Owner and winemaker, in tandem with his sister Marie, of their family estate in Alsace: “We run on adrenaline”.
For the tenth interview in Le Figaro Vin’s series we pay our third visit to Alsace to meet Jean-Paul Zusslin, #41. He and his sister Marie work hand-in-hand with nature to create their great Alsace wines at Domaine Valentin Zusslin, founded in the late seventeenth century, at Orschwir, between Colmar and Mulhouse. The two siblings, 13th generation of a family of winemakers, work 13.5 hectares of vines, made up of nine grape varieties (Auxerrois, Chardonnay, Chasselas, Gewurztraminer, Muscat, Pinots Noir and Gris, Riesling, and Sylvaner). The estate’s three select terroirs, on the slopes of Bollenberg, Clos Liebenberg, and Grand Cru Pfingstberg, have been cultivated biodynamically since 1997, and produce exquisite, exciting, and elegant Alsace wines.
Le Figaro Vin: How does it feel to be crowned a winemaking champion?
Jean-Paul Zusslin: I am very happy with what we have been able to achieve since my sister and I joined forces on the family estate in 2000. The estate’s reputation has grown, and we make wholesome wines which are true to us and our environment.
Have you been training for long?
Since forever, I think. Vines, wines, wine-lovers, and restaurants have all been part of my daily life from a very young age, and I never tire of them!
Who is your mentor?
My partner, my children, my sister, my mother, all my kindred winemakers. Nature, too, is a good guide when you pay it proper attention.
Is wine a team sport?
You need plenty of team-mates and have to be in good shape to make a good wine. It is important to me that everyone should work well together, start the day with a smile, be generous-spirited, and want to work hard and conscientiously. That said, I am not hugely competitive! I am a big fan of live shows and I see us more as a theatre company with me as the director. The spectators are the tasters, the actors are the vines and our team, while the playwright who guides us is nature. We try to interpret nature as faithfully as possible.
What is the key to making a good wine? The terroir or the winemaker?
To make a good wine you have to be a good winemaker, but to make a great one you have to understand its terroir, its environment. That comes from experience, accumulated through successive vintages, from observation, from challenging yourself, and from humility.
To what do you owe your success?
To my family, to my partnership with my sister, to doing what I love, and to my perseverance. When I joined the family estate in 2000 my parents and grandparents gave me the freedom to experiment and do what I wanted, especially in the cellar. They gave me the same freedom in the vineyard, where I have experimented with herbal treatments, biodynamic sprays, the introduction of nesting-boxes…
Is your family proud of you?
Yes, I think they are, I certainly hope so! I am equally appreciative of everyone’s contribution.
Who is your biggest supporter?
My mother, but without a trace of objectivity!
Your favourite colour?
White in the morning, bubbles at midday, deep yellow for afternoon tea, and red in the evening.
The king of grape varieties?
It’s hard to say, to choose is to go without! I love all the wines that I make. It’s like asking me which is my favourite child. I love both of them unconditionally. That said, I am very partial to Riesling, for its multiple dimensions, its freshness, and its versatility in matching with food.
Your favourite wine?
I am very fond of Clos Liebenberg, it’s a unique spot, a haven of biodiversity where I love to spend time, and it produces magnificent still and sparkling wines.
Your favourite vintage?
I would go for 2015, the last vintage with my father. Each year brings a new experience, a new encounter. For every vintage we spring into action, give it everything we’ve got, and the fruits of our labour are there in the bottle. Every wine has a story to tell and reminds us of some climatic or some personal event.
If your wine was a person, who would it be?
I hope it is like me, on a good day! But it is also like our landscape through the passing seasons.
What are the best circumstances in which to taste your wine?
Wine is a social bond, a product that we share, therefore it has to be in good company, over a meal or in the living room.
Have you ever thought about chemically enhancing yourself, or your wine?
Yes, all the time. I try to stimulate both vine and wine with willpower and with attentive, loving care. I think it is important that both vine and wine know what we expect from them, what our intentions are. We have to give heart and soul for them, always be there for them, and stay tuned in. My vinifications are very minimalist and natural but require careful attention. As for my personal stimulants of choice, they are wine, in moderation I like to think, positive energy, and strong coffee…
For what price would you be prepared to sell your estate?
I have never considered that question. For 13 generations now my family has been making wine and looking after a bit of land. I would be very happy if I could pass that on to my children or to my sister’s children. It will be their choice, with no pressure from me. In any case, that’s for the future. I am not about to go anywhere.
Who is your strongest competition in Alsace?
No one. Instead, I see my winemaking colleagues as a source of inspiration. Everyone has their own style. When I’m at home I almost exclusively taste wines that are not my own. I try to understand what the winemaker sought to express and to discover what makes them tick. Faced with climate change we are going to have to form a collective front against numerous challenges, hence all the more reason to get on well.
Which competitions do you dread the most?
The harvest. We run on adrenaline. There are lots of team-mates to manage, you have to bring home the wines, and the days are long. By comparison the Mont Blanc ultra marathon is a walk in the park!
What is your greatest trophy?
When you start the day among the vines and you see a hare, a pheasant, a tit has come to say hello. Or perhaps when my children tell me “That’s really good!”. And when our customers tell me that my wine does them good.
What has been your most innovative strategy in the vineyard and in the cellar?
From the moment I came to the estate in 2000 I have been passionate about the natural cultivation of vines, observing and classifying the plants and small animals and insects that live in the vineyard. The estate had already been converted to biodynamic viticulture in 1997, on the initiative of my father, Jean-Marie Zusslin. I found that fascinating and delved deeply into alternative methods, especially the use of herbs. I acquired a lot of knowledge in this field about plants that produce essential oils. I have tried out different methods of extraction (infusion, decoction, and maceration) and potentisation. Currently I macerate the plants in alcohol to extract more of their essential elements. It’s an ongoing experiment, but the results so far are encouraging. The idea is also to become self-sufficient in caring for our vines, to strengthen them without stressing them.
In the cellar, for a number of years now, I have passed some fermenting wines over marcs from our great reds. That produces greater flavour, fewer tannins, and an unbelievable drinkability. We have called this wine Ophrys, after the orchids which grow on the sheltered part of Bollenberg hill.
Who would be your ideal successor on the podium?
I hope it will be my children, or my sister’s children. But only if they choose this freely and because they are passionate about it. I think that they respect what we are doing. We try pass on to them what excites us. But it’s not an issue for the time being. I very much want to try and make another 40 vintages!
Head of the estate and descendant of a family whose winemaking roots go back 500 years: “You can enjoy a rewarding conversation with a great wine all on your own”.
The eighth in Le Figaro Vin’s series finds us heading back to Alsace, to Domaine Zind-Humbrecht in Turckheim. Here we meet winemaker Olivier Humbrecht, #43, who has been responsible for the cultivation of over 40 hectares of biodynamic vines since the early 2000s. Picking up the baton from his father, Leonard, and assisted by his son, Pierre-Émile, Olivier Humbrecht creates sublime wines which fully express their extraordinary terroirs. He nurtures those terroirs with passion, commitment, and a profound respect for their natural balance.
Le Figaro Vin: How does it feel to be crowned a winemaking champion?
Olivier Humbrecht: I am not sure what a winemaking champion is. Is it someone who wins a race or who tops the rankings? Everything is so subjective in the field of wine, depending on individual taste and the circumstances of tasting. If you really want to make a great wine you go through moments of dread, you are tested, you must challenge yourself repeatedly and be ready for the worst that the climate, technical issues, society, or anything else might throw at you. It can be a very stressful experience but, when you know you have given it your all, you have nothing to regret.
Have you been training for long?
Our family has been making wine in Alsace since the early seventeenth century. My first officialvintage is 1989. I am the 12th generation, my son the 13th. He joined the estate three years ago. It is important to acknowledge how far you have come and what you have achieved, as it is for any athlete. Training is partly to do with seeing how far you can push things without running into trouble. You have to take risks to win a race, otherwise you will never attain excellence, but you must be prepared for those risks. Training, for us, might better be called an apprenticeship in viticulture. There is a different level of risk management in the vineyard to that in the cellar. In the cellar the winemaker is exposed to fewer external hazards than in the vineyard. Just like in chess, you have to anticipate all the potential moves in order to react to each of the tricks that nature plays on you.
Who is your mentor?
My father. Your mentor is the person who can keep you motivated, especially in complex, adverse, or unforeseen circumstances. Others can provide technical support, but not necessarily moral support, and that is important too.
Is wine a team sport?
Yes, absolutely. It’s extremely difficult to make a wine on your own. A winemaker depends on the contribution of others.
What is the key to making a good wine? The terroir or the winemaker?
You need both. The best racing driver will never win if he has a poor car, and he needs a support team too. You do need skill, but to make the most of it you need a terroir with a big personality. I always say that the quality of a wine is down to the winemaker, who has to make technical decisions, while a great wine is down to the terroir. The personality of a great wine is innate in a great terroir. And more than the terroir, our land, it’s down to the actual soil. The difference between a good wine and a great one is that the latter goes beyond the basic question of technical quality. It’s not just a case of being well made, a great wine has the capacity to transport the taster, to take him on a journey through time and culture, and to inspire him. And it must have a marked originality, transmitted through the terroir.
To what do you owe your success?
That rather begs the question of whether I have succeeded…I think that you really have to walk your talk. We can say all sorts of things that appeal to our customers, that the wine is unfiltered, that the vineyard is worked by horses. And while it is true that these things help to make great wines it’s not enough to say it, you have to actually do it. You have to be honest and humble. From my perspective honesty is an essential quality for making a great wine, you cannot afford to cut corners. It is possible to make a great wine by luck, and occasionally that may happen. But a great winemaker should be able to make a great wine, whether in a favourable vintage or a more testing one.
Is your father proud of you?
Yes, I think he is.
And your son?
You would have to ask him, but the fact that he has decided to work on the estate tells me that he sees something in it. One of the proudest feelings a father can have for his son is to have been able to pass on his love for the land. That love is visceral, a bit like one’s love for their child. That may be harder to understand if you don’t have a viticultural or agricultural background from birth.
Your favourite colour?
Grey or black, it changes with the seasons, white in spring, perhaps more yellow in summer and orange in autumn. Possibly green as the colour of nature. As far as wine is concerned, I absolutely refuse to answer the question, it is far too limiting. There are very good wines in every colour, not just red or white, although I have never seen blue wine or green wine! I don’t have a favourite between dry wines and sweet wines. What I don’t have time for are wines that bore me, which don’t have a story to tell. It has nothing to do with price, I want to feel the stamp of the winemaker’s labour, his dedication and his work ethic. And my mind is open to wines from across the world.
The king of grape varieties?
Jacques Puiset, former President of the Union of Oenologists, used to say that we should never blame the grape variety or the vine if the wine is no good. I wholeheartedly agree, there is no such thing as a lesser grape variety. Nor do I think that any grape variety is king, merely that some varieties are more tractable than others. When a grape variety is on the more testing side – such as Sylvaner, Pinot Blanc, or Auxerrois – so that you have to put more into your viticulture and into selecting the right location, your sense of achievement can be all the greater if you produce a great wine. You win more races with Pinot Noir, Riesling, Gewurztraminer, or even Pinot Gris. Muscat is rarely planted in Alsace, around one percent overall, but that would be a king for me, because if you come in first with a grape variety like that, it’s amazing!
Your favourite wine?
The Rangen de Thann Grand Cru. This is the most demanding of our vineyards, being very steep and evocative of extreme effort, but the hard work filters through to the wine, which is not always the case. It’s my favourite wine, not only for its quality but also for the energy you experience in the terroir. There is something about it which I find invigorating. For me a wine is a bit like a person. When you taste it there is a dialogue between you and the wine, and one wine can be tedious while another is animating.
If your wine was a person, who would it be?
My wine is like a painting, like Picasso’s Guernica! One time in New York I spotted that it was on exhibition at MoMA. I felt the full power of the painting, the full import of the painter’s expression, experienced all the pain and sorrow. I don’t mean that Rangen de Thann is a source of pain and sorrow, but it transmits a powerful emotion. If I had to compare it to a person it would be Jacques Brel, who had the capacity to thrill his audience through the power of his words.
What are the best circumstances in which to taste your wine?
You need to get into shape to taste a great wine. You have to prepare mentally and be open to pleasure. Then there are the technical requirements, such as the glass and the temperature. Many people say that a great wine is for sharing, but sometimes you are entitled to be selfish. Just as you have the right to watch a good film all on your own, you can enjoy a rewarding conversation with a great wine all on your own. There is one condition: don’t make others envious by telling them they have missed out, whereas you had it all to yourself! I frequently open a great bottle without regretting it later.
Have you ever thought about chemically enhancing yourself, or your wine?
Me, never, unless you count a glass of wine or an espresso…As far as I’m concerned adulterating wine is dishonest. A winemaker who does everything right can sometimes mitigate the effect of excessively hot summers and excessively cold or wet winters. If you genuinely give it everything the wine will always have something worth saying. Adulterating wine is just like Photoshop, you can never enhance the real thing. Or it may turn out that the wine is drunk by people who haven’t grasped the true value of the original, in which case it’s to do with customer education. Chemical intervention distorts the wine’s meaning. If you finally hit a brick wall, and the wine is really no good, your only options are to distil it or to make vinegar.
For what price would you be prepared to sell your estate?
That’s simply out of the question. People often say that everything has its price, but your love for your child is priceless. Would a mother sell her child? It’s almost an ethical and philosophical question. There are some plots that I might eventually sell some day, because of their limited agronomic potential, but without the good plots, the heart of the estate, there would be nothing left to live for.
What has been your most innovative strategy in the vineyard and in the cellar?
There is not much in the way of innovation. I am a fan of Einstein, who said that the most beautiful mathematical solution is always the simplest one. Innovation consists in seeking out the simplest and most beautiful pattern of work, to achieve beauty in the action of working. That involves giving up certain ways of doing things, even if you take advantage of other technical advances to relieve the more gruelling aspects of manual labour.
Who would be your ideal successor on the podium?
My son! Or my daughter, should she ever decide to work on the estate.
Winemaker, oenologist, and director of Château La Verrerie in Puget-sur-Durance: “The terroir is a triptych, with the human at the centre, the climate and the soil on either side”.
For the seventh in Le Figaro Vin’s series of interviews, we travel to the heart of the Luberon, in Provence, where Valentine Tardieu-Vitali, #44, has set herself the task of taking Château La Verrerie’s already impressive wines to an even higher level.
Le Figaro Vin: How does it feel to be crowned a winemaking champion?
Valentine Tardieu-Vitali: Taking on the challenge is energising in itself. Plus, it’s a feather in my cap. But you can never switch off if you want to stay at the top level. You have to stick to a rigorous regime.
Have you been training for long?
For a good ten years.
Wow! And always training with the same intensity?
Always the same intensity and no easing off.
How long do you train for on a daily basis?
For ten hours at least.
Every day, seven days out of seven?
No no, not seven out of seven, you must take the occasional break. I need to step back from time to time to get some perspective.
Five days out of seven then?
More like six days out of seven. Almost always.
And when you are competing – during the harvest?
Then I am busy day and night, seven days out of seven. It’s even more intense then. I become completely single-minded, exclusively focused on the quality of the harvest. Nothing else matters, nothing can distract me.
So you cut yourself off completely? Your sole focus is the competition?
Yes, it’s my only option. I have to win.
Who is your mentor?
I have a viticultural adviser and a vinicultural adviser, which makes two. And then I seek to talk things through with other leaders in the field, so we can share our knowledge, experience, and perspective.
Who are the other winemaking champions that you converse with the most?
First of all there’s my husband, Bastien Tardieu. I have other friends in wine who work at a very high level, particularly from Châteauneuf-du Pape. I also consult with Sylvain Morey, a colleague from our appellation.
Is wine a team sport?
Without any question. On your own, without a team, you are nothing. It’s through the choreography of each separate movement, repeated to the point of perfection, that you are able, step by step, to reach the heights. That’s the job I take on as team captain. I have to identify my players’ individual skills then put them in the positions where, with the right support, they can achieve their full potential.
What is the key to making a good wine? The terroir or the team captain?
The terroir is a triptych, with the human at the centre, the climate and the soil on either side.
To whom or to what do you owe your success?
I think it has a little bit to do with luck. As for whom? I would have to say Christopher Descours, because he trusted me to run La Verrerie estate, even though I was young and a woman! And then, underpinning everything, I have had to work for it.
When did you first fall in love with this sport?
When I was 16. I lived in Libourne, close to Saint-Émilion, where I went to see what this sport was all about. It was love at first sight and I’ve never looked back.
Do you ever dream of playing for Saint-Émilion?
No, I am happy where I am. I really love the Luberon appellation, which is still relatively undiscovered, and a natural environment. The approach to nature in the Luberon is markedly different from that in Saint-Émilion.
Are your parents proud of you?
I hope so, but that’s not what motivates me.
Who is your biggest supporter?
Christopher Descours.
Your favourite colour?
Red, because it is much trickier to master.
Your favourite wine?
Le Grand Deffand, because you have to give it everything you’ve got. It competes at an elite level, has an exceptional blend, and achieves outstanding results.
Have you won a lot of trophies with Le Grand Deffand?
I couldn’t care less about trophies. Nevertheless, it is beginning to win some. More importantly, it’s beginning to make its name. That’s why I really love this wine. On top of that, it’s quite unique.
How would you describe it in three words?
I would say it has elegance, subtlety, and soul. It has a soul precisely because so many people have contributed to its success, and that shows.
Your favourite vintage?
2006.
Why?
Because the wine is extremely subtle. It’s like velvet on the tongue and it ages really well. And, by no means least, because this vintage didn’t enjoy the greatest of critical receptions, which now gives it the element of surprise.
How do you see the rest of the 2023 season panning out?
I think we are well prepared even if, as things stand, we are always worried about drought. But we are constantly finding better and better ways to cope with the hazards of climate change.
Do you agree that the quality of your league increases with every season?
Yes, but then I also become more and more demanding. We have to be even better prepared and control every part of our performance. So yes, inevitably, we have to up our training even further, and perhaps I have to be more selective when it comes to picking my team.
Is the transfer market faring well?
It’s complicated. My teams are actually pretty well settled, but I would still like to build a bit more for the future and try to integrate more young players.
Do you have a mascot?
Of course, we have Marguerite. She is an eight-year-old Cairn Terrier and the mascot for La Verrerie. She supports us every day and she is always there, at every stage.
Head of Domaine Marquis d’Angerville, which has been in his family for 220 years: “A musician once said to me…d’Angerville wines are Bach”.
For the sixth interview in Le Figaro Vin’s series we make our first visit to Burgundy where Guillaume d’Angerville, #45, creates some of the region’s most elegant wines.
Le Figaro Vin: How does it feel to be crowned a winemaking champion?
Guillaume d’Angerville: I don’t feel anything because I don’t see it that way. From my perspective, it’s my terroir that is the winemaking champion, not me. I am very fortunate to work with these terroirs and my job is to do my best to help them achieve their full potential.
Have you been training for long?
My background is rather unusual. My father strongly encouraged me to do something else with my life before taking on the estate and I followed his advice. I was a banker for many years. I still spent a lot of time on the estate, of course, and I rarely missed a harvest. My real training only started 20 years ago. 2022 was my 20th harvest.
Who is your mentor?
I have a number of mentors. I was lucky enough to spend a lot of time with Aubert de Villaine (of Domaine de la Romanée-Conti, ed.) over a period of almost 10 years, when we jointly ran the team applying for World Heritage site status from Unesco. We worked together closely and, without being aware of it, I learnt a great deal from him during that time – even though we never talked directly about our estates or how to make wine. We remain sufficiently close for me to call him from time to time when I have a question, or feel uncertain, or want to get a different perspective on things. I should also mention two other mentors, Dominique Lafon and Jean-Marc Roulot, who, by a strange coincidence, are both from Meursault. They were enormously helpful when I took over the estate. They are not so much mentors as interlocutors with whom I can have the kind of completely honest conversations that help me progress.
Is wine a team sport?
Yes of course, you might even say that our wines would be every bit as good if I wasn’t there. I am just a team leader. I try to instil a desire for excellence in my team, but it’s the team that does the work. Good wine starts in the vineyard, and our vines are tended by a team of winegrowers who are passionate about their craft. Everything else flows from that: the harvest, the vinification, the élevage. My role is to supervise, to make sure we attend to every last detail in order to achieve the best possible results.
What is the key to making a good wine? The terroir or the winemaker?
Without a doubt, the terroir matters more than the winemaker. But without the winemaker the terroir cannot fully express itself. It’s a reciprocal relationship. A journalist once said to me, “Guillaume, your wines are not made they are born”. That made me realise that I am a bit like a midwife whose role is to help with my wines’ birth and ensure that they are born healthy, even that they are well brought up. When you have children, you appreciate that you have some influence, but you know that it’s limited. A child’s personality has to develop independently. You have to be there for your terroir, but also careful not to get in the way.
To whom or to what do you owe your success?
Above all, I owe my success to our very distant ancestors, to those Cistercian monks of Burgundy who understood the region and designed the template for Burgundian viticulture. We cannot overstate the fact that the Burgundy of today owes everything to those people who worked the land with quite extraordinary self-sacrifice and persistence. At a more personal level, I am indebted to my grandfather and my father, who have both played an exceptional part in our estate’s success. My grandfather was a major contributor to the fight against fraud in Burgundy, and to the move to estate-bottling. For 52 years my father was a servant to Burgundy wines. He left the estate in perfect condition with an impeccable reputation. When I came on the scene the level was so high that I had a long way to fall but, in all honesty, I couldn’t fail. I think I have moved the estate forward, through a combination of hard work, humility, and a passionate desire, shared with my team, to make the best possible wines. You have to have good people around you and that is one of my strengths: picking genuine talent and knowing how to delegate.
Was your father proud of you?
He never said so to me. Some kind souls have told me that he was, and I am soft enough to believe them.
Who is your biggest supporter?
I hope that my wife is. You could also say it’s a bottle of Clos des Ducs. My reputation, at some level, is indistinguishable from that of Clos des Ducs.
Your favourite colour?
Red.
The king of grape varieties?
You already know the answer, Pinot Noir.
Your favourite wine?
Clos des Ducs, inevitably.
Your favourite vintage?
I would pick out 1964 as the best vintage in living memory in Volnay. Were I to choose from the wines I have made myself, then it would be a very close call between 2010 and 2020, with 2020 just ahead, though it is still much too early to say. The jury is still out.
If your wine was a person, who would it be?
It is frequently said that a wine is like its maker. I like wines that are very elegant, very precise, very distinct, and very pure. A musician once said to me that Lafarge wines are Mozart and d’Angerville wines are Bach. That is high praise indeed. I wouldn’t dare say it myself, but I am delighted to hear it said.
What are the best circumstances in which to taste your wine?
With serenity, in a relatively small group, and ideally in my cellar.
With whom?
With friends, of course. The main thing is to taste with people who love wine, who do not overinterpret, who simply want to enjoy the wine and decide whether or not they like it. And I find, increasingly, that I prefer plain language, free from superfluous description, and a relaxed tasting, free from endless comparisons of one wine to another.
Have you ever thought about chemically enhancing yourself, or your wine?
Personally never, still less for my wine. It is a topic that crops up regularly these days, in conversations about global warming and its potential impact on Burgundy and on wine. I always say – somewhat guiltily – that global warming has some upsides for us, in particular that we now get to harvest fully ripened grapes which don’t need adulterating with sugar. Since I took over the reins, 20 years ago, I have never chaptalized my wines. The question came up in 2021 because the grapes had a much lower sugar content than usual. I chose not to add sugar and the alcohol level of my Volnay Premiers Crus is going to be in the region of 12.5% – the lowest in the last 20 years. The minute that we start to tamper with the grape juice that is destined to be wine, we upset a natural balance that we can never then recreate. It is better to stick with the natural balance.
For what price would you be prepared to sell your estate?
I cannot answer that question. You have to appreciate that the estate has been in my family for 220 years. I am the sixth generation. Since selling is not in the frame, you could say the estate is priceless.
Who is your strongest competition in Burgundy?
I can’t think of any. What is deeply intriguing about this region is that we are not competitors in the usual sense. Each winemaker has his unique terrain, makes distinctive wines, and has his own following. Every winemaker in Burgundy could sell his crop several times over. By the same token, in Volnay there are some very good winemakers and we are all friends. My real adversaries are the people who make my job much more difficult, all the bureaucrats who tie our hands with endless red tape. In all honesty, it’s bureaucracy that is the enemy.
What are you most proud of?
Do you know the quote from Winston Churchill? “My most brilliant achievement was my ability to be able to persuade my wife to marry me.”
What has been your most innovative strategy in the vineyard and in the cellar?
In the vineyard, I don’t know if I can claim that being biodynamic is an innovation, but it is the development that has truly changed my viticulture and my wine, and which now underpins the estate. As for the cellar, I cannot claim to have made any hugely innovative changes. I have often been asked: “What has your former profession as a banker brought to the table?” In banking every detail counts, and when you have to follow a process you approach it systematically, one step at a time, looking for incremental improvements. I have tried to replicate that approach in both the winery and the cellar, aiming for marginal gains: this year for example, we have invested in a state-of-the-art wine pump. We are talking minor details in themselves but, when you add them all up, they make all the difference.
Who would be your ideal successor on the podium?
We have a huge number of talented young winegrowers which makes me extremely optimistic for Burgundy’s future. Many of them have travelled elsewhere, tried out other ways of working, and have then come back full of promising ideas. Plenty of names spring to mind – and not necessarily only those who sell their wines at €1,400 a bottle. As for my successor at the domaine, that question is already percolating. I hope that by the end of the year, or next year at least, I will be in a position to announce who will take over.
Owner and winemaker of Château Haut-Bages Libéral in Pauillac and Château Ferrière in Margaux: “If it was a person my wine would be an opera-singer, like Pavarotti”.
The fifth in Le Figaro Vin’s series brings us back to Bordeaux to meet Claire Villars-Lurton, #46 best winemaker in France, who has embraced biodynamic viticulture to create her exquisite wines at her two estates. In her interview she shares her passion for a vocation to which she has devoted the last 30 years.
Le Figaro Vin: How does it feel to be crowned a winemaking champion?
Claire Villars-Lurton: I am not sure that I am a winemaking champion, but I do feel that I am now on the right path and that I have fully found my feet. When I started there was so much to learn and I really struggled. After a time I wanted to take the lead. Today I feel that everything I have set in train makes sense and that I have a clear grasp of the way ahead.
Have you been training for long?
Yes, for almost 30 years. I have tried a variety of approaches and it hasn’t always been easy. I question almost everything and am never satisfied, which prompts me to challenge myself and also to push my colleagues out of their comfort zone. I cannot bear being comfortable and I don’t like treading water. It is now over 20 years since I took over at Château Haut-Bages Libéral and Château Ferrière. For the last 15 years I have immersed myself in a comprehensive training in biodynamic agriculture. I think it’s wonderful that there is now so much awareness and appreciation of its methodology, so much expertise, research, and literature, all of which paves the way towards an alternative viticulture.
Who is your mentor?
I have a number of mentors. The most important guide on my biodynamic adventure has been Alain Moueix who, crucially, has convinced my colleagues that this is the way forward. Jacques Lurton has shared his expertise on all things wine. Alain Canet (agroforestry adviser to Château Cheval Blanc, ed.) has helped me with the planting of trees in the vineyards. Four or five years ago I, my husband Gonzague (Lurton, owner of Château Durfort-Vivens, ed.), and the agronomist Konrad Schreiber, set up a knowledge-sharing platform for winemakers to pool their experience and expertise, “La Belle Vigne”. I have found this really helpful.
Is wine a team sport?
More than ever, especially when you don’t take shortcuts and don’t introduce cultured yeasts. We have to work with what we have, so we need to operate as a team, from vineyard to cellar. Wine is a team sport played in front of a huge number of spectators who are focused on the product.
What is the key to making a good wine? The terroir or the winemaker?
Always the terroir! But you need both. You can make a poor wine from a great terroir, while a good winemaker can never work miracles with poor terroir.
To what do you owe your success?
I am not sure that I have been successful. I would say that I owe a great deal to my education and my family. I had dynamic parents who refused to rest on their laurels. Mum was a role model, even though she was very young when she left us, and I never got to see her at work. I felt secure in the knowledge that my grandfather, my uncle, and my husband all had my back. Becoming sole owner at 30 developed my sense of responsibility. I knew that my family was always there for me, so now I am delighted by the thought that my children want to take up the reins.
Are your children proud of you?
You would have to ask them, as they certainly won’t tell me, but I think so.
Who is your biggest supporter?
My husband.
Your favourite colour?
Orange, because it’s a warm, bright colour that’s full of energy. As far as wine is concerned then, of course, it’s red.
The king of grape varieties?
Entirely predictably, Cabernet Sauvignon.
Your favourite wine?
Château Haut-Bages Libéral 2018.
Your favourite vintage?
I really like 2020, which is a bit like 2010.
If your wine was a person, who would it be?
It would be an opera-singer, like Pavarotti. Brilliant and luminous, with a perfect timbre, at once powerful and restrained.
What are the best circumstances in which to taste your wine?
I try to make a wine that can be enjoyed whatever the circumstances. Ideally, it’s when you share it with good friends or with family, at your leisure and with a lot of love.
Have you ever thought about chemically enhancing yourself, or your wine?
Never! I am called Claire and a given name like that means that I cannot cheat. I think our first names determine who we are. I’m a completely open book, so much so that I reveal too much, reveal everything. So absolutely no chemical enhancement for me, not even make-up.
For what price would you be prepared to sell your estate?
Money doesn’t interest me. I will never sell. It’s not money that makes me happy; it’s the tool of my trade, my land, that brings me joy.
Who is your strongest competition in Bordeaux?
My husband. He’s not really a competitor – if he were listening, I don’t think he’d take it very well! – but, all the same, there’s a slight competitive edge between Gonzague and me, which makes us motivate each other and which always keeps us on our toes. We both want to do our best and he is always pushing me to the next level. I try to match him, or even outperform him [laughs]. We really complement each other, and we admire each other a lot; for me to love someone is to admire them.
What is the competition that you fear the most?
People who cheat or use others to get ahead. I try to succeed on my own merits.
What are you most proud of?
My children.
What has been your most innovative strategy in the vineyard and in the cellar?
Bringing trees into the vineyard, embracing agroforestry, all the work we put in today to support the soil as a living organism. Our approach is to work organically, from the soil and roots up, to produce robust, healthy grapes more resistant to diseases and parasites.
In the cellar we have developed an innovative approach to protecting our wine against oxidisation, one which allows us to use the least sulphur possible, thereby reducing additives to a minimum. The active ingredient in sulphur is only part of the whole element. Although sulphur is indispensable, its use in the battle against oxidisation can be radically reduced, and that’s where our work is bearing fruit. Indeed, we are pioneers in the field.
Who would be your ideal successor on the podium?
My children, obviously. Inheritance is a central part of our Latin culture. I inherited my property and I want to leave something for the next generation.
Founder and first-generation winemaker of Domaine Giudicelli: “Making wine requires serious commitment”.
For the fourth in Le Figaro Vin’s series, we cross the water to Patrimonio, in Corsica, where Muriel Giudicelli, #47, creates her exquisite island wines. Here she shares her journey as a self-taught winemaker, on land she cherishes with a deeply-felt love.
Le Figaro: How does it feel to be crowned a winemaking champion?
Muriel Giudicelli: I am very proud for my appellation and for raising the profile of Patrimonio. I am a first-generation winemaker in Corsica, not a Corsican by birth. I want to play my part as an ambassador for this splendid terroir.
Have you been training for long?
From the age of thirteen! I have always been in it for the long haul. Wine was a shared family passion, which gave me an early appreciation of it and spared me the messy pitfalls of adolescent drinking.
Who is your mentor?
My parents, who were engaged in a continual tug of war. My father was on team Bordeaux, my mother team Burgundy. So I was the fortunate beneficiary of a double initiation, even if I have to acknowledge that Burgundy won out.
Is wine a team sport?
Yes, absolutely, as embodied in our estate: my husband takes care of the vines while I take care of the wine. And our team is soon going to get bigger, as our children are joining us. That makes me very happy and it will keep our egos in check.
What is the key to making a good wine? The terroir or the winemaker?
The terroir. A great winemaker can make a decent fist of inferior terroir but never a great wine. On the other hand, on good terroir, even a poor winemaker given a fair wind, who sits back and largely lets nature take its course, has a chance of producing something good.
To what do you owe your success?
I was lucky to love cooking, combining the right ingredients with a good sense of taste, without ever following recipes. I use the same process in my cellar. While my daughter is studying cookery, I don’t think that studying viticulture and oenology is essential, because you are always having to unlearn what you have learnt. In order to make wine you need to know how to taste, think ahead creatively, and, above all, make the best of what you’ve got. It all comes down to balance.
Are your parents proud of you?
Yes, very proud. They are great wine lovers. That said, my father is completely partisan. Even when my first efforts at winemaking were dreadful, he was full of praise. My mother, who taught in primary schools, has a discerning palate and strictly objective standards. As a result, she is far harder to please. When she tells me that a wine is “not bad”, that’s a real compliment.
Your favourite colour?
Red. Because it’s hard to mess up a white wine in Patrimonio.
The king of grape varieties?
Niellucciu (a red grape variety native to Patrimonio, ed.). It has the temperament of a Corsican, so you need to handle it with tact and diplomacy. You must always take pains to understand it. I didn’t understand it when I started, so that drinking my wines was truly like scaling your teeth.
Your favourite wine?
A blend of Niellucciu and Sciaccarellu, which comes out in 2024. Its name will be Terra Ros (Red Earth, ed.) because the vines are rooted in red clay soil.
Your favourite vintage?
2016, for both reds and whites.
If your wine was a person, who would it be?
I hope it is like me.
What are the best circumstances in which to taste your wine?
Among friends around a good meal. The psychological factor plays a big part in tasting, perhaps even more than the wine itself.
Have you ever thought about chemically enhancing yourself, or your wine?
I used additives when I started, not knowing how to vinify. I was all over the place, trying out different concoctions, which is why I want to spare my children from making the same mistakes. It was truly sad, I was hopeless.
For what price would you be prepared to sell your estate?
The question has come up, because there was a long period when my children didn’t want to take it on. But we could never bring ourselves to fix a price, because of our visceral attachment to our land. I cannot put a price on it.
Who is your strongest competition in Corsica?
Rather than a competitor, it is someone who has been much more a mentor. Antoine Arena’s opinion really matters to me and he was the person who helped me get established. I think that, by now, I have earned his approval, which is a big thing, because he has an overall responsibility for the appellation. I would hate to disappoint him. He is something of a spiritual father to me.
What has been your most innovative strategy in the vineyard and in the cellar?
A battle I won with myself. I had some pretty fixed ideas when I started and didn’t believe in temperature regulation. Although I remain convinced that it’s a heresy in the case of white wines, I was forced to use it to deal with a micro fungus which affects the vines we use for my reds. This has required maintaining a temperature of around 25°C. I now realise that this has greatly improved the tannin extraction. It has markedly changed the profile of my reds.
Who would be your ideal successor on the podium?
I hope it will be my children. They have learnt that making wine is not just about having fun; it’s a serious business, which requires serious commitment. It is also a commitment to the appellation.
The technical director revolutionising Pomerol’s Château L’Évangile: “If my wine was a person, it would be Catherine Deneuve”.
Wine Lister’s parent company, Le Figaro Vin, has launched its inaugural series of the 50 best winemakers in France in 2023. Interviews with each winemaker making the top 50 will be published throughout the course of the year – in French on the Le Figaro Vin website, and in English on Wine Lister’s blog. The first in the series, #50, is Olivier Trégoat – Technical Director of Pomerol’s Château L’Évangile. Here he shares the highlights of his viticultural journey so far. In just a few years, Olivier Trégoat has managed to realise the full potential of l’Évangile, getting the most out of the appellation’s natural generosity, while reinstating a remarkable freshness in the wine.
Le Figaro: How does it feel to be crowned a winemaking champion?
Olivier Trégoat: I am very happy, but give most of the credit to the team, as it is, above all, a real collective effort. Alone, I would be good for nothing.
Have you been training for long?
Yes, I’ve been training since 1997. Everything I’ve done in my previous winemaking roles contributes to what I have achieved at L’Évangile. I got my start in Saint-Émilion, which catalysed my interest in soil studies – while my previous job as an independent consultant for large Bordeaux estates (including Château Cheval Blanc) was invaluable.
Who is your mentor?
At the start of my winemaking journey, it was Kiss Van Leeuwen, a viticulture professor at Bordeaux Sciences Agro and the Institute of Vine and Wine Sciences (ISVV). Today, my mentors are my neighbours in Pomerol – whose proximity prevents me from making mistakes and provides me with constant inspiration.
What is the key to making a good wine? The terroir or the winemaker?
The terroir. For me, climate and soil make up 80% of the wine.
To what do you owe your success?
To my education, my curiosity, and the tools at my disposal – a triptych of soil, vine, and wine.
Is your family proud of you?
Yes, I’m sure they are.
Who are your best supporters?
Paradoxically, some of my competitors, but also my former clients from when I was an independent consultant.
Red or white wine?
The older I get, the more white wine I drink!
The king of grape varieties?
Cabernet Franc. At Château L’Évangile, it’s a grape variety that we will continue to plant and conduct research into – particularly because of its freshness. And also because I love the wines of the Loire Valley!
Your favourite wine?
Château L’Évangile 2006. It is a harmonious vintage that offers the delicate touch of l’Évangile’s hallmark tannins, alongside a more fleshy characteristic – but without excess, and still retaining a beautiful freshness.
Your favourite vintage?
2011 – something slightly different. It was not well understood around the time of its release, and it came after 2009 and 2010, which were widely-recognised as exceptional vintages. It’s just starting to open up today.
If your wine was a person, who would it be?
Catherine Deneuve. A great, timeless actress who knew how to challenge herself in different roles.
What are the best circumstances in which to taste your wine?
Drink it with people you love.
Have you ever thought about chemically-enhancing yourself, or your wine?
No, never. Nature is generous in Pomerol; I always say that I have my foot on the brake rather than the gas.
Who is your strongest competition in Pomerol?
Château Lafleur.
Which competitions do you dread the most?
Frosty periods in early April.
What was your greatest win?
I had beginners’ luck. My entire career in wine so far has been a bit like a race in which I have ended up on the podium against all odds!
What has been your most innovative strategy?
While we do things in a very simple manner in the winery, in the vineyard, we make very rigorous intra-parcel selections on different soils. I sometimes say that we harvest in a Sauternes style. We love to split hairs during this critically decisive period. It’s a real challenge to be a winemaker in Pomerol today.
Who would be your ideal successor on the podium?
On the podium, Château Lafleur. They are very sharp and precise in what they do, with consistently good ideas. And for my successor at the estate, I don’t know yet…
A few words about the estate:
The property was founded in the mid-18th century under the name “Fazilleau”. At the beginning of the 19th century, the Léglise family, who played a significant role in expanding the vineyard, sold it to a lawyer named Isambert, who renamed it L’Évangile. He expanded the estate to around 13ha – not far off its current size.
Since 1990, Château L’Évangile has been under the helm of Baron Éric de Rothschild, who also owns Château Lafite in Pauillac (among others in the appellation), as well as Château Rieussec in Sauternes. His daughter, Saskia, a former New York Times correspondent writing from the Ivory Coast, and the author of a novel, joined her father in Bordeaux in 2017. The estate has benefitted from significant investments, as well as the technical expertise of the Domaines Barons de Rothschild (Lafite) teams for over 30 years. Juliette Couderc was appointed Chief Operating Officer in 2020, having previously managed the vineyards of Chinese estate, Long Dai, which also belongs to the group. She works alongside Olivier Trégoat.
As the year draws to a close, Wine Lister has published its 2022 Wine Leagues – the third of our annual reports celebrating the top-performing wines and producers within several categories over the past year. The Leagues reveal exciting developments in the world of fine wine, shining a light on consumer trends and estates on the rise, informed by an in-depth trade survey with key industry figures.
Please see some of our key findings below, or click here to download the full study.
With a bank of knowledge on some of the world’s most delectable wines, sommeliers have the ultimate insider insight into which bottles are worth picking up. With this in mind, Wine Lister asked some of the world’s top sommeliers to share with us their favourite wines retailing for under £35 per bottle.
Clockwise from top left: Joshua Castle (Noble Rot), Lesley Liu (Odette), Marc Almert (Baur au Lac), Martin Jean (Domaine les Crayères), Sara Rossi (Trinity)
Joshua Castle (Noble Rot, London)
Joshua contends that “without a shadow of a doubt, Greece is producing some of the best value-for-money wines”, noting that “the most successful producers are tapping into the country’s long viticultural history, wealth of old vines, and indigenous varieties”. He cites white wines produced from grapes such as Robolla, Roditis, and Savatiano “have been a huge success in the UK on-trade” while his pick his for “a great-value Greek wine is the red Agiorgitiko ‘Natur’ from Tetramythos, a producer based in the Peloponnese”. “Acidity, fresh flavours, and light extraction are on the agenda”, according to Joshua, who admires winemaker Panagiotis Papagiannopoulos’ tempering of Agiorgitiko’s often tannic profile – resulting in a bright crunchy expression. “I first drank it at the fantastic central Athens wine bar ‘Heteroclito’ where its energetic fruit, moderate alcohol, and glou-glou style has me hooked.”
Agiorgitiko ‘Natur’ 2021 can be found in Noble Rot’s London wine shop, Shrine to the Vine, for £17 per bottle
Lesley Liu (Odette Restaurant, Singapore)
Lesley recommends a Torrontés, citing how well it compliments the tropical climate of Singapore with its refreshing minerality and “lingering floral and sweet notes of delicate exotic fruit, fleshy citrus, and wild honey”.
Lesley is particularly impressed by the barrel-fermented Torrontés produced by Susana Balbo – the first woman in Argentina to graduate with a degree in oenology. Lesley describes it as “a new chapter for Torrontés”, due to the complexity imparted by the French oak barrels – “an unusual choice for aromatic varieties”. She commends the versatility of the grape, which lends it to being a great match for all manner of Asian dishes as its “acidity can cut through the oil present”.
Susana Balbo Signature Barrel Fermented Torrontés 2019 can be found in Roberts and Speight from £18 per bottle.
Marc Almert (Baur au Lac, Zürich)
Marc points to the wines of Côtes du Rhône for “some of the true best-buys in French wine”, and advocates looking beyond the big-name appellations such as Châteauneuf-du-Pape and Côte Rôtie, and instead towards smaller regional appellations which “often offer great ‘bang for your buck’, whilst displaying a sense of terroir”.
Marc recommends the Mistral Domaine de Ferrand. “The Bravay family named this highly-quaffable entry into their portfolio after the namesake northwesterly wind which is key to Rhône Valley viticulture.” He praises its palate, which boasts “a rich array of violet, spice, and of course dark red fruits” and says that “it possesses a great acidity back-bone, soft tannins despite its youth, and is the kind of red wine I like to enjoy after a long service.”
Mistral Domaine de Ferrand 2020 is available from Hedonism Wines for around £19 per bottle.
Martin Jean (Domaine les Crayères, Reims)
Martin shares a recent favourite from a blind tasting with friends – “a sommelier friend had brought the Jaspe 2016 cuvée from Dominique Hauvette. It was a real favourite during the tasting, and something that I would want to share around a barbecue, with some grilled spiny lobster, decorated with some Provençal tomatoes, and an eggplant pie – simple dishes to share with family and friends.”
Martin praises this biodynamic, Roussanne-dominated cuvée for “its balance, its vibrancy, and saline notes”.
Domaine Hauvette ‘Jaspe’ 2016 is currently difficult to find in the UK, but can be found in outlets abroad such as Terroirs in Dublin from around £34 per bottle (excl. shipping).
Sara Rossi (Trinity Restaurant, London)
Sara has always been “fascinated by Slovenian wines because of their unique style and personality”. She particularly recommends Cotar Terra Rossa, a blend of Teran, Merlot, and Cabernet Sauvignon, describing its “delicate aromas of violet, sour red cherries, rosemary, and sage”. Sara praises its “refreshing acidity and firm tannins”, as well as its “long and complex finish”. Her ideal pairing for Terra Rossa would be “homemade truffle linguini pasta or roast grouse”.
Though currently unavailable in the UK, Cotar Terra Rossa 2009 can be found in European retailers such as Germany’s Vinoteca Maxima from £22 per bottle (excl. shipping).
The Place de Bordeaux’s 2022 September campaign has seen its third week of releases, with a number of key entries including the likes of Pym Rae 2018, Dalla Valle Maya 2019, and Château Palmer 2012.
The Armagh vineyard in autumn
Following a UK bank holiday on Monday to mark the funeral of Queen Elizabeth II, Tuesday 20th September morning saw several releases in quick succession, starting with Pym Rae 2018, which entered the market at a recommended retail price of £270 per bottle. Tasting at the CVBG Beyond Bordeaux London event earlier this month, Wine Lister’s Founder and CEO, Ella Lister found this vintage to be a real step-up from the Tesserons’ Californian outpost, awarding the 2018 96 points and noting “exceptional balance, the texture of taffeta, and an addictive softness”.
Another standout release, Telmo Rodríguez’s Yjar saw its second ever vintage – 2018 – released through the Place at £95 per bottle (in-bond). Tom Parker (tasting for jancisrobinson.com) awards a score of 17, while Ella scored 96 points, comparing its balance to that of “a ballet dancer, toned and delicate”, noting that it is “the perfect wine for today’s palate”. The 2018 vintage saw a production volume of just 6,000 bottles – a reduction of 1,000 bottles compared with the 2017.
The Armagh Shiraz 2018 was also released on Tuesday at £165 per bottle (in-bond), with Ella awarding 95 points and describing the latest offering from Jim Barry as “rich and opulent” – a vintage “worthy of the 50 years since the first Shiraz was planted at the domaine in 1968”.
Wednesday 21st September saw the release of Le Petit Cheval Blanc 2020, which entered the market at £100 per bottle (in-bond). It was shortly followed by Giovanni Rosso Barolo Ceretta 2018, released at £51 per bottle (in-bond). Walter Speller (for jancisrobinson.com) awards the latter a score of 17++, describing it as “simply gorgeous” and praising its “beautifully sculpted chewy tannins”.
Next up on Wednesday, Dalla Valle Maya 2019 was released at £464 per bottle (in-bond), marking the first vintage produced since the estate committed fully to biodynamic practices. Another first – Château Haut-Batailley introduced its 2016 vintage to the market at £36.67 per bottle (in-bond). A transitional year, the Cazes family acquired the estate shortly before the 2016 primeurs and oversaw blending, while vinification had been carried out by the previous owners (the Borie family) – provoking the decision to withhold its release. The 2016 bottle features a transitional label – neither the previous label under the Borie family, nor the new label under the Cazes family, debuted in 2017. Neal Martin (for Vinous) awards the 2016 94 points, calling it “an outstanding Haut-Batailley”.
Château Palmer released ex-château stock of its 2012 vintage on Thursday 22nd September, the third vintage to be released from the estate’s “Ten years on” series. Since 2010, approximately half of each year’s production has been reserved in the cellars, while the remaining half is sold en primeur. The 2012 vintage was released at £257 per bottle (in-bond), having achieved scores of 17 from Jancis Robinson (for jancisrobinson.com) and 94 from Antonio Galloni (for Vinous).
Also released this week were Cobos 2019 and Clos des Goisses 2013.
Likely to be released next week are Kracher Tba N°5 Grande Cuvee 2019c, Château d’Avize 2012, Morlet Cœur de Vallée 2019, Allegrini Fieramonte 2015, La Poja 2017, and Biserno 2017.