric stress during a cool, cloudy summer. “It was a tiring vintage for us, and psychologically difficult” recalls Juliette Couderc, the new technical director at Château L’Evangile.
Bordeaux had been lucky with six relatively clement vintages in row, and en primeur tasters had been spoiled – especially with the trio of 2018, 2019, and 2020. Tasting more than 350 wines from the 2021 vintage in late April, we were reminded of en primeur tastings of old – the art of seeing through the wood, the hard tannins, the searing acidity, and attempting to form an idea of the wine’s future potential. And potential there is, if much less widespread than in the last three years. Buying decisions will need to be made carefully, and the critics’ views will be more important than in recent vintages blessed with high quality across the board.
Vinegrowing and winemaking have come on even in nine years, with know-how and tools at the disposal of producers that they didn’t necessarily have in 2013. Furthermore, 2021 had a saving grace – an unusually long growing season, beginning with early bud break, around the beginning of April, and ending with harvest dates running well into October, thanks to an Indian summer that finally provided some much-needed sunshine, with the sunniest October since 1991. Pierre-Olivier Clouet, technical director of Château Cheval Blanc, referred to a vintage “slow-cooked at a low temperature” following six years of cooking “on a high heat”.
The vintage was more challenging for merlot than for cabernet (franc or sauvignon), as the grape variety is more susceptible to mildew. Being an early ripener, merlot also missed out on the best of the Indian summer, whereas much cabernet benefitted from a warm and sunny early October, where vignerons dared to ignore the pessimistic weather forecasts for the weekend of 3rd and 4th October and hadn’t already rushed to pick before the non-existent rain. “The weather forecast was predicting an apocalypse,” recalls Vincent Millet, managing director of Château Calon-Ségur in Saint-Estèphe, but the cabernet grapes weren’t ready, so he waited, “and in the end there was no rain at all, and then a good stint of sunshine”. Further south in Margaux, Alexis Leven-Mentzelopoulos, co-owner of Château Margaux, echoes, “It was out of the question to pick unripe grapes ”.
At Château Ducru-Beaucaillou in Saint-Julien, owner Bruno Borie says the 2021 vintage is an “ode to cabernet sauvignon, which was much more resistant than merlot at every step.” However, cabernet’s upper hand in 2021 does not neatly translate into a left-bank vintage as might be expected. The right bank has its fair share of hits, and, bizarrely, fewer misses.
The watchword in 2021 is heterogeneous, and quality is undoubtedly very patchy in 2021, ranging from the seriously disappointing to the truly exceptional (though we are not in 100-point territory in this vintage). This makes it a hugely interesting en primeur campaign to taste, to sell, and to buy. It is a year where châteaux had a real opportunity to stand out from the pack, usually thanks to outstanding terroir and the application of significant resources – both financial and human. “It was viticulture seven days a week,” explains Jean-Emmanuel Danjoy, estates manager of the Château Mouton-Rothschild stable, who, like many others, underlined the vital importance of the team’s unstinting dedication. It was necessary to adapt tirelessly in the vineyard and in the winery; to accept that the fruit coming in at the end of the season wasn’t that of the three previous vintages, and be willing to throw out tried and tested recipes to make a different kind of wine, suited to the vintage. “We didn’t go looking for density that simply wasn’t there”, underlines Vincent Decup, technical director at Château Montrose in Saint-Estèphe. Down the road at Cos d’Estournel, Dominique Arangoïts points out “it’s an opportunity for wine lovers to really uncover the terroir, because the wines are stripped right back.”
The biggest challenges were to achieve a full enough body and to avoid vegetal (pyrazine) notes, without over-extracting hard, green tannins or being over-reliant on new wood, which the more delicate fruit couldn’t absorb. Many of the more successful properties used gentler extraction techniques than ever, and added a significant proportion of press wine to fill out the mid-palate. Chaptalisation was widely resorted to for the first time since 2013. The 2021 vintage nonetheless offers refreshingly modest alcohol levels – around 13% rather than the 15% or 15.5% which had become ubiquitous in recent years – potentially a key selling point with consumers.
Generalisations are not easy (or wise) in a vintage of such disparity of quality and style, but with few exceptions, the red wines tend to come in a lighter, fresher vein, recalling the classical clarets of the 1980s and 1990s. “It’s a wine style from the 80s, but with ripe grapes,” muses Aymeric de Gironde, president of Château Troplong-Mondot. The fruit is more red than black, with lots of raspberry and even some rhubarb. The vintage is less opulently floral than the last three, and floral notes are more often on a slightly more vegetal spectrum – iris, violet and lily. The worst wines have hollow mid-palates and searing acidity, and often an overdose of oak. The very best are so pure and soothing that you would never imagine the sweat and tears that went into making them. For Olivier Gautrat, maître de chai at Château L’Eglise Clinet, it was “a difficult and exhausting vintage. We’ve been out of the habit of less explosive flavour in the grapes, so we were really scared, but the more we taste, the more we find real charm in the 2021s. ”
The dry whites are pure and fresh, and the best have a sumptuous complexity. The sweet whites are remarkable, but produced in tiny quantities, if at all. For this reason Christian Seely describes Château Suduiraut 2021 as “tragically beautiful”, with yields of less than 1 hl/ha. What the reds, whites, and sweet wines all share is high acidity, which will likely result in long ageing capacity. We look forward to tasting the wines again in bottle in a couple of years to confirm that!
350+ tasting notes will be published (in French) at Le Figaro Vin next week. In the meantime, watch this space for part II of this blog series, with a focus on the Bordeaux market, to be published next week. To track the impending Bordeaux en primeur releases, click here to discover our en primeur page.
In anticipation of this year’s en primeur releases, Wine Lister has published Part 1 of its annual in-depth Bordeaux Study. In collaboration with the world’s most visited wine website, Wine-Searcher, our market overview examines the region’s price performance and comparative popularity progression. Drawing upon valuable insight from 47 leading trade survey respondents, the study also identifies which properties have benefited from a rise in trade confidence over the past year, and explores recommendations for châteaux and merchants to see a successful 2021 en primeur campaign.
Please see our key findings below:
You can download the study digest here: Wine Lister 2022 Bordeaux Study – Digest. The full report can be purchased on our Analysis page, while Pro subscribers can access their free copy here. For further information on the data source, please see the Wine-Searcher website here.
Wine Lister speaks to 10 top sommeliers to find out more about their bottles of choice
From left to right: Lupo Theones, Victor Petiot, Gareth Ferreira, Beatrice Bessi, and Paul Lo
What top wines do sommeliers recommend?
Whether offering the perfect food pairing or serving an unforgettable glass, sommeliers are often responsible for creating moments of vinous magic shared by wine lovers far and wide. Our latest blog flips the script, with some of the world’s leading sommeliers sharing with us their most memorable pours, providing the ultimate guide on how to drink like a pro.
Read our blog on your favourite winemakers’ favourite wine for more insight into what the experts are drinking here.
Lupo Theones – Head Sommelier at Hélène Darroze at The Connaught, London
Lupo Theones shares the same sentiment as many of his peers: “it is challenging to choose a single wine when you taste so many great wines as a sommelier”. He nonetheless mentions Egon Müller’s Scharzhofberger Riesling Kabinett 2011 as a wine that “deeply impressed” him, having tasted it soon after moving to London to join The Connaught. Describing a “perfectly balanced” palate that “shows a great acidity and minerality”, Lupo notes that it is a wine you can drink on its own, or paired with the likes of sushi and shellfish, as well as Foie Gras.
Victor Petiot – Wine Director at Caprice at Four Seasons, Hong Kong
Having discovered the vintage just last year, Victor Petiot cites Toro Albalá Don PX 1931 as his favourite wine, due to its “uniqueness” after sleeping in barrel for over 90 years. He explains that it provides “the perfect balance between powerful and well-balanced” with a “sweet and creamy texture yet high acidity”. On the topic of pairing, Victor tells us that the wine prompted the creation of a new dish to be served with it, comprising “a pigeon cooked in a coffee dough with salsify, hazelnut, pan-fried foie gras and pigeon sauce with coffee and a bit of Toro Albalá 1931”.
Gareth Ferreira – Head Sommelier at Core by Clare Smyth, London
Gareth Ferreira recalls being “immediately hooked” on his first real trip to visit the great producers of Burgundy during his early career. He tells us of the first time he tried Jean-Marie Fourrier’s Gevrey-Chambertin Clos Saint-Jacques, which made him question, “how can wine taste this good?”. It has since remained a wine he “looks forward to opening, no matter what the vintage is”, though the first he tasted – 2009 and 2010 – “will always have a special place in [his] heart” and 2002 is one of his favourites in Burgundy.
Beatrice Bessi – Head Sommelier at Chiltern Firehouse, London
“The reason that I became a sommelier is the Nebbiolo grape” exclaims Beatrice Bessi, who fell in love with Barolo in particular over 10 years ago. It is her “never-ending love”, as the region takes a lifetime to know in its entirety (“similar to Burgundy in that respect”, she notes). While citing Bruno Giacosa and Bartolo Mascarello as “traditionalist” producers that she would turn to on special occasions, Beatrice recently “fell in love with the wines of a super modern producer”, Domenico Clerico. In regards to pairing, she tells us that there is “nothing more satisfying” than an amazing glass of Barolo with pizza – there “doesn’t need to be an occasion to have a great glass”.
Paul Lo – Wine Director at Grand Lisboa, Hong Kong
Unable to choose a favourite, Paul Lo instead recalls an exclusive dinner he hosted in May 2014, at which the late chef Joël Robuchon’s menu was paired with 10 wines from the Lisboa cellar hailing from the 1959 vintage. Listing Dom Pérignon Oenothèque, Margaux, Palmer, Latour, Haut-Brion, Lafite, Mouton, La Mission Haut-Brion, Cheval Blanc, and a Steinberger Riesling Trockenbeerenauslese, he tells us that “uncorking the wines in a single event was unforgettable”. He gives particular praise to the Steinberger, noting “so many elements inside – nectar coupled with dried nuts, dry fruits, cigar, caramel, noble spices”, presented with “delicate and perfect acidity”.
From left to right: Stefan Kobald, Victoria O’Bryan, Julien Sarrasin, Jonathan Charnay, and Pascaline Lepeltier
Stefan Kobald – Head Sommelier at Pollen Street Social, London
Stefan Kobald tells us that current favourite wine is Philippe Colin Montagny 2016. Having always known of the producer, Stefan discovered this specific cuvée before the first lockdown and has been “hooked ever since”. He describes its “fresh acidity, stunning aromas of ripe apple, citrus notes of lemon peel, and grapefruit”, with a “hint of butter coming from the light oak usage”. Sharing the same philosophy for when he buys wine for the restaurant and himself, he seeks freshness and drinkability, and a wine that invites you back to take another sip – which this wine “definitely does”.
Victoria O’Bryan – Wine Director at Addison Restaurant, California
Narrating her recent encounter with Krug Clos du Mesnil Blanc de Blancs 2002, Victoria O’Bryan tells us that it made her “weak at the knees”. She explains that the wine opened up with surprising ferocity, “like a jolt of electricity giving power and lift to bright citrus tones and a stunning limestone minerality”, with an expression that was “at once creamy and piercing with layers of intensity”. When pairing a wine with “this flair of tension and drama”, Victoria would recommend pouring it alongside caviar or oysters.
Julien Sarrasin – Head Sommelier at Hide, London
“Every wine aficionado would understand the emotion I felt when I first tried this unique wine”, notes Julien Sarrasin, referring the Rhône’s renowned Reynaud family, and specifically a 2004 Rayas Châteauneuf-du-Pape. Now under the influence of the “Rayas effect”, Julien also cites a rosé called Parisy from another Reynaud property, Château des Tours – a blend of Grenache and Cinsault that provided his “most exciting experience” of rosé wine. He describes its “intense bouquet of crushed wild ripe raspberries, jammy strawberries, liquorice stick, and Mediterranean herbs”, which pairs with “intense seafood and fish dishes, as well as meat”.
Jonathan Charnay – Beverage Director at Masa, New York
Echoing Lupo Theones’s choice, Jonathan Charnay tells us that his “absolute favourite wine” is Egon Müller’s Scharzhofberger Riesling, though cites the Auslese as his top wine. He muses on its “great complexity and depth” with “intense aromas of white flowers and honey” that he immediately fell in love with when tasting with Egon Müller during a visit to the winery in 2013. While it is sweet when young, Jonathan points out that it can “age for decades, turning into a delicate elixir” with notes of “apricots, ginger and bergamot”.
Pascaline Lepeltier – formerly Managing Partner at Racines, New York
Pascaline Lepeltier informs us that if she “had to go back to a wine over and over again” it would be Benoit Courault’s Gilbourg – a Chenin Blanc from Anjou in the Loire, where she grew up. “Benoit was one of the first vignerons I met over 15 years ago” she explains, noting that her path was paved by time spent with him in his vineyards in the Coteaux du Layon. Produced with grapes from different plots on schists, Gilbourg is made organically and with minimal intervention – “a real paragon” according to Pascaline. Admiring its “tremendous” ageing potential, she notes its evolution into “the most complete, complex, powerful but ethereal Chenin”.
Explore Wine Lister’s own MUST BUYs for 2021 in our recent blog here.