Like many of the world’s winemaking regions, Barolo is increasingly subject to dramatic weather patterns as a result of global warming. With significant frost in spring followed by an extremely hot summer, its 2017 growing season was no exception to these severe shifts. Akin to its vines, Barolo’s producers are now more than ever demonstrating their resilience to change, as evident in its latest offerings.
To guide those buying Barolo 2017 over the coming weeks, Wine Lister has spoken to nine of the region’s top producers to get a better picture of the vintage and its viticultural demands.
Chiara Boschis and her team during the 2017 harvest at E.Pira e Figli
A reduction in production
As cited by several producers, spring frost and summer drought resulted in reduced yields across the board in 2017. Situated in the heart of Barolo, Chiara Boschis tells us that production at E.Pira e Figli was down between 10-20% on the 2016. The estate had to carefully select “clusters that were compact when picked”, as heat stress was preventing complete berry development. Marco Marengo notes that yields at his estate were 25% lower than average in 2017, while owner and winemaker at La Spinetta, Giorgio Rivetti, saw levels down by roughly 30%. A representative at Giacomo Conterno, Stephanie Flou tells us that its 2017 vintage was particularly affected by it being “the second year in a row in which [the estate] has suffered drought”. She states that while yields were limited “because the grapes dried out”, they are “positively surprised with how the vintage has ended up”.
Finding shade from the sun
Numerous estates noted the need for rigorous canopy management in 2017 – one of many adjustments applied across the region to cope with the extreme heat. Elio Altare’s second-generation winemaker, Silvia Altare tells us that hydric stress forced her to be amongst the vines, “meticulously managing the canopies to protect the grapes from the sun”. The team at Cantina Cooperativa Terre del Barolo also explain that this “was key in 2017 in order to keep bunches in shade, without suffocating them”, while “conservation tillage – mulching or grass covering in between the rows –was crucial to limit evaporation, and to protect the vines from the ‘mirror effect’ of the soil”. Vietti’s winemaker, Luca Currado notes that he similarly used “uniform, dense foliage to provide clusters with greater shade” and “grass cover between the rows to prevent sunlight reflecting directly onto the clusters”. The estate also started harvest significantly earlier than usual in 2017 – another recurring theme across the properties.
Keeping cool: the family dog at Elio Altare finds shade under the vines during the estate’s 2017 harvest
A crucial cooling
As mentioned by several of his peers, Azelia’s fifth-generation winemaker, Lorenzo Scavino tells us that a large diurnal temperature range helped to “preserve the freshness and the aromas of the grapes” in such a hot year. He states that while these cool nights “usually do not occur in warmer vintages, they were really a blessing”. Poderi Luigi Einaudi’s team echoed this sentiment, add that the temperature changes between day and night helped to develop the “polyphenolic profile of the Nebbiolo”, allowing “an excellent accumulation of tannins”. Rainfall in early September also helped to ensure balance in the 2017 vintage, with Luca Currado informing us that Vietti’s “Nebbiolo and Barbera benefited in particular, with highly complex polyphenolic profiles compared to other particularly rich vintages”, and “an unexpected freshness on the palate”.
The final freshness
Indeed, according to Wine Lister’s discussions with producers, freshness has been the great surprise of the 2017 vintage – a description applied repeatedly by Wine Lister’s partner critic, Antonio Galloni, in his notes on the region’s latest offerings. Chiara Boschis notes that E. Pira e Figli’s 2017 is “generous but very fresh”, while Azelia’s Lorenzo Scavino explains that rigorous vineyard management allowed them to “preserve the acidity, which is why even in this vintage we can find a great freshness”. Silvia Altare also tells us that while “2017 is definitely a warmer, more open knit vintage than 2016”, she has “noticed over the past few months the wines have integrated more and there’s a bit more freshness”.
The successful conception of balance in a year defined by drought aptly illustrates the resilience of Barolo’s producers in 2017, which may well be described as a winemaker’s vintage. Barolo 2017 scores have so far been high across the board, giving further merit to those who have created a wine of complexity and quality in a year of climatic uncertainty.
Keep track of new Barolo 2017 scores from Wine Lister’s partner critics here.
Widely considered the most romantic (if most expensive) day of the year, Valentine’s day often brings with it pressure to spend more to prove one’s admiration. To help you avoid compromise on your Valentine’s day drinking, Wine Lister has put together a list of red Value pick MUST BUYs with WL scores above 95.
Click here to view all red Value pick MUST BUYs, or read more below.
Of the 37 red Value Pick MUST BUYs earning WL 95 and over, a substantial 27 wines hail from Italy, suggesting the impressive quality-to-price ratios offered by many of the country’s producers.
A passion for Piedmont
Famed Piedmont cooperative, Produttori del Barbaresco appears three times on the list, with the 2014 vintages of its Montefico Riserva, Montestafano Riserva, and Ovello Riserva. Despite hailstorms damaging several Barbaresco vineyards in 2014, Produttori’s premium sites are subject to rigorous grape selection, meaning its single-vineyard wines retained quality in the vintage. Achieving the highest score of the three labels from Wine Lister partner critic, Antonio Galloni (96) who calls it a “potent, structured Barbaresco”, the Montefico Riserva can be purchased from Hatton & Edwards for £42 per bottle (in-bond).
Tenderness for Tuscany
Moving further south, Podere Poggio Scalette’s Il Carbonaione is represented by its 2009, 2013, and 2014 vintages, which all achieve WL scores of 95. With over 10 years of age, the 2009 is described by Wine Lister partner critic, Jancis Robinson, as offering a “very voluptuous, exotic nose”, with notes of “both herbs and spices – and some meatiness […] very exciting and bursting with health”. It can be bought from Atlas Fine Wines for £33 per bottle (in-bond).
A romance with the Rhône
Family-owned, micro-négociant, Tardieu-Laurent represents five of the eight Rhône Value picks, with its 2016 Châteauneuf-du-Pape Cuvée Speciale, 2010 Châteauneuf-du-Pape Vieilles Vignes, 2016 Châteauneuf-du-Pape Vieilles Vignes, 2005 Cornas Vieilles Vignes, and 2007 Hermitage. Despite its small-scale production (a consequence of its meticulous selection process), Tardieu-Laurent offers excellent value across its labels. Jancis Robinson awards 18 points to the 2016 Châteauneuf-du-Pape Vieilles Vignes, noting it is “very aromatic and then so sweet and round on the palate! You want to gobble it up immediately”. It can be purchased by the case of 12 from Tardieu-Laurent’s exclusive UK agent, Corney & Barrow for £390 (in-bond).
Caring for California
Representing the New World, Ridge Vineyards’ Geyserville appears in the line-up with its 2016 vintage. A single-site blend of 73% Zinfandel, 17% Carignan, 7% Petite Syrah, and 3% Alicante Bouschet, it achieves a WL score of 95, and is described by Antonio Galloni as offering “black cherry, graphite, lavender, and spice”, with “a purity […] that is absolutely striking”. Also noted by Jancis Robinson as having “snug, focused aromatics with hints of floral lift” and “a palate bursting with flavour”, the 2016 Geyserville can be acquired by the bottle from Lay & Wheeler for £33 (in-bond).
Top chefs are often interrogated on their favourite dishes to cook at home, actors on their favourite films, writers on their favourite books – Wine Lister has sought out the ultimate drinking inspiration for special occasions, interviewing a handful of top wine producers on their favourite wines.
From left to right: Axel Heinz, Chiara Boschis, Gaia Gaja, Jacques Devauges, and Marielle Cazaux
Axel Heinz – Ornellaia
“It’s certainly the most difficult question to answer for a winemaker”, Axel begins. Born in Germany, and spending his early career in Bordeaux before joining Ornellaia, his choice, once we twisted his arm, sits far from his professional vinous journey. “It would be a white, from my favourite Grand Cru in Burgundy: Corton Charlemagne”, he confesses, explaining that for him, these wines combine the structure and power of a red wine, with “the vibrancy, fragrance, and minerality that one can only find in great whites”. Admiring its capacity for a faithful expression of terroir, and display of true personal signature, he cites Coche-Dury as his go-to producer.
Chiara Boschis – E.Pira e Figli
With Barolo in her blood (her relatives founded the historic Giacomo Borgogno estate), it is not unusual that Chiara Boschis’ favourite wine should hail from this same noble Italian region. She tells us that she understood from a young age “the privilege to be born in such a generous land”, for which her parents, and the people around her had “great love and respect”. After years in the cellar at E.Pira, she too became “entirely captured by the magic of Barolo”. Chiara’s top choice is therefore a Barolo from the Mosconi vineyard for its “complexity and depth”, Cannubi for its “elegance”, and the vineyards of Via Nuova for their “diversity”.
Gaia Gaja – Gaja
While paying homage to her family’s past through her own wines, fifth generation winemaker, Gaia Gaja also has one eye on the future. Her favourite wine, from rising star appellation Mount Etna, Sicily, is Graci’s Etna Rosso Arcuria. The wine is made from one of the latest ripening European varieties, Nerello Mascalese, in one of the highest vineyards in Europe. She discovered it after “becoming close friends with Alberto Graci and his family”, often visiting them in Etna. Gaia explains that “the contrasts between its vibrancy, freshness, and warmth, as well as its perfume and smoky minerality”, remind her of “the snow and the fire of Etna”. Comparing it to Nebbiolo, she believes the grape has “intriguing personality, a strong identity of place, and a medium body that makes it versatile and easy to drink”.
Jacques Devauges – Clos des Lambrays
Moving from Clos de Tart to Clos des Lambrays last year, Jacques Devauges’ top wine of all-time was born close to home. He tells us that Comte Georges de Vogüé’s Musigny catalysed his passion for wine. Sampling the 1971 and 1978 as a teenager, he was “struck” by both, despite knowing very little about wine at that point. Jacques believes Vogüé’s Musigny shows “the signature of the Grand Vin”, to impress “not only the wine geek, or the collector, but everyone, even those who don’t know what makes a good wine”. Describing what “was almost a shock”, he notes that the “level of perfume on the nose was almost like a perfume you can put on your skin”, while the palate was “soft and delicate”.
Marielle Cazaux – La Conseillante
Joining La Conseillante from neighbouring Petit-Village in 2015, Marielle Cazaux tells us that if she had to pick a favourite wine, it would be Ridge Vineyards Monte Bello, because she “has so many special memories with this wine”. As an intern at Ridge in 2001, she had the chance to taste several vintages with the legendary Paul Draper, whom she calls “one of the most gifted winemakers of the US”. Marielle considers Monte Bello a “wine with extraordinary finesse”, and “a total sense of harmony”. Describing its notes of “black pepper, lavender, mocha, liquorice, and dried flowers”, she observes that it is “perhaps one of the most “Bordeaux” style wines in California”.
From left, Nicolas Audebert, Nicolas Glumineau, Pierre-Olivier Clouet, Veronique Boss Drouhin, and Will Harlan
Nicolas Audebert – Rauzan-Ségla, Canon, and Berliquet
With some of the world’s most prestigious wineries under his belt (Terrazas de Los Andes, Cheval des Andes, Moët & Chandon, Krug, Veuve Clicquot), Nicolas echoes Axel Heinz in attempting to pick his favourite wine: “it’s impossible to answer. It’s like music – endless, initiatory, and progressive”. He instead recommends a wine from his friend, winemaker Andrea Felluga, with whom he “shares wine at simple, festive tables with lots of laughter”. He tells Wine Lister that Felluga’s wine, Livio Felluga Terre Alte “is a great white from Friuli” – a “land of contrast between the sunny and singing soul of Italy and the Alpine foothills, austere and cool”. Made from a blend of Friulano, Sauvignon Blanc, and Pinot Blanc, the Terre Alte is, according to Nicolas, like Felluga – “happy and lively”.
Nicolas Glumineau – Pichon Comtesse
On the subject of his favourite wine, Nicolas Glumineau (previously of Haut-Brion, Margaux, and Montrose), tells us that there are so many wines he could note – “Rayas 1990, E. Guigal La Mouline 1976, Cristal 1996, Trotanoy 2009, Diamond Creek Red Rock Terrace 2015”. White Burgundy legend, Coche-Dury, nonetheless gets another vote from Nicolas (on top of praise from Axel Heinz) as he reminisces trying the Meursault Caillerets 2006 for the first time in London, and being “choked, speechless, and moved by such perfection”. He describes the “delicacy of its white flower aromas and the elegance of its mineral and endless finish”, and recalls the feeling “that the world has stopped turning and that time has been suspended”.
Pierre-Olivier Clouet – Cheval Blanc
Echoing the sentiment of several of his peers, Pierre-Olivier Clouet (who has been at Cheval Blanc for 16 years), tells us that “it is impossible to choose just one wine”, because “like wine, the palate of the taster is constantly evolving”. Pierre-Olivier nonetheless notes his current favourite is “Mas Jullien – a wine that fully expresses the identity of the place where it is made, and injects the touch of balance and freshness that characterises all the great wines of the world”. He recalls that the last time he tasted the Languedoc red – a blend of Syrah, Carignan, and Mourvèdre – was with his team, on the last day of Cheval Blanc’s 2020 harvest.
Veronique Boss Drouhin – Joseph Drouhin
Fourth-generation winemaker, Veronique Boss Drouhin tells us that a wine she particularly enjoys was introduced to her by her close friend, Christine Vernay, daughter of the late Georges Vernay (praised for his key role in the survival of the Condrieu appellation). Veronique recalls Vernay opening a bottle of Georges Vernay Condrieu Coteau de Vernon, and being enchanted by its “aromatics, jumping out of the glass – unique, fragrant, and complex”, and a palate that was “powerful, voluptuous, and round, but with acidity to balance it” – a rarity for Viognier. She also cites Georges & Christophe Roumier’s Chambolle-Musigny Les Amoureuses as one of her favourites, adding, “Christophe’s [wine] is one of the nicest, purest, more elegant expressions of Pinot”.
Will Harlan – Promontory
Leading Harlan Estates‘ second-generation venture, Will Harlan explains to us that while he cannot choose a favourite, Jacques-Frederic Mugnier’s Musigny 2001 is a wine that he believes to “belong among the finest”. Will recalls coming across the bottle while “travelling with colleagues through Copenhagen a few years ago”, and as there hadn’t been a correct time to open it, the bottle joined them “on a course through Germany to Switzerland”. Having finally found an appropriate evening in Zurich to open it, “by the lake — the first bit of rest since the trip began”, he was “drawn in, as each feature of the wine, with a humble nobility, felt very naturally and confidently in its place”. Will notes it was a “wine that was singular and true”, that “would mark a memorable evening of our travels and in our friendships”.
This week Wine Lister published its first in-depth study of 2020, focusing on the leading wines and producers of Piedmont.
The key takeaways from the report prove Piedmont to be somewhat of an enigmatic region, earning high praise from critics, and experiencing strong long- and short- term price performance, while still lagging behind in terms of consumer popularity.
While this is perhaps a consequence of Nebbiolo’s relative obscurity when compared with international grape varieties, Piedmont’s unique position – a veritable treasure trove of gems to uncover – presents a real opportunity both for vinous discovery and future value.
Wine Lister Pro members can read the full Piedmont report here. All free users can purchase the report for £200 from Wine Lister’s Analysis page.
Below we examine the top Barolos and Barbarescos by WL score.
Giacomo Conterno takes both first and second places in the ranking of Barolos by WL score. The icon wine, Barolo Monfortino Riserva is the only Piedmont wine to earn a WL score of 97, while the Barolo Francia shares its score of 96 with the Barolo Riserva from the legendary Bruno Giacosa’s négociant outfit, Azienda Agricola Falletto, as well as the two highest-scoring Barbarescos (see below).
While earning joint-second place for the straight Barolo Riserva, Falletto also features for two site-specific bottlings, the Barolo Rocche Falletto Riserva and Barolo Villero di Castiglione Falleto, making the renowned house the joint-most prolific producer in the top Barolo rankings shown. It shares this position with Vietti, which earns WL 95 for its Villero Riserva, Ravera, and Rocche di Castiglione Barolos.
Elio Altare’s Barolo Brunate is the most reasonably priced of these top 12 Barolos, with an average price of £112 per bottle in-bond (when purchased by the case). Both of Roberto Voerzio’s highest-scoring wines, the Sarmassa and Brunate, follow with average prices of £152 and £165 respectively.
Eight Barbarescos achieve a WL score of 95 or above. The appearance of multiple wines per producer is accentuated here, with Roagna and Gaja earning three places apiece, followed by two Barbarescos from Falletto (totalling seven wines in Falletto’s hoard of WL scores of 95 and above).
Both sets of rankings provide useful leads in terms of producers to look out for, particularly heading into further releases of Barolo’s latest vintage, 2016, in the spring. For more specific recommendations of further Piedmontese wines and back vintages, see the region’s full list of MUST BUYs, and / or Piedmont’s Hidden Gems.
In Piedmont, the 2019 harvest is late (compared to recent standards). Most Dolcetto was already picked when I visited last week, but healthy Nebbiolo bunches were still hanging on the vines (apart from those of early-picking maverick Roberto Voerzio, whose harvest finished on 23rd September, before anyone else had started). Most growers started harvesting Piedmont’s noble grape this week (the second week of October). At Gaja this was around a fortnight later than the already late vintage of 2016, which Gaia Gaja cited as similar for its great quality and quantity.
Left: the only grape-free Nebbiolo vines spotted in Piedmont last week, at Roberto Voerzio (with hail-protecting nets that stay on all-year round and last for 15 years). Right: recently picked vines at Tenuta Tignanello in Tuscany.
It has been a late year since the start: the first drought was in February and March, so there was “no energy for vegetation to develop,” explained Gaja. “In April we got rain but it was cold, so no sicknesses developed,” she continued, expressing relief that there was no replay of 2018’s almost tropical spring. There was a “shocking jump in temperature” on 25th June. With the grapes still all green, at 40°C for almost a week, some grapes burned, “even though we hadn’t touched the canopy by then, but very old vines don’t have so many leaves to protect the grapes,” explained Gaja. Then on 7th and 8th July, 200ml of much-needed rain fell. An accumulated delay was increased further by the higher quantity of grapes for each vine to ripen.
At Bartolo Mascarello, the Nebbiolo harvest is starting around now, which is especially late given that Barolo itself – where Mascarello’s vines are – ripens earliest of all the Barolo villages. However, such a late harvest has become an exception with the world heating up. “The rules have become the exceptions,” mused Maria-Teresa Mascarello, when I asked her about the usual timing for malolactic fermentation at Bartolo Mascarello. “There is no normal time for malo’ any more with so many early vintages,” she answered.
Maria-Teresa Mascarello in the Bartolo Mascarello winery in Barolo, explaining that the rules have become the exceptions due to climate change.
The 2019 harvest might seem late compared to recent, hot vintages, but at Pio Cesare, Augusto Boffa tells me that picking in the last week of October or the first week of November used to be the norm. This is why the winery advocates the Barolo “classico” (they understandably prefer this terminology to “basic” or “standard”) – a blend of many different villages. It is “the only way we can guarantee consistency,” although he adds that, “there used to be more worries on this front climatically.”
A five-hour drive further south, in Chianti, harvest is also on the late side. At Castello di Ama, winemaker Marco Pallanti had to postpone the last day of picking due to some light rain on the morning of Thursday 3rd October. The same spring rain and dry August delayed the vines in Tuscany as in Piedmont. Pallanti was very happy with what had been picked and vinified so far. The wines have “good colour and structure,” he told me, likening the quality level to 2015 and 2016, though quantity is around 20% down on last year.
The wet, cold May and torrid summer have also delayed the vines at Tenuta Tignanello, where they were running the risk of rain to achieve the right balance of sugars and polyphenolics. While the season “started very late and is very long,” said CEO Renzo Cotarella, “the vines didn’t suffer,” he continued, leading to “very balanced grapes” and vines “that still look unstressed even now.” He compares 2019 to 2016 and 2010, saying it is “more fresh than powerful”. If 2019 is anything like the 2016s (“the best we’ve ever made”, declares Cotarella) then we’re in for a treat.*
*I was lucky enough to taste the 2016 and the 2009 Solaia side-by-side at the estate, and very excited to hear about an upcoming retrospective at The Ledbury in London being organised by Wine Lister’s partner critic Vinous. It will include those two vintages and go all the way back to 1978. Renzo Cotarella will be there, as will Piero Antinori, with Antonio Galloni as host. Tickets are available here to Vinous subscribers or email firstname.lastname@example.org.
Last week we revealed the top 20 gainers in presence in the world’s best restaurants over the past 12 months. That was in terms of breadth, i.e. the number of restaurants in which a wine features. Wine Lister also analyses the depth of presence – the range of vintages and/or bottle formats of each wine therein. Here we look at the top 21 wines achieving the largest increases in restaurant presence depth since last year.
In first place, with an impressive 35 additional vintages and/or bottle formats listed across the world’s 150 best restaurants since this time last year, is Vega-Sicilia’s Unico. This brings its total references to 250 (almost three and a half in each of the 71 lists in which it features). Given Unico’s average drinking life span of 13 years, and its reputation for longevity (an Unico vertical tasting is an opportunity not to be missed), this result is hardly surprising. Its strong restaurant presence is matched by online popularity (Unico is the 33rd most-searched-for wine in our database), resulting in a Brand score of 992 – the best of any Spanish wine on Wine Lister.
Though Spain takes the number one spot, Italy is the overall biggest mover in increased depth of representation, claiming 12 out of the 21 places shown on the chart below.
Ornellaia is among these, and is also the most thoroughly represented wine of the group, with 280 vintages and/or bottle formats featured across 43% of the world’s best restaurants.
Several others – Cerbaiona Brunello, Dal Forno Romano Valpolicella Superiore, Ca’ del Bosco Cuvée Annamaria Clementi, and Domenico Clerico Barolo Ciabot Mentin – feature in the top gainers for horizontal as well as vertical presence in the world’s best restaurants. The latter is one of five Barolos to feature in the chart above, joined by Parusso Barolo Bussia, Bartolo Mascarello’s Barolo, Giuseppe Mascarello e Figlio Barolo Monprivato, and finally, Rocche Dei Manzoni Barolo Big’d Big, which sees the biggest increase in vertical presence of the whole group. Despite a horizontal representation increase of just 1%, the number of vintages and/or bottle formats listed across the 3% of the world’s best restaurants in which it features has grown from two to 19 in the last 12 months (or in other words, by 850%).
Outside Italy, the overall picture of restaurant presence depth somewhat contradicts that of breadth painted last week. Though Champagnes, and in particular grower offerings, have increased significantly in terms of horizontal presence, their vintage and/or format gains have not been sufficient to make this week’s top 20. This suggests that whilst sommeliers are keen to add more variety of Champagne, they aren’t so worried about listing reams of vintages / formats thereof. Only one Champagne features in the group: Philipponnat’s Clos des Goisses.
Bordeaux is conspicuous by its absence in this list, other than Château Clarke, with 26 overall references up from just four. In fact, Bordeaux’s big names are more likely to find themselves at the very bottom of the list, many having seen their vertical entries on restaurant wine lists shrink significantly. This seems to suggest that as restaurants diversify, they are choosing to hold less Bordeaux stock, still listing the top wines, but not necessarily in multiple vintages or formats.
It was with a heavy heart that the global fine wine trade learned of the passing of Barolo legend, Giuseppe Rinaldi, last week. Known for their elegant style and lengthy ageing potential, Rinaldi’s Barolos are not only some of the best that the region has to offer, but also some of the priciest.
In ‘Beppe’ Rinaldi’s honour, Wine Lister looks this week at the top five most expensive wines in Barolo. And there is good reason for these Barolos to be so pricey, with all of the five achieving a Quality score that falls into the “strongest” category on Wine Lister’s 1,000 point scale. On top of this, the first three qualify as Buzz Brands – Wine Lister’s group of wines that combine outstanding restaurant presence with online popularity.
Giacomo Conterno’s Barolo Monfortino Riserva takes first place. At £637 per bottle it is more than twice the price of the rest of this week’s top five. In fact, it is the most expensive Italian wine on Wine Lister. However, it is no coincidence that Conterno’s Monfortino takes first place as it also achieves the group’s best Quality and Brand scores (977 and 969 respectively). Conterno Monfortino is actually the number one Italian wine and 11th best of all wines on Wine Lister, with an impressive overall score of 972.
This week’s second spot is occupied by Azienda Agricola Falletto (Bruno Giacosa) Barolo Rocche Falletto. Even though it competes well with Conterno Monfortino – with Quality and Brand scores of 974 and 914 respectively – it is a considerably cheaper option at £282 per bottle. In fact, despite its lower price, its Economics score is slightly superior to this week’s overall number one wine (969 vs 967), and is the group’s best. Furthermore, it is the second best of all Italian wines on Wine Lister – only beaten by Falletto’s Barbaresco Asili Riserva. The phenomenal Economics score is partly due to a three-year compound annual growth rate (CAGR) of 21.8%.
Giuseppe Rinaldi Barolo Brunate Le Coste takes third place at £247 per bottle. As perfect evidence of Rinaldi’s prowess, it is very consistent across each of Wine Lister’s three rating categories, with each score putting it amongst the very best wines in the world. Confirming its upward trajectory, it records a remarkable three-year CAGR of 36.7% – if it manages to keep that up, it will soon start to narrow the gap to Conterno’s Monfortino in this battle of the Barolos.
The two remaining wines in this group are not only very close in price but they also have the same Quality score (928). This week’s number four – at £242 per bottle – is Vietti Barolo Villero Riserva, followed closely by Poderi Aldo Conterno Barolo Granbussia Riserva at £239. Visible in 17% of the world’s top restaurants, Aldo Conterno’s Granbussia has the second-highest restaurant presence of the group. It is only beaten by this week’s number one, Conterno’s Monfortino, which is visible in 23% of top establishments.
Buzz Brands are wines that are sure to turn heads, destined to cause a stir whenever they are opened. They combine excellence across Wine Lister’s two Brand criteria – restaurant presence and online popularity – whilst also being held in the highest regard by the fine wine trade – as confirmed by Wine Lister’s Founding Members’ survey which gathers the opinions of around 50 key players in the international wine trade. This week, the Listed section focuses on Italy’s top five Buzz Brands by overall Wine Lister score.
Barolo is home to four of Italy’s top five Buzz Brands, two of which are produced by Giacomo Conterno – the flagship Monfortino in first place (973) and Francia not far behind in second place (954). The Monfortino achieves Italy’s best Quality score (977), the result of remarkable consistency from vintage to vintage, having achieved a score of 993 or above in seven of the past 10 vintages. Its best ever vintage was 2004 (998), thanks to a perfect 100-point score from Antonio Galloni, who writes: “I imagine the 2004 Monfortino will give readers an utterly spellbinding drinking experience for the next few decades”.
Whilst the Francia is pipped at the post in each category by its illustrious stablemate (trailing by 17 points in the Quality category, 11 in the Brand category, and 34 in terms of Economics), it does manage superior restaurant presence, visible in 30% of the world’s top establishments, compared to the Monfortino’s 23%. This is presumably due to over three times as many bottles of it being produced each year on average.
In third place is Azienda Agricola Falletto’s Rocche Falletto Riserva (953). It records the best Economics score of the five (969) and Italy’s second-best, beaten only by Falletto’s Barbaresco Asili Riserva (978). It does so thanks to the combination of very strong growth rates – it has recorded a three-year compound annual growth rate of 21% and has added 8% to its value over the past six months alone – and strong liquidity – its top five vintages having traded 398 bottles at auction over the past year. Perhaps collectors have been eager to get their hands on a bottle after the passing of Bruno Giacosa in January.
Proving that Super Tuscans can mix it with Piedmont’s top nebbiolos, Sassicaia takes fourth place. Whilst it cannot keep pace with Barolo’s finest in the Quality and Economics categories, Sassicaia stretches out a comfortable lead in the Brand category thanks to an extraordinary score of 998. This near-perfect score puts it alongside Haut-Brion, Margaux, and Petrus, beaten only by the Pauillac First Growths, Dom Pérignon Vintage Brut, and Yquem. Its brand dominance is the result of outstanding restaurant presence (49%) and online popularity – receiving well over three times as many searches each month as Conterno’s Monfortino, which is the group’s second-most popular wine.
Rounding out the five is Bartolo Mascarello’s Barolo. Its brand is its strongest asset, its score of 964 making it Barolo’s second-strongest brand behind Conterno’s Monfortino. Despite receiving over 20% fewer online searches each month than the Monfortino, it matches its level of restaurant presence – perhaps the azienda’s famous “no barrique no Berlusconi” message strikes a chord with sommeliers.
With its top ten wines by Quality score costing £225 per bottle on average, Piedmont might seem overindulgent for a low key midweek meal. However, with a little bit of help in the shape of Wine Lister’s Value Pick search tool, it is easy to find wines that will deliver maximum enjoyment at reasonable prices. Value Picks represent the very best quality-to-price ratio wines, with a higher coefficient applied to allow exceptional quality to be recognised. With a remarkable average Quality score of 976, and costing £40 on average, these five Piedmontese wines prove that outstanding quality is available at all price points.
If you’re after top Nebbiolo at a fair price, then Produttori del Barbaresco’s 2013s appear a safe bet, filling three spots. However, the trade-off for top value will be patience – none of the three will enter its drinking window until 2023. However, with each of them lasting over 18 years, you will be able to make the most of your prudent purchases for years to come. And what better way to explore Barbaresco’s crus in an outstanding vintage than with these three? The Asili Riserva achieves the top Quality score of the three (987), 75 points above its wine-level average. It is also the most expensive, but £42 per bottle doesn’t seem unreasonable for such quality. The Montestefano Riserva really outperformed in the 2013 vintage with a Quality score of 972, 125 points above its average score. The market is yet to react – the 2013’s price is currently 16% below its wine-level average.
Proving that if you’re looking for value for money in Piedmont, it’s not just Barbaresco that you should look out for, Domenico Clerico Barolo Ciabot Mentin 2007 is the region’s number one Value Pick. With a Quality score of 989 – thanks to a 98 point score from Antonio Galloni – it is not hard to see why. What’s more, whereas the Produttori del Barbaresco 2013s require cellaring, the Ciabot Mentin is just entering its drinking window.
Showing that Piedmont is not all about Nebbiolo, Giacomo Conterno’s Barbera d’Alba Cascina Francia 2013 fills the remaining spot. The group’s only Buzz Brand, this would be an excellent way to sample one of Giacomo Conterno’s wines at a fraction of the cost of the domaine’s top cuvées – the hallowed Monfortino Riserva costs £608 per bottle on average.
Prices per bottle are provided by our price partner, Wine Owners, whose own proprietary algorithms process millions of rows of incoming price data from Wine-Searcher to calculate a more realistic market level price – the price at which a wine is likely to find a ready buyer – based on market supply and spread models. As lower retail prices are likely to sell first, the prices you see on Wine Lister may be below the Wine-Searcher average in some instances.
Wine Lister uses search frequency data from our partner, Wine-Searcher, to examine wines with increasing online popularity on a monthly basis. Wines with the highest search frequency numbers tend to be consistent, with the Bordeaux left bank premiers crus classés generally taking the top spots.
This month’s biggest search frequency gainers also rank as some of the most searched-for wines on Wine-Searcher. Dom Pérignon Vintage Brut is the third most popular wine with over 84,000 searches after Lafite and Mouton, closely followed by Petrus in fourth place. Armand Rousseau’s Chambertin and Moët & Chandon Grand Vintage appear in the top 50, while Azienda Agricola Falletto’s Barolo Rocche Falletto Riserva comes lower down at number 148 out of the circa 5,000 wines on Wine Lister, but its search frequency has recently increased by 15%.
Our last post on online search frequency revealed Wine Lister’s first ever perfect Brand score. Moving on from the Christmas period, Champagne brands still show marked increases in search frequency, but this time they do not stand alone at the top.
Dom Pérignon Vintage Brut is the largest gainer in popularity for the second time running. Increasing at a slower rate than in December, its popularity nonetheless grew by 7,097 searches into January, maintaining its 1000-point Brand score. Dom Pérignon remains the only wine to achieve a perfect score from any of the Wine Lister score categories. The other Champagne still riding high on searches is Moët & Chandon Grand Vintage, which increased by 6%.
Bordeaux creeps back onto the map for online searches at the beginning of 2018, with the first growths having featured heavily in searches up to December 2017. Petrus is in second place after Dom Pérignon, with an 8% increase in search frequency. It will be interesting to see if search increases for Bordeaux follow the same pattern as last year as we approach the 2017 en primeur campaign.
Armand Rousseau’s Chambertin appears in third place. Armand Rousseau was only one of two producers to achieve a perfect confidence rating from our Founding Members in our recent Burgundy study.
In fifth place for increased popularity is a bittersweet entry. Searches for Barolo Rocche Falletto Riserva from Azienda Agricola Falletto increased as the wine world learned of the sad passing in January of Piedmont legend, Bruno Giacosa. You can read more on Bruno Giacosa’s legacy in a recent blog on Barbaresco, here.