France’s 50 best winemakers: Marie-Andrée and Marie-Christine Mugneret of Domaine Georges Mugneret-Gibourg

“When we arrived on the scene, there were very few women in this profession,” recount two sisters who co-own and manage this exceptional Burgundy estate.

Occupying the #2 position in Le Figaro Vin’s ranking of France’s Best Winemakers 2023 are Marie-Andrée Nauleau-Mugneret and Marie-Christine Teillaud-Mugneret of Domaine Georges Mugneret-Gibourg. One of Burgundy’s hidden treasures, their domaine is today considered to be a jewel in the region’s crown, despite its understated discretion.

The pair’s father, Georges Mugneret, believed, “It is not a job for women!”. Following his untimely death in 1988, the sisters were faced with a dilemma: should they sell their precious plots to the buyer their father had found before his death, or should they rise to the challenge of taking over the estate? In a heartwarming turn of events, the buyer stepped back chivalrously from the deal, encouraging their mother, Jacqueline, to allow her daughters to write a new chapter in the family history. For Marie-Christine, a pharmacist by trade and already a mother, this entry into the world of wine was unexpected. By contrast, her sister Marie-Andrée, nine years her junior, had always dreamed of working alongside their father. Barely 20 at the time of his death, the young woman was already immersed in her oenology studies. Marie-Christine was the first to join the estate in 1988, and Marie-Andrée followed her when she finished her studies three years later.

The Mugneret sisters, who together represent the third generation of winemakers in the family, make a formidable team, with Marie-Christine in the cellar, and Marie-Andrée in the vineyard. The two women have not lost their taste for hard work, even after more than thirty years at the helm. Today, their wines are every bit as good as their better-known Vosne-Romanée neighbours: caressing, full-bodied and sumptuous, they are the ultimate expression of the extraordinary purity and finesse of Pinot Noir.

How does it feel to be crowned a winemaking champion?

Marie-Christine Teillaud-Mugneret: Unlike a sporting champion, you don’t necessarily realise straight away that you’re a wine champion. It’s during the various tastings that you realise that you’ve succeeded with the vintage.

Marie-Andrée Nauleau-Mugneret: I’d never asked myself that question. The idea of being wine champions is somewhat abstract for us.

How long have you been training?

M-C-T-M: For 35 years. As the eldest sister, I started first, in 1988, because Marie-Andrée hadn’t yet finished her oenology studies, so I’ve had three more years with the estate.

M-A-N-M: That makes it 32 years for me, officially, but it’s a profession that we were familiar with long before that, when we were children.

Who are your mentors?

M-A-N-M:  In the truest sense, it was our father, because he was the person we worked with the most. We lost him at a very young age, as he died at 59. We also have memories of what our grandfather, who was an excellent craftsman, told us, so we have two different mentors, each with their own method. Our grandfather’s method was more traditional, while our father’s was more innovative. Another of our mentors are the vintages we’ve experienced, year after year.

Is winemaking a team sport?

M-C-T-M: Yes, it would be complicated to be a winemaker on your own. We inevitably have to work with other people.

M-A-N-M: When harvest rolls around, which is the culmination of a year’s work in the vineyards, we really feel the cohesion of the team. That’s the strength of our work!

What is the key to making a good wine? The terroir or the winemaker?

M-A-N-M: Both. The winemaker must work in perfect harmony with the terroir. If the winemaker does not adapt to the terroir, or if he or she lets the riches offered by the terroir go to waste, there will be no good wine.

M-C-T-M: With a difficult terroir, even the best winemaker will not be able to express perfectly his art.

To what do you owe your success?

M-A-N-M: We owe it to the education and legacy that has been handed to us. I’m not talking about inheritance when I say legacy, but the work ethic that was instilled in us. When Marie-Christine and I took over the estate in 1988, before even thinking about satisfying the wine critics, it was absolutely essential that we got each vintage right, that we did our job as well as we could. That is what has enabled us to climb the rungs of this magnificent profession, one by one. We also owe it to the support of our mother, who has played a key role, even though she was never involved in the production.

M-C-T-M: We had grandparents and parents who encouraged us to focus on the smallest details. Just skimming the surface wasn’t enough.

Are your daughters proud of you?

M-C-T-M: I think so, yes.

M-A-N-M: Yes, but not necessarily in terms of professional success. I think they’re especially proud of the fact that, as women and mothers, we’ve managed to make our mark, vintage after vintage. In 1988, when we arrived on the scene, there were very few women in this profession. We didn’t have any brothers or cousins, so we had to push on. I think our daughters are prouder of that aspect than of the estate’s reputation, which came later.

Who is your most important sponsor?

M-A-N-M: Nature, the perfect suitability of the Pinot Noir grape variety, which we are lucky enough to grow, and these terroirs, microscopic on a global scale, which we are lucky enough to manage.

M-C-T-M: Nature can be our best supporter, just as it can be our most terrible adversary.

What’s your favourite colour?

M-C-T-M: Blue, matched with ruby.

M-A-N-M: Blue, too, because it’s the colour of the sky and of the sea.

M-C-T-M: Sometimes, when we arrive in the morning, we are dressed practically the same, even without meaning to.

Your favourite grape variety?

M-A-N-M and M-C-T-M (in unison): Pinot Noir!

M-A-N-M: We’re so lucky to have been born here! Pinot Noir offers unrivalled delicacy and variety. Even when it’s grown in other regions, it’s a grape variety that captivates us.

Your favourite wine?

M-C-T-M: I like the Nuits-Saint-Georges Premier Cru Les Chaignots, it’s a safe bet, whatever the vintage, whatever the moment, whoever you open it with. I often compare wines to people, and for me it’s a reliable friend you can count on.

M-A-N-M: For me, it’s the Ruchottes-Chambertin (Grand Cru, ed.). I remember very well when our father bought the plot, because it was a wonderful story involving the Rousseau family. It’s a wine that has charmed everyone, like a new-born baby that wasn’t expected. It’s not exuberant, but delicate.

What’s your favourite vintage?

M-A-N-M: 2002. We liked it so much that, unfortunately, we don’t have much left in the cellar. It offered the generosity of a sun-drenched vintage, but with the great delicacy of a cooler, wetter year.

M-C-T-M: For me, it would be the 2012, ten years later. It’s a vintage full of finesse, which admirably expresses all the terroirs. With this vintage, produced in small quantities, we really have the expression of Pinot Noir from each of them. In fact, I think it’s because we had a small quantity that we were able to achieve this definition and precision.

M-A-N-M: To conclude, we could say that our favourite vintage is always the next one!

If your wine were a person, who would it be?

M-C-T-M:  Each wine has its own personality and, as in a family, each is different from its brother or cousin, with similarities and differences. Each sets itself apart: Chaignots, for example, is the reliable friend, while Chambolle-Musigny is more delicate.

What are the best circumstances in which to taste your wine?

M-C-T-M: Wine should remain convivial and provide pleasure. You need to be in good company, or already in a good frame of mind. If you are tired or stressed, you should give up on the idea of tasting.

M-A-N-M: Being “in good company” can just mean being with one other person.

M-C-T-M: You need to be with people you feel comfortable with, with whom you want to talk and share.

Have you ever thought about chemically enhancing yourself, or your wine?

M-A-N-M and M-C-T-M (in unison): Oh no!

M-A-N-M: During the harvest, we pump ourselves full of vitamin C or treat ourselves to a little chocolate.

M-C-T-M:  A gourmet treat is the only kind of enhancement we allow ourselves!

M-A-N-M: The fruit we harvest has to be the only ingredient in our cuvées, meaning that it’s the terroir, the fruit, and the weather conditions of the year that really make the vintage. If we tamper with any one of these three factors, we won’t get the balance we want.

And what about chaptalisation?

M-A-N-M: I discovered chaptalisation with my grandfather, who was in favour of very moderate chaptalisation. By adding a little sugar, it allows the vats to ferment a little longer, so you gain complexity. I call this support, not chemical enhancement. It’s the banana Rafael Nadal needs when a match drags on too long.

At what price would you be prepared to sell your domaine?

M-A-N-M and M-C-T-M (in unison): At no price.

M-A-N-M: It’s a question we had to face when our father died. He was an ophthalmologist as well as working on the estate, so he was juggling two roles. He had a completely devoted wife, our mother, who made life run smoothly for him every day. When he knew he was going to die, he said to himself: “If my daughters do this job, they’ll never be able to be mothers. That can’t happen!” He insisted that his chartered accountant find him a buyer a few days before his death. When our father died, the buyer came to see our mother. He said to her: “Look, I promised your husband that I would buy your property. I didn’t discuss the price with him, and I’m not here to discuss the price with you, I’m here to tell you: ‘Try it with your daughters, it’s worth giving it a go!’.” He was an extraordinary person because he could very well have said: “Your husband promised me, he made a commitment”. We have enormous respect for this magnanimous man.

Who is your most formidable opponent in Burgundy?

M-A-N-M and M-C-T-M (in unison): The weather, the climate, nature.

What is your greatest achievement?

M-C-T-M: I think it’s having succeeded both in being a mother and in maintaining the estate, and in doing both at the same time. I hope I haven’t neglected either my children or the estate along the way.

M-A-N-M: It’s exactly the same for me, and, what’s more, for the fact that our daughters decided to join us of their own volition (the two sisters each have two daughters, ed.). It was their choice; we never forced them to do it. One day, in 2016, we were having a family meal, just talking, and Marie-Christine and I said: “Look, we’re getting on a bit. It’s a tough business we’re in. If none of you want to take over the business, we’ll understand, but we’re going to have to make a decision”. And our daughters all stopped eating, and said, “But that can’t happen! You mustn’t even think about selling. Give us time to come back to the estate!”. And that is what happened, slowly but surely. Today, three of them work with us and the fourth, Clémence, Marie-Christine’s second daughter, is a lawyer specialising in rural law.

What has been your most innovative strategy in the cellar?

M-C-T-M: In the cellar, I try to instil the importance of attention to detail in Lucie (Hinterlang-Teillaud, ed.), who works with me on blending, bottling, and so on. There are lots of things that she’s already grasped in broad terms and in terms of technique, but I push her to go further and further into the finer details. I ask her to check things and then check them again, to think things through and then think them through again, to go over things and then go over them again. It is a little OCD!

And in the vineyard?

M-A-N-M: Our best tactic is to keep listening to and learning from the vines, and to be constantly seeking balance. You must be attentive, not get stuck in your ways, and try to understand and interpret.

Who would be your ideal successor on the podium?

M-A-N-M and M-C-T-M (in unison): Our daughters!

M-A-N-M: Now the challenge is to pass the baton. We’re running around the estate to ensure a smooth handover, but we still want to keep on running for a while!

M-C-T-M: As Marie-Andrée says, we don’t want to stop here. I’d like to continue running very gently, without leaving the domaine completely.


France’s 50 best winemakers: Jacques Devauges of Domaine des Lambrays

Burgandy’s talented winemaker: “I juice myself up on Pinot Noir”.

For the 40th interview in Le Figaro Vin’s series, we return to the Morey-Saint-Denis to meet Jacques Devauges, who stands at #10 in the rankings. A staunch supporter of the Côte-de-Nuits, he is an advocate of excellence. From one estate to the next, he continues to pursue the same goal: expressing the nobility of the Morey-Saint-Denis terroir.

The former manager of Clos de Tart between 2015 and early 2019, Jacques Devauges joined Domaine des Lambrays that same year, moving from an estate owned by François Pinault to one owned by Bernard Arnault. It was “chance and a series of encounters”, he explains, that brought him to where he is today. Although nothing predestined him for the world of winemaking, he fell in love with it during a harvest season, with his baccalauréat in hand, at a small estate in Pommard. “After that, I met some intelligent people who put their trust in me”, he says with humility. Today, as head of Domaine des Lambrays, a leading Côte-de-Nuits estate, he intends to continue the work of his predecessors, while instilling a new energy and uniting a team around his most deeply held principles. Here, we talk to a modest man who listens attentively to his terroir.

Le Figaro Vin: How does it feel to be crowned a winemaking champion?

I distance myself a lot from these things. I’m incredibly lucky to be doing a job that I’m passionate about. When you get up in the morning and love what you do, everything is easy. So, I don’t see myself as a champion. The Arnault family trusts me and has handed me the opportunity to work with some extraordinary plots.

Have you been training for long?

I chose to work in the field. I have a degree in oenology, of course, but I started from the ground up.

Who is your mentor?

I didn’t really have one mentor in particular. I met Denis Mortet, a winemaker from Morey-Saint-Denis, who helped me a lot when I didn’t know anyone, then Christian Seely, the President of Axa Millésimes, who gave me the keys to the Domaine de l’Arlot, and finally Sylvain Pitiot, who I consider to be one of the greatest Burgundian winemakers, as much for his professionalism as for his warm personality.

Is wine a team sport?

Completely. You can’t do anything on your own. Before we talk about the wine, we talk about the vine. The sense of team spirit is strong because it’s rooted in time. It’s not just a horizontal team but also a vertical one, across the generations, and that’s what I find so powerful about our profession. It’s a real pleasure to come into a field and get your teams motivated by a project. You can’t have a vision on your own. You have to get everyone on board, not just the team, but your customers too.

What is the key to making a good wine? The terroir or the winemaker?

The terroir of course. It’s a bit of a cliché, but you need a great winemaker to make a great wine, it’s a symbiotic relationship. The climate is just as important as the soil and the work of the winemaker. All these elements have to be present for a wine to inspire emotion. That’s not to say that you should only drink grands crus costing thousands of euros. Emotion is the alchemy of a whole range of elements. That’s why wine is so fascinating.

To what do you owe your success?

I see myself as a student. Every year brings a new challenge, and you have to try new things, so I can’t explain my success, because I learn something new every year. This desire to adapt and observe is essential. You must remain humble and curious, and strive to produce pure, precise, clean wines that fully reflect the place from which they come.

Is your family proud of you?

My mother is, and always has been – that’s a mother’s role.

What is your favourite colour?

A very distinctive colour, that of very old Burgundies from the 1920s and 1930s, up to 1940. Pale in intensity, with a pinkish transparency and hints of faded pink, it could almost be a shade of tea. In a nutshell, somewhere between aged pink and tea. These are moments you remember for the rest of your life. Wine is also about working with the generations that came before us, and this colour is there to remind us of that. These are wines of impressive power.

Your favourite grape variety?

I’m a big fan of Pinot Noir, which is what moves me the most, but I also like Gamay grown on granite soils, and Syrah from the Northern Rhône.

Your favourite wine?

Clos des Lambrays has a fascinating terroir, something that everyone can see when they walk through the vines. There’s an extraordinary diversity that can be found in the wines, which have a very elegant mouthfeel. It’s because of this parallel with the landscape that I love it so much. Long before I arrived at the domaine in 2002, I tasted a Clos des Lambrays 1918, and it still impresses me now as it did then.

Your favourite vintage?

I like fragile, complicated vintages, which you can feel when you taste them. Decades later, they’re still standing. I’m reminded of 1918 or 1938, which are forgotten years, with a historic dimension.

If your wine was a person, who would it be?

No idea, I don’t think it’s for me to say. Each one has its own identity, and I like to think that the identity of each wine is linked to the soil. We produce nine different wines, each with its own personality.

What are the best circumstances in which to taste your wine?

Whenever the mood strikes; it’s the opportunity that creates the greatest tasting moments. Sometimes a friend or family member drops by, and you’re drawn to one bottle rather than another. Those are the best moments. For our wines, you have to open them three hours in advance, without putting the cork back in.

Have you ever thought about chemically enhancing yourself, or your wine?

I juice myself up on Pinot Noir. But at the estate, we have this ideal of purity, which means using as few inputs as possible.

Who is your most feared competitor?

The hazards of nature, which are extremely frustrating. No matter how hard we work, when Nature decides otherwise, she’s always right. Every vintage has its difficulties, to a greater or lesser extent, but we try to turn them into strengths. In 2021 for example, Nature was unkind, but a few years later, I’m delighted with this vintage, which I didn’t see coming, with the grace, elegance, and delicacy that we’ve come to expect from the climate. If you’re clever enough, you can make a friend out of it.

And your greatest achievement?

To see that my team at the estate is supporting me in this project. We went organic, then biodynamic, and it makes me proud to have a whole team who wasn’t in that frame of mind before, and who now couldn’t go back. And the customers, who are rediscovering Clos des Lambrays. These are the two driving forces behind our passion.

What has been your most innovative strategy in the vineyard and in the cellar?

At the estate, we renovated our facilities in 2022, which took us two years to complete. We developed a gravity system, which is very simple: in the centre of the building, we have two vats that go up and down, and the wine flows very naturally. We have developed unique wooden vats, ones that are not truncated. We’ve had cylindrical vats developed, which allow us to use a movable ceiling that forms a watertight seal, enabling us to keep our bunches whole before fermentation starts. This system allows us to avoid using acetate and to vinify in oak.

Who would be your ideal successor on the podium?

I’d like to find someone who thinks differently from me, not about the fundamentals, but about how to get to them. Someone who takes this estate, these terroirs, and this domaine head on and finds their own way to express it.


France’s 50 best winemakers: Domaine du Cellier aux Moines’ Guillaume Marko

Winemaker and Technical Director of the estate: “You have to give your soul to the wine”

The 14th interview in Le Figaro Vin’s series brings us back to Burgundy where Guillaume Marko, #37, creates exquisite wines at Domaine du Cellier aux Moines in the Côte Chalonnaise.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Situated on a hillside above Givry, the estate was founded circa 1130 by the Cistercian monks of La Ferté Abbey. Nearly 900 years later it stands as a witness to the history of Burgundian viticulture. The estate cultivates plots in some of the finest appellations in Burgundy, producing the following wines: Givry Premier Cru Clos du Cellier aux Moines, Mercurey les Margotons, Puligny-Montrachet Premier Cru Les Pucelles, Chassagne-Montrachet Premier Cru Les Chaumées, and Santenay Premier Cru Beauregard.

Since they took over the estate in 2004, Philippe and Christine Pascal have dedicated themselves to making Domaine du Cellier aux Moines one of the key benchmarks for Givry. Here, Cellar Master Guillaume Marko shares his experience as a winemaker.

Le Figaro Vin: How does it feel to be crowned a winemaking champion?

Guillaume Marko: It doesn’t mean a great deal, to be quite honest… What makes me happy is when a taster enjoys drinking my wine and is moved by it.

Have you been training for long?

For 15 years. And I learn something new every day.

Who is your mentor?

Mother Nature – she dictates the tempo. And, of course, my wife who is very patient…

Is wine a team sport?

Not everywhere, but it is with us. And it is so much better that way!

What is the key to making a good wine? The terroir or the winemaker?

The terroir, obviously, although the quality of the vines is of comparable importance. Without the right massal selection you will never get great wine. In a sense the winemaker is the conductor who listens to both these elements and sublimates them.

To what do you owe your success?

To the entire team, present and past, who work with such precision, day after day.

Is your family proud of you?

I hope so.

Your favourite colour? 

Red.

The king of grape varieties?

Pinot Noir, obviously!

Your favourite wine?

Clos du Cellier aux Moines Les Dessus Givry Premier Cru.

Your favourite vintage?

2019.

If your wine was a person, who would it be?

It would certainly be me.

What are the best circumstances in which to taste your wine?

You need to remember to open it in advance and then taste it over a meal with friends and family.

Have you ever thought about chemically enhancing yourself, or your wine? 

Not for one moment.

For what price would you be prepared to sell your estate?

Make me an offer…only joking!

Who is your strongest competition?

Hailstorms.

Which competitions do you dread the most?

The battle against mildew in years of high rainfall.

What is your greatest trophy?

This one…of course!

What has been your most innovative strategy in the vineyard and in the cellar?

Rediscovering how to listen, how to let go, and let nature take its course.

Who would be your ideal successor on the podium?

It could be any winemaker, provided that he or she gives their soul to the wine.


Oregon’s best wines

Whilst the wine world – including much of Wine Lister’s team – focuses its attention on Bordeaux for en primeur tastings, this week the blog hops over the pond to consider Oregon’s top wines. As might be expected, Oregon’s top five wines are all Pinot Noirs. Furthermore, in this relatively young fine wine region, its leading wines perform best in the Quality category (averaging 791), with their brand profiles and economic performance not yet able to keep pace (554 and 363 points respectively on average).

Whilst quality is king in Oregon, Beaux Frères Vineyard tops the table not because of its Quality score (785) – the third-best of the five – but for its stronger brand recognition. It leads Drouhin Laurène – second in the Brand category – by 113 points (715 vs 602), thanks to superior restaurant presence (9% vs 4%) and also because it receives 40% more searches on Wine-Searcher each month on average. Its Economics score of 545 is also Oregon’s strongest, but with low trading volumes and negative price growth over the past six months, this only puts it in the “average” range on Wine Lister’s 1,000 point scale, confirming that it is the area in which the region’s wines currently struggle.

Drouhin’s Laurène achieves the group’s highest Quality score (872). Produced by the Oregon offshoot of Burgundy’s Maison Joseph Drouhin, this is deemed to have the greatest ageing potential of the five, with an average drinking window of nine years, three years longer than the second-longest lived of the group – the Beaux Frères Vineyard.

Third and fourth spots are occupied by two wines from CristomJessie Vineyard (584) and Sommers Reserve (578). Despite being separated by just six points at overall Wine Lister level, they display contrasting profiles. While the Jessie Vineyard achieves a superior Quality score (858 vs 770) and Brand score (490 vs 439), the Sommers Reserve nudges ahead in the Economics category (389 vs 133). This is thanks to it being the only wine of the group whose price has not dipped slightly over the past six months, instead adding 12% to its value.

The final wine of the group – Ken Wright Cellars Shea Vineyard – epitomises the profile of Oregon’s top wines, achieving its best score in the Quality category (670), a weaker Brand score (522), before experiencing its lowest score in the Economics category (220). Perhaps as Oregon continues to establish itself on the international fine wine market – and with its quality not in doubt – its leading wines will be able to build up stronger brands and economic profiles able to rival their more southerly Californian peers.


Listed: New Zealand’s strongest brands

Mention New Zealand, and the first thing that springs to mind will most likely be rugby. The All Blacks are not just the world’s best team, but the foremost brand in rugby. In wine terms, they are the left bank first growths; the team that even people who don’t follow rugby will recognise. Whilst peerless with the oval ball, when it comes to vinous competition New Zealand can’t compete with its Old World counterparts in terms of brand strength. However, as this week’s top five shows, New Zealand’s top brands definitely shouldn’t be discounted.

Cloudy Bay fills two of the five spots with its straight Sauvignon Blanc and Te Koko Sauvignon Blanc. With a very strong score of 889 – putting it ahead of the likes of Haut-Brion Blanc – the straight Sauvignon Blanc dominates the rest of the five across both of Wine Lister’s brand criteria. It receives 56% more searches each month on Wine-Searcher than Ata Rangi Pinot Noir (the group’s second-most popular wine). Te Koko – New Zealand’s third-strongest brand (807) – displays a similar profile to the straight Sauvignon Blanc. Its brand is its strongest facet, comfortably outperforming its Quality and Economics scores (614 and 308 respectively).

Whilst Sauvignon Blanc is New Zealand’s foremost white grape, its most prestigious reds are Pinot Noirs, with Ata Rangi’s offering and Felton Road’s Block 5 both appearing in the top five. Ata Rangi is by far New Zealand’s strongest red brand (823). It is the country’s most visible red in the world’s top dining establishments (11%), and also the most popular with consumers, receiving three times as many searches each month as the Felton Road. Whilst it appears in just 7% of top restaurants, Felton Road Block 5 enjoys the group’s best vertical presence, with two vintages / formats offered on average per list. It is also the most expensive of the five. Incidentally, the two Pinot Noirs comfortably achieve the group’s best Quality scores and are the only two with scores above 800 in the category.

Proving that New Zealand isn’t all Sauvignon Blanc and Pinot Noir, Le Sol – Craggy Range’s Syrah – completes the five, with a Brand score of 673.